Helen Mirren Calls Out Sam Mendes and Hollywood’s Boys Club

Yesterday, Empire magazine held its annual Empire Awards in London, handing out honors for last year’s crop of movies. It was a typical British affair, with Skyfall winning Best Picture, Martin Freeman winning Best Actor for The Hobbit: An Unexpected Journey (that’s a burn, Daniel Day-Lewis), and Jennifer Lawrence winning Best Actress for Silver Linings Playbook The Hunger Games. (Ha ha, what? Alright, sure. Whatever.) And it seems that two winners sparked some controversy. First, Sam Mendes picked up Best Director for Skyfall, and in his acceptance speech he gave a short list of his cinematic inspirations. Helen Mirren, who received the Empire Legend award (code for: "You’re old"), blasted Mendes and his list, complaining that he forgot to mention any women.

According to The Guardian, Mendes name-dropped four big names: Paul Thomas Anderson, François Truffaut, Martin Scorsese, and Ingmar Bergman. Mirren wasn’t too pleased that those names all belong to men. 

"I don’t want to unduly pick on Sam Mendes, but when he spoke about his inspirations earlier this evening, I’m afraid not a single one of the people he mentioned was a woman," said Mirren, to cheers from the audience. "Hopefully in five or 10 years, when Sam’s successor is collecting their Inspiration award, the list will be slightly more balanced in terms of its sexual make-up. In the meantime, this one is for the girls."

OH YEAH, HELEN MIRREN? NAME SOME GIRLS, THEN! Just kidding: making lists of women who should be honored isn’t the right response, because, come on, there are plenty of female filmmakers who are responsible for great movies. Of course, they tend to be overlooked for several reasons, which is a shame, especially since one could argue that Kathryn Bigelow’s work on Zero Dark Thirty was probably better than Mendes’s direction in Skyfall. Having said that: good for Helen MIrren for making a statement. Calling out the rampant sexism in Hollywood is surely seen as, well, complaining, but it’s at the same time encouraging to the women who are working hard to make excellent films and not getting the recognition they deserve.

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Stage and Screen Actor Lee Pace Talks Shop

Lee Pace had me at “Hello.” Or, rather, the film equivalent, which was 2006’s The Fall. Spectacularly strange and visually arresting, that movie made an instant devotee out of me. Though the tall, dark, and handsome actor had been in the biz for a few years prior to this weird and wonderful discovery, I’ve followed the 33-year-old’s trajectory ever since—and re-watched The Fall more than a few times.

Fast forward to 2012, which has been especially packed for Pace, featuring roles in Lincoln, Breaking Dawn: Part 2, and The Hobbit: An Unexpected Journey. Indeed, it’s safe to say that he’s had a good year, especially considering all three titles hit theaters (for all intents and purposes) simultaneously. This triple whammy of sorts simply must bode well on the success scale. 

From indie flicks like A Single Man and Ceremony, to blockbuster franchises, this guy’s got that special something that attracts casting directors and keeps crowds captivated. Beyond the big screen, New Yorkers can currently catch Pace as Italian composer Vincenzo Bellini in Terrence McNally’s Golden Age, a play directed by Walter Bobbie with performances through January 13 at Manhattan Theatre Club. Age audiences are granted a backstage pass to listen in and look on, taking in behind-the-scenes goings-on during opening night of Bellini’s last opera, I Puritani, at the ThéâtreItalien in Paris. Part comedy, part drama, the two-and-a-half-hour-long performance paints a living picture of what it might have been like to be there. 

The charming and approachable Pace was sweet enough to take time before taking the stage recently to talk about a few things. From his privileged yet hectic career to memorable moments, from his stance on New York to his “heartthrob” status, Pace provides a refreshingly sincere look at his life. 

So, you’ve had a super busy year…
It has been a busy year. I’m really feeling it now that the year’s coming to an end. These movies came out this past month and now we[’re] doing eight shows a week [for Golden Age]. It’s been a lot of work, so I’ll to be looking forward to a quiet new year. But, it’s been great. It’s good to be busy. There’s nothing I like more than being busy. Good characters to play and good people to work with. There’s been a lot of that this year, so I couldn’t be more grateful.

