The Fortune Society’s JoAnne Page on Healing the Formerly Incarcerated

This Wednesday, May 16, at the Trump Soho Hotel, hundreds of young philanthropists will attend the Second Annual Spring Soiree of The Fortune Society, held from 9pm until midnight. The event will be hosted by the Fortune Society’s Junior Committee, including event chairs Luke Weil and Louise Tabbiner. Fortune Society is a non-profit that offers services to formerly incarcerated men and women. Of note, old friend John Forté, who is back amongst us after a bid at FCI Fort Dix, will perform. Best known as a producer for The Fugees and for a solo career that has included work with John Legend, Talib Kweli, Fat Joe, DMX, Herbie Hancock, Carly Simon, and Tricky, to name a few, John used to hang at my joints before his fall from grace. And now, it is wonderful to realize that after his stint he is once again a productive member of our world.

John "frequently seeks to team up with charitable causes when performing on tour. In the spring of 2011, Forté undertook a nine-week performance tour through Russia. All proceeds from the tour were donated to local orphanages and the international foundations Operation Smile and Petra Nemcova’s Happy Hearts Fund. Forté has been working with at-risk youth to deter them from drugs and crime. He has taught a music course to 12–15 year-old students with InArms Reach, a Harlem-based initiative for children of incarcerated parents. In addition to using his musical abilities to help spread a positive message to children, he has been working with a New York-based charity called Music Unites to promote the arts in underserved communities, where he educates students on his version of life, lessons learned, and the pursuit of happiness through music. Forté has also been involved with various organizations dedicated to prison reform, mitigating prisoner recidivism, and reforming federal and state drug laws."

John came out of prison surrounded with love and teaming with talent and with lots of opportunity. This is a rarity. A person reentering society from prison is often burdened with debt, fines and an inability to find work or a place to live. There are few resources available to an individual and few choices except the ones that got them in trouble in the first place. Although it is in everyone’s interest to have the last crime they were convicted of and incarcerated for be their last misdeed, they are left with limited choices. Recidivism looms and everybody loses. The Fortune Society provides services that can change their world and therefore ours as well.

"Among those expected to attend are Vogue editor Valerie Boster, Vogue contributing writer Lauren Santo Domingo, gallery director Bettina Prentice, supermodel May Andersen, fashion designer Charlotte Ronson, star of Dallas’ Most Eligible Matt Nordgren, Socialite and Blogger Dori Cooperman, Antonio de La Rua, philanthropist and patron of the arts Fabiola Beracasa, financier Alejandro Santo Domingo, Sports Illustrated model Julie Henderson, and Real Estate Mogul and Owner of the Trump Soho, Alex Sapir."

The event is clearly a gathering of the have’s doing their part to help the have-nots. I caught up with JoAnne Page, Executive Director of the Fortune Society, who told me all about it.

Tell me about the work of the Fortune Society.
I believe that, if you care about issues of justice, the criminal justice system is the "belly of the beast." It is where issues of hope and despair, justice and injustice, racism and brutality, and how we treat those whom our society values most and least, all show up in their most naked form. The United States leads the world in incarcerating its citizens, with 25 percent of the world’s prison population. The two largest penal colonies in the world are the L.A. County jail system and Rikers Island, and we lock up a higher percentage of our black population than South Africa did during apartheid. Those are shameful statistics.

Fortune’s work is twofold: to advocate for a more just criminal justice system, and to provide a broad range of services to help men and women re-enter society after incarceration, or receive sentences that are an alternative to incarceration. When we succeed, everyone benefits: lives are saved, families are healed and communities are safer. Even though our work saves dollars as well as lives—for example, we save three dollars in incarceration costs for every dollar invested in our alternative to incarceration programs—we really struggle to raise the money to keep ourselves funded.

Tell me about the role of the young philanthropists, their motivation, and dedication.
It is wonderful to see young philanthropists like Luke Weil and Louise Tabbiner bring their friends together to have a party that helps to support Fortune’s work and to give hope to the people who walk through our doors. They are both members of our Board of Directors and have put a huge amount of work and caring into making the first soiree a success last year and to building on that success for this year’s soiree. We are honoring John Forte, who is gifting us with his music for the night and who deeply understands why Fortune’s work matters in the world. It will be a wonderful event supporting sorely needed services.

