Your Weekend Jams From ‘The Bling Ring’ Soundtrack

Sofia Coppola’s much-hyped upcoming flick The Bling Ring may be the second all-star-cast-plays-teenage-girls-doing-crimes this summer, but it’s the first based on a true story involving terrible reality show alumnae. And, from the tracklist released this week, it looks like the film will have a pretty excellent soundtrack.

Music supervisor Brian Reitzell has worked with Coppola before on other films with excellent soundtracks, including The Virgin Suicides and the Jesus and Mary Chain-tastic Lost in Translation. Joining Reitzell is David Lopatin, better known as Oneohtrix Point Never, who is in charge of the score. The two come together for the “Bling Ring Suite.” The musical stylings and selections of both will certainly have a chance to shine in The Bling Ring.

And, looking at the tracklist as is, the soundtrack includes some excellent weekend party jams, assuming your party really likes Kanye West and krautrock. Which is an entirely possible and workable combination. So let’s kick this Friday off with some key selections from the Bling Ring soundtrack, shall we? Have a good weekend, everybody!

Sleigh Bells – " Crown On The Ground"

Rick Ross (feat. Lil Wayne] "9 Piece"

Rye Rye (feat. M.I.A.) – "Sunshine"

Azealia Banks (feat. Lazy Jay) – "212"

Oneohtrix Point Never – "Ouroboros"

2 Chainz – "Money Machine"

M.I.A. -"Bad Girls"

Kanye West (feat. Rihanna) – “All of the Lights"

Ester Dean (feat. Chris Brown) – "Drop It Low"

Reema Major – "Gucci Bag"

Can -"Halleluwah"

Kanye West – "Power"

Klaus Schulze -"Freeze"

deadmau5 -"FML"

Brian Reitzell and Daniel Lopatin – "Bling Ring Suite"

Phoenix – "Bankrupt!"

Frank Ocean (feat. Earl Sweatshirt) – "Super Rich Kids"

[via Pitchfork]

Kreayshawn Opens Up About Fame, The Game, And Growing Up Punk

Kreayshawn is no stranger to controversy. The 22-year-old Oaklandite, who rocketed to fame with her 2011 viral smash "Gucci Gucci," has always had more detractors than fans. Whether she’s being celebrated as a sub-genre pioneer, trashed as a phony, championed by girls around the world, or panned by the blogosphere, one things for certain: she’s doing something worth talking about. 

The Group Hug tour, a nation-wide jaunt promoting her first LP, Something ‘Bout Kreay, pulled into Irving Plaza on Thursday. The result: one big room full of excited little girls. The show was fantastic, cute, and fun, like a revival of ‘90s Girl Power with more eyeliner and swearing. 

Having always found her oddly polarizing, I was interested to meet the girl who so famously called out Rick Ross for being a phony and dissed Nicki Minaj on her first mix tape. I was expecting someone brash, loud and opinionated. But who I met was soft spoken, thoughtful, and unaffected. Kreayshawn just knows her audience. The music she makes is for young girls to bounce to, not for Pitchfork to analyze. She has remained in many ways a positive figure for girls who are constantly subjected to the slutty party songs. They’re better off wearing a beanie and hoop earrings than trying to pull off Rihanna-sized shorts. You either get it or you don’t. Kreayshawn doesn’t care either way. 

We spoke with her backstage her before her set on her past, her new album, and everything in-between. 

What was it like growing up in East Oakland, and how “hood” was it?
It’s really ghetto, but at the same time there’s a sense of community. It’s not like everyone’s out to get each other. There’s the dangerous stuff like drugs, like pimps and hoes and gangs and stuff. If you’re trying to get into the wrong stuff it’s really easy to do that. 

Growing up in that setting, do you find it insensitive when people assume you’re a faker because you’re white?
Kind of. They don’t know what I’ve seen. They see a white girl and they say, "Oh she’s rich, her dad probably bought her a car," or some ridiculous shit, and it’s just not true. A lot of people that came from Bosnia look white as hell and over there they have nothing. It’s not fair to condense people into categories like that. 