Is there any reprieve during the holiday?
Theater schedules through the holidays are relentless. I guess I figured we’d still be doing eight shows a week, but it’s tough. There’s so many shows. But, it’s good. It’s a privilege to be able to do the show for people. That people want to come is awesome.  

Given your recent roster, are there any standout moments of 2012?
Shooting scenes with Steven Spielberg in the Congress (sic) [for Lincoln], that was pretty incredible. Big scenes, lots of extras, a couple cameras moving. You really feel like, Wow, I’ll remember this. It kinda doesn’t get better than this. Then, I went to New Zealand to work on The Hobbit for a couple months. To be on those sets, which [were] equally incredible, and to collaborate on and play a character that is the product of so many people’s imaginations—Peter Jackson, Philippa Boyens, Fran Walsh and the costume designers—[was] very, very special. 

Any funny stories that you recall?
Funny things happened, but I always forget them. I am such an idiot. 

[Laughs] Okay, any instances on stage where you feel compelled to burst out laughing?
We really like each other a lot. All of the guys [in Golden Age] shar[e] a dressing room. We have so much fun during the half hour, talking. Ethan Phillips is one of the funniest people I’ve ever met and he keeps us going all through the half hour, so there are times I’ll look at him on stage and remember a joke he told and I have a hard time not laughing. 

I can imagine. What’s it like portraying a real life character versus a fictional one?
Both Fernando Wood [of Lincoln] and [Bellini of] Golden Age are based on real men. You want to have a certain respect for who they were. You want to find a connection to the real person. Understand them from an actor’s point of view, which is different from a historian’s point of view and different from a writer’s point of view. 

For sure.
In Golden Age, it’s a character. It isn’t a biopic of Bellini. This is a work of art. Terrence McNally is using the character to tell a story. I see it as my job to connect the dots between Terrence and me and Bellini, who wrote this beautiful music. I tried to figure out what it was about him, who he was, the details. There’s so many things that go into making a character.

I bet. Your Bellini also displays distinct mannerisms, tending to twitch and putter a bunch…
[Laughs] Twitch and putter. I’ll remember that tonight when I’m twitching and puttering. [Laughs]

It’s not intended as an insult!
No, he is very twitchy and putter-y. Where I started with my research was listening to the music and really trying to understand that music and believe that that music was coming out of me, that I’d written it. Before I started, I couldn’t imagine what it would be like to create something like that, to write music as complicated as this music. Just trying to get myself into that headspace, being backstage listening to it, that’s where I really started working out the physicality and how I moved. It kind of grew from that, so that the nervous energy finds its way into keeping the beat with the opera. He’s not a neurotic man. He’s concerned about how this artistic effort is going to be received by a discerning audience of people that he respects. He wants to do something that will be meaningful to them. It’s all about the music. He takes this opera that he has created extremely seriously. 

As you do your own work…
On the good days! No, I do. When you work with people like Daniel Day-Lewis, Steven Spielberg, and Peter Jackson, you see how they take it seriously. It’s meaningful. They’re so talented. On set with Steven Spielberg, everyone felt how much that story meant to him, the story of the 16th president. Everyone on that set felt it and [was] inspired by it. And that’s how we all found ourselves on his page, because he’s inspiring. 

Wish I could have been there! So, theater versus film? Is there one you prefer?
They’re very, very different. I can’t say I prefer either one because I love both for different reasons. In film, you have very little time to get it right. And it’s not even about getting it right, because it’s important to let go of that way of thinking about it. You get what you get and move onto the next setup, onto the next scene. On stage, George C. Wolfe, who directed me in [the play] The Normal Heart, called it the actors’ revenge, because you have to step onstage every night and tell the story yourself. You just have to do it yourself. 

In a movie, you turn over your performance to the director and the editors to edit and to layer in sound and everything else that makes the performance emotional or funny or whatever. In theater, you have to land the jokes yourself. You have to understand what’s funny about it. You have to kind of feel the audience. What they’re about on any given night. With a movie, you don’t have that. You can’t do that. In The Hobbit, we can’t feel what the house is going to be like before we do it. 