What motivates you personally to this cause?
The work that I do at Fortune is very personal to me. As a child of Holocaust survivors who knows something from my family history of the best and worst that human beings are capable of, it is both joyful and fulfilling for me to have my life work be about social justice and about creating a healing environment where people can rebuild their lives. I graduated from Yale Law School in 1980 with a commitment to work in the criminal justice system, and have headed the Fortune Society for the last 23 years.

I have the rare privilege of having the work that I do in my life be deeply linked to my values and to my personal history. Every day, I get to see people rebuild their lives, and grow to become people who matter in making the world better. Most of the people who work at Fortune, including members of our leadership, are people who themselves are formerly incarcerated and now are reaching back to help those who are coming out behind them. I believe deeply in the work that we do, and I get to see the faces of those whom we serve as they get their feet under them and start building new lives.

I taught a class at Sing Sing some years ago, and one of the men in my class told me that when he was growing up, he was told that he would either end up dead or in prison. I asked the other men in the class, and they had been told the same thing. Many of their friends were dead, and they had ended up in prison. Fortune is about giving people a chance at a future that holds more than death or incarceration and the soiree is a lovely event that will help usfund our work.

Fugees Producer John Forte On Performing at Tonight’s Gala and Serving Time

Tonight, The Fortune Society will throw a gala at the Trump Soho. One of the performers will be John Forte, known for his production of the Fugees and a fall from grace that ended with a 14-year prison sentence. He served seven years until George W. Bush, on his last day in office, commuted his sentence. John served time in Fort Dix Federal Correctional Facility, a sad place. I spent time in Schuylkill, another sad place. I made the most of it and came out a better person. I used my time to learn to write (a little), design a little, and prepare myself for a productive life. If not for friends, family, and business partners who believed in me, my return to society would not have been as easy. It wasn’t easy and life as you know it isn’t available to me. The simple things – like opening a bank account or renting an apartment – became huge obstacles to normalcy. There is the sentence you get from the judge and then there is the sentence society continually exacts beyond the time and fines. A person without a support system can find help with The Fortune Society.

Before his arrest and conviction, John Forte was VIP at my joint LIFE and every place everywhere. He was a brilliant success and a great guy with a zillion-dollar smile. I haven’t seen him since we both took our hits. Here’s an e-mail chat with John.

I haven’t seen you in a while, since we last hung out which, I believe, was at Life. We both have spent some time inside. This experience has had a profound effect on both of us. We have some talents and support systems and are now doing our thing but, for most, they reenter society without much help or chance to prosper. Tell me about your reentry and your dedication to changing a very flawed system.
I felt like the invisible man when I came home (in a post 9/11 era, no less!).  Walking into a building in New York City without identification and having to explain to the security guards that I’d just returned from prison and was going through the process of getting a driver’s license, passport, etc. was demoralizing and a bit humiliating.  But I had/have, as you mentioned, an incredible support system of friends and family who refused to let me get down on myself when I felt alienated and unsure of my footing in the world after being gone for more than seven years. My sentence was commuted – not pardoned, as it is widely reported. I was also fortunate enough to have a probation officer who was thorough, albeit supportive. In prison, I witnessed egregious abuses of power. I have heard about similar abuses of power within the probation system after convicted felons reenter society.  I was truly blessed not to have suffered from that. 

As a public figure, I knew I didn’t have the luxury of pretending that what happened did not. Instead of telling people (young people, in particular) how they should live their lives, I felt duty-bound to tell my story. Perhaps by conveying the mistakes I made that led me to receiving a 14-year prison term, the audience might think twice before they do anything that would risk their freedom. I was and remain determined to produce qualitative and substantive art that encourages the listeners to question everything, to speak truth to power, and to take nothing for granted.

None of us are perfect and neither are our systems – our criminal justice system included. There is a great deal of work that needs to happen in order to make our criminal justice system fairer and less discriminatory. The task can seem daunting, but that is no excuse not to try to make a difference. Every little dent makes an impact. While some dents might be larger than others, they all contribute to a reformation of the initial structure; therein lies the art and the beauty of collective dissidence.

Tonight’s The Fortune Society event has you performing. Tell me about what they do that gets you inspired to be involved.
The Fortune Society stands on the platform of second chances. Who among us has the right to say that a person cannot change? The Fortune Society’s message exists within my core. Through my ownership of responsibility and my acknowledgment of the poor choices I made, I was able to reassess who and what was important to me. It was a dialectical process that allowed me to redefine the meaning of personal success. Stopgap measures, like giving a person a glass of water when he or she is thirsty,is transient. The more sustainable model of activism and philanthropy empowers the recipient to find a water source of their own.