You’re mom was in The Trashwomen. Was your house a punk house or did she keep it separate?
Oh yeah, it was like leopard-print everything, Elvis posters, Virgin Mary decals….

How do you think that influenced you in the long run?
It made it normal to be weird. Everything that I do is normal to me; anything that comes of weird or quirky to me is just normal. 

How did the transition from directing videos to rapping take place? Did you set out to become a famous rapper?
It just kind of happened. I had been making music forever, but I never made music with the intention of getting a record deal. I never thought of that. When it happened I was just like, woah. People are always like, "So, what did you do to get to this moment?" I don’t even know. It just kind of happened. 

This tour has a great line-up in that it seems to be pure you, like you basically brought your girlfriends on tour. Was this your decision? Was there any pressure to link up with a bigger act to ensure the success the tour?
My main goal was to have it be an all-girl tour. I saw Rye Rye before through watching M.I.A.’s stuff. Me and Chippy have known each other; I directed a video for her and she’s on my album. Honey Cocaine [is someone] I’ve always been a fan of. So yeah, it just happened that way. 

Your album released to less-than-ecstatic reviews, but it seems to me they’re just taking it too seriously. What’s you’re response to them, and how seriously do you take your work?
It’s just for fun. It’s always been my way of having fun. I’m the one who got signed for that kind of music, and Columbia was like, "Do whatever you want." I wasn’t really making the music to impress the blog community, because then all my fans would be like, "You’re boring now." There wouldn’t be lines of thirteen-year-old girls outside my concert; it’d be hip hop-conscious guys or something. 

You broke out really fast through the Internet, and through that you got a record deal. Do you feel popularity on the Internet’s sufficient enough to make it? Do people even need record deals any more?
It’s hard because on the Internet something is forgotten in 24 hours. A video might be cool and get a hundred thousand views, but in two days you’re like, "Complex tweeted my thing! Awesome!" and then, like… that’s it. But it’s all about personal levels. I’ve already exceeded my personal level of success. It’s more about how high you set your goals. 

Do you feel your extremely rapid rise to fame will affect the longevity of your career?
On my own, directing and stuff, I’ve been slowly building and releasing stuff online. I don’t know what my peak is, I don’t know if my peak happened already, or if I’m in it now, you know what I’m saying?

Do you think the total accessibility of your material hurt your album sales?
Yeah, that, and they only stocked the album at Hot Topic…

Yeah, what was up with that?
I don’t know. The label thought it would be a good idea or something. It sucks because my manager, he puts out records for all kinds of Bay Area artists, and he was saying I could have gotten more records sold knowing his connections at Amoeba and Rasputin and stuff—just local stores. So it just sucks because people still hit me, like my mom doesn’t have a copy… I just got a copy. And on top of that they only stocked five every time. So people would be like, "Oh, I finally made it to Hot Topic, but it was sold out." 

Fame now seems to be about dissolving the barrier between you and your fans. Does it ever get tiring, constantly sharing yourself with the world like that?
Yeah, I’ve kind of fallen back from being a constant presence because that’s how I’ve gotten myself in trouble a lot with shit-talking or beef where it’s just misunderstandings on the internet. 

Is the Rick Ross beef still a thing?
No, definitely not. (laughs)

Your new album is more poppy than previous releases. This seems to be an emerging trend in rap in general. Where do you see the intersection of rap and pop laying, and is it dissolving?
For me, every song was supposed to be a popular version of a sub-genre that I like. There’s a New Orleans-inspired track, but it’s, like, the safe version. A lot of my stuff is dancier because I was working with one person at the time and he loves dance breakdowns. I’m all down for the dance breakdown until I’m on stage and I can’t dance and I’m just like, heyyyyyyyy

With this current intersection of hipster culture, pop music, total materialism, and rap, do you think gangsta rap is even being made anymore?
It is somewhere, for sure. Maybe the definition of gangster music might have changed also, but there’s always going to be everything being recorded. 