Of course not. So, onto something still loftier, what’s been the greatest challenge of your career?
If I could name a challenge, it would be laughable compared to the challenges so many other people face. It’s the “funnest” job in the world. I guess the biggest challenge I could say these days is just taking it seriously. When you’re in your thirties, the parts get good for men. You get really interesting characters. That’s what I’ve noticed. Complicated men dealing with complicated things. Seeing that there’s so [much] more to investigate about the way people are, and communicat[ing] those things to an audience, that’s the challenge. You want [the] stories to be good and you want them to be truthful and that’s a challenge. 

Seeing as this is an NYC-centric outlet, where exactly are you based?
I’ve been living here while I do the play. But, I live outside the city now. I live up in the country. It was a new move. I’d lived [in New York City] for a long time, since I was 17. 

How do you like living off-island?
I like it a lot. I love New York City. I’ve spent my adult life in New York City. I have a really complicated relationship with New York City, as every New Yorker does. You can’t go through almost 15 years [here] and not have a complicated relationship with it. Part of that relationship is, I’m going to take a little break and live in the country. [Laughs]

I hear that. Lastly, any thoughts on being considered by some to be heartthrob, a sex symbol?
Oh god no. What does that mean? I have no comment about that. I don’t know what to say about that. It’s news to me. 

What Each Upcoming Blockbuster Movie Makes Me Think Of

The marketing for end-of-the-year Oscarbait and big franchise films is already in circulation, but it’s about to get relentless. As of today, though, what pre-impressions have these upcoming releases left upon a passive viewer? I’m going to do a little word association to find out.

Argo: “Beard.” My brain apparently considers this a movie about beards.

Led Zeppelin: Celebration Day“Ghosts.” Alternatively, Led Zeppelin could be holograms in this.   

Paranormal Activity 4“Led Zeppelin.”

Skyfall“Alone.” Thanks a lot, Quantum of Solace, now my wife will never watch another Bond film with me.

The Twilight Saga: Breaking Dawn Part 2“Contractual.” Nothing better than a sequel made by a bunch of people who’d rather move on with their lives!

Universal Soldier: Day of Reckoning“Fantasy.” Holy shit, they made another Universal Soldier movie? AWESOME.

The Hobbit: An Unexpected Journey“Costumes.” Here is a midnight premiere to avoid.

Zero Dark Thirty“Controversial.” This thing about killing Osama bin Laden is going to get people all riled up—if someone could burn down the internet that week, that’d be swell.

Les Misérables“Cabaret.” Because Les Misérables only and ever conjures up the saddest community theater cabaret night. With the performers sadly sitting in the audience. And sad little votive candles at each table.  

Jack Reacher“Poison.” I’m not kidding when I say that going by the trailer, this could well be the worst movie ever made and/or the thing that makes Tom Cruise snap once and for all. Here’s hoping!

Follow Miles Klee on Twitter.

Morning Links: ‘Hobbit’ Returns With New Trailer, Two More ‘Fast and Furious’ Movies In The Works

● Nearly ten years since the first movie rocked theaters, Peter Jackson takes us back to Middle Earth in this first The Hobbit: An Unexpected Journey trailer. [Huff Post]

● James Franco is in talks to play the Hugh Hefner to Amanda Seyfried’s Linda Lovelace in the upcoming biopic. [Variety]

● Feeling lost in the wake of Bored to Death‘s? The show’s creator Jonathan Ames wants to buy you a drink and make it all better, tonight at the Brooklyn Inn. Rumor has it John Hodgman will be there, too. [Gawker]

● The Dutch magazine editor who let a racial slur about Rihanna go to print has resigned amidst much controversy. Meanwhile, Rihanna has been invited by the publisher to give her piece in the magazine’s next issue. [THR]

● Vin Diesel let slip that the sixth installment of the Fast and Furious series will actually be two movies, in order to accommodate the growing cast of characters and an ambitious plot line. [THR]

● Six-year-old Kal-El Cage sounds almost as nutty as his father, Nic. The little Cage barged backstage after attending a recent performance of Spiderman: Turn Off the Dark to explain to the show’s lead that he was named after that other hero, Superman, and told him that, "I’d fly with you, but I don’t have my cape." [Page Six]