From Fugees producer to Fort Dix, how did you deal mentally with potentially a 14-year bid? How did you adjust to the elation of early release? I know when I was leaving my prison it was hard to not be sad for those left behind.
Everything changed the day I was convicted. The sentence was secondary. I was a first-time, non-violent drug offender. I had the blessings of a great family, supportive friends, a tremendous education, and a successful career. My arrogance and sense of entitlement deceived me into believing that I was above reproach. I accepted the fact that my conviction would always be a part of my history, but I would not let it define me. I spent the first few years away studying the law. 

One of my mentors inside gave me a jewel: "No one knows your case as well as you do. No one will fight harder for you than you can fight for yourself."  I spent hours in the law library and sent my research to my appellate attorneys. Of the three appeals, however, we lost them all. I used my time away to learn and to grow. I returned to school (I was accepted to an undergraduates program studying politics and international relations at the London School of Economics) and I also facilitated a weekly discussion group in critical thinking. I taught myself to play the guitar, and then I taught other inmates how to play, as well.  My situation notwithstanding, I did not want to lose my sense of dignity.

When I found out that my sentence was commuted it was one of the happiest days of my life. The news spread like wildfire throughout the prison. I was elated but I was also nervous. I knew the world changed (I read about it every day in newspapers and magazines). I didn’t know what to expect. I was also saddened to leave the friends I made – some of them grew as close to me as brothers. When I expressed this sentiment, the responses were practically the same, "Get out there and make us proud!"   


How did the bid affect your music?
I didn’t engage in music or think about it for the first few years. I was focused on fighting my case. I reconnected with music when I learned how to play the guitar; that was one of the most liberating experiences of my prison term. I learned how to accompany myself! I spent more time with my lyrics, making every word count. Without being preachy or pedantic, I wanted to reach a depth with my songs that evoked a deeper emotion… and it had to begin with an audience of one: me. 

What, besides the time, did you lose and what did you gain from your experience?
I lost the opportunity to share some of the most significant moments with friends and family while I was away – the good times and the bad. It was difficult not to attend weddings, births, and reunions. It was equally difficult not to be there when friends and family needed my support when they suffered. I gained the knowledge of how important it is to exist within the moment. For years, I lived in the past or the future and I took the moment for granted. In prison I learned that all we have is the moment, and it is up to the individual to savor every sweet second.

What are you working on now, and what is Le Castle?
Besides telling my story (in speeches or song), I have expanded my creative vision. With my friend and business partner, Christophe Charlier, I formed a multimedia production company, Le Castle. Our goal is simple: to make beautiful and substantive art (music, film, and other collaborative endeavors) that inspires people to effectuate change. We co-executive produced SXSW 2012 Audience Award Winner Brooklyn Castle. We also premiered The Russian Winter at the TriBeCa Film Festival 2012. It chronicles my 9-week, 5-city tour throughout Russia last winter. It is part tour-documentary and part bio-pic. We have new music to be released on the horizon – my own, as well as other artists I have produced.  

John Forte

Do Good & Have Fun At ‘A Midsummer Night’s Dream’ Spring Soiree Thursday

In NYC, doing good is a hard thing to do; amid the packed subways to catch, under-paying jobs to compete over, and overpriced lattes to guzzle mid-stride, the full body-and-mind frenzy overtakes the intrinsic want to be a good person. But once a year, a party comes along that, for four hours, momentarily changes everything. The name: The Fortune Society’s Spring Soiree, and this year’s theme is A Midsummer Night’s Dream (see photo) happening at The Bowery Hotel Thursday the 16th, from 9pm to 1am. 

While supporting Fortune’s rehab services for men and women emerging from incarceration, you get to not only party with the evening’s honored man of the night -documentary filmmaker Eugene Jareckei (Why We Fight, The House I Live In) – but also sip fruity cocktails to the tunes of DJ Alexander Dexter-Jones alongside expected attendees like socialite/model/editor Amanda Hearst, fashion designer Charlotte Ronson, and Sports Illustrated model Julie Henderson.

And if that’s not enough, you can get VIP tables stocked with cocktail waitresses, champagne, and bottles of vodka – as well as entrance to the exclusive after-party – if you donate enough money for a Friend, Patron, or Benefactor Table. ‘Tis something to consider.

But for the folks who just want to support awareness about the country’s criminal justice system (and gawk at Julie Henderson’s perfect… skin), the price of admission is simply $175. And there are only two days left to get tickets so… come and get ’em.

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