Pitchfork Recap: Saturday’s Biggest Moments

Saturday started out rough. The weather was very uncooperative, with rain coming down hard off and on for the first few hours of the fest. It even got so bad that Cloud Nothings shorted out their PA during their set. I arrived a little later than I planned in hopes of missing most of this, only to show up right in the middle of a downpour and to find there was no power in the press tent, which was extra steamy with no fans running. The only band playing at the time was black metal band Liturgy, which didn’t help much, either. Still, around 4:00 things started to turn around, and after the Murderer’s Row of Flying Lotus, Wild Flag, Sleigh Bells, and Hot Chip, Saturday turned out to be probably the strongest day of the festival.

Best Set: Hot Chip
I worry that people are taking Hot Chip for granted. They put out a pretty good/great album every other year and always put on a fantastic live show, yet I feel a lot of people just forget about them. It’s the curse of being consistent. If the band feels like people are sleeping on them, however, they didn’t let it show. They kicked off things with a more soulful rendition of “And I Was a Boy From School,” then tore through a set of old hits (“Over and Over,” “One Life Stand”) and new ones (“Flutes,” “Don’t Deny Your Heart”). They even tossed in a cover of Fleetwood Mac’s “Everywhere” for good measure. They did their best to remind people that they’re still around and that they’re still great. Let’s hope it worked.

Biggest Surprise: Flying Lotus
If Hot Chip had the #1 set on Saturday, Flying Lotus had #1A. I’d given his albums a listen a few times, but they’ve never connected with me. But seeing him live, where he could mix in things like Portishead’s “Machine Gun” with songs off his last album Cosmogramma, finally made it click. He was definitely responsible for two of the day’s best moments. The first was when he dropped “Simon Says,” which made me and every other right-minded individual lose their shit. The second was when he stopped three-fourths of the way through the set to tell everybody how drunk he was and that he was “going to switch to normal shit, unless you want to hear more of that drunk shit.” He closed out the set with a seriously beefed-up instrumental version of “Hard In Da Paint,” and he found himself with at least one new fan.

Ballsiest Move: Godspeed You! Black Emperor as Saturday’s headliner
Before Saturday, I probably would’ve considered myself a GY!BE fan. After Saturday evening, when I stood there for ten minutes listening to the same note, wondering if they had even started playing yet, I realized that my fandom was really based on the fact that they were the go-to band for me to play during my 3-6AM shift at my college radio station when I needed to go to the bathroom or just didn’t feel like doing anything. Having said that, hats off to the person/s who fought to have these guys close out the day. People who spend a lot of time on the internet like to think that Pitchfork is basically the mainstream, even if most of the rest of the world only know it as “that hipster music site” (if they know about it at all). Ending the biggest day of your festival with an experimental ambient act is a good way to show that you’re still pretty much outside the mainstream.

Pitchfork Music Festival Finalizes Lineup: Beach House, Wild Flag & More Join the Fun

Today, Pitchfork added the final batch of bands to its 2012 music festival lineup, well ahead of the July 13-15 weekend where the excitement will go down in Chicago’s Union Park: Beach House, Wild Flag, Real Estate, Atlas Sound, Big K.R.I.T., Nicolas Jaar, Cults, Chavez, Ty Segall, Oneohtrix Point Never, Youth Lagoon, Thee Oh Sees, King Krule, Lotus Plaza, Dirty Beaches, Lower Dens, Milk Music, the Psychic Paramount, Unknown Mortal Orchestra, Outer Minds, and A Lull. The festival might not ever be as fun as the year when they sold Sparks at the beer tents, but sometimes life forces you to make sacrifices for sanity’s sake. You can look at the final lineup, which is looking pretty healthy, after the click.

Pitchfork, in my opinion, is the best deal in national music festivals. For the cost of a one-way plane ticket, you get to see dozens of relevant, high quality bands at varying points in their life cycle: buzz acts finding their live presence, indie veterans who’ve settled into a comfortable set list, and the random top-shelf name brand gifted with a headlining set for a crowd that’s absolutely reveretial of their presence. And the people watching! The people watching is absolutely superb. Three-day passes are sold out, though you can still purchase individual one-day tickets if that weekend is still looking free on your schedule.  

Friday, July 13:

A$AP Rocky
Willis Earl Beal
Big K.R.I.T.
Clams Casino
Dirty Projectors
Tim Hecker
Lower Dens 
The Olivia Tremor Control
Outer Minds 
Purity Ring

Saturday, July 14:

The Atlas Moth
Atlas Sound 
Danny Brown
Cloud Nothings
Flying Lotus
Godspeed You! Black Emperor
Hot Chip
Nicolas Jaar 
Lotus Plaza 
The Psychic Paramount 
Schoolboy Q
Sleigh Bells
Wild Flag 
Youth Lagoon 

Sunday, July 15:

A Lull 
Beach House 
Dirty Beaches 
The Field
King Krule 
Kendrick Lamar
The Men
Milk Music 
Thee Oh Sees 
Oneohtrix Point Never 
Real Estate 
Ty Segall 
Unknown Mortal Orchestra 
Vampire Weekend