Being so West Coast, how do you feel about New York? 
I’m a real California girl. It’s really hard for me; I get anxiety in the streets. But driving around right now, it’s super nice, all crispy and wintery. It kind of reminds me of San Francisco, but times a million. 

Photo by Brooke Nipar

New Music Tuesdays: The Best Videos for This Week’s New Releases

Music is generally released on Tuesdays, but these days, by the time an album drops, we’ve generally heard the singles, streamed the album and downloaded a rough mix. Still, what better way to decide if you want to part with your $10 or however long it takes you to download an album than to look at the videos that have come out, giving each artist a chance to share a new track and show off some weird vision or live performance that goes along with it.

Baltimore native and M.I.A. sidekick Rye Rye has been talked about for years, but it’s only today that she is releasing her debut album, Go! Pop! Bang! The lead single, “Boom Boom” is infectious, exciting and proves that good things are indeed sometimes worth the wait.

While official videos for tracks off of In The Belly of the Brazen Bull, out today, are scarce, here’s a video of British buzz punks The Cribs band playing two songs with the Smiths’ Johnny Marr. Not a bad way to be.

Poster girl for summer Bethany Cosentino and her band Best Coast are releasing The Only Place, the second Best Coast full-length today. And while no videos (especially none directed by Drew Barrymore) have been released just yet, here’s a clip of Beth & Co. performing the track ‘Why I Cry.” 

It’s not a traditional music video, but this intro to Philly-based mewithoutYou’s new album, Ten Stories, gives us a listen to the music and some behind-the-scenes looks at what went into making the record.

‘Go! Pop! Bang!’ Signals Rye Rye’s Imminent Sonic Explosion

With her debut album Go! Pop! Bang!, Rye Rye just wants to have fun. The Baltimore native, who established relevance as M.I.A.’s choreographically gifted hype woman, has spent the past four years attempting to lift her career from the party rap trenches. Her staggered attempts to crack the mainstream—“Bang” and “Sunshine,” both featuring M.I.A.—were virtuous, but fizzled upon impact. The baby-voiced spitfire had been eclipsed by her mentor, whose star had already risen with “Paper Planes” years prior.

On Go! Pop! Bang!, the 21-year-old firecracker delivers, intent on proving she’s the club’s true lifeline. Long overdue, Rye Rye’s introductory opus is insatiably sweaty and aggressive, shape shifting between songs without letting the beat drop. Previously released anthems dot the tracklist: “Bang,” “Shake, Twist, Drop,” “Sunshine,” “Boom Boom” and “Never Will Be Mine” featuring Robyn all have a home on the offering. But it’s in sequence where they thrive, cozying up to bizarre attempts at party fodder (“Better Than You” outright samples Ethel Merman and Ray Middleton’s “Anything You Can Do” from Annie Get Your Gun) and mainstream back-pats (“Crazy Bitch” featuring Akon, “DNA” featuring Porcelain Black).

For Rye Rye, introspection isn’t a concern. She spends most of the LP asserting her bad bitchness through hypnotic raps, chanting choruses suitable for a game of double dutch. “I’ma shake it to the ground and bring it back up / Twirl it all around, yeah, you know what’s up,” she deadpans on “Shake It to the Ground.” It’s about as deep as it gets.

But that’s not the point. Rye Rye has waited in the wings for years, finally getting her shot at making an impression without having to bank on gimmickry. The creativity is there, set against a feverish backdrop care of producers like Bangladesh, The Neptunes and RedOne. They’re glam jams without unnecessary spitshine, confident with a touch of arrogance. Top 40 success may not be the outcome for Go! Pop! Bang!, but Rye Rye at least sounds like she enjoyed making it—a rarity in the pop realm.

Rye Rye & Santigold Become Fashion Headliners

Prabal Gurung isn’t the only designer with a “new thing” going on. Last week, Alexander Wang debuted a campaign video featuring electro-rap star Santigold (née Santi White) and Spank Rock’s Naeem Juwan dancing to a remixed version of White’s hit single, “Go.” This isn’t the artist’s first collaboration with Wang – she also performed at his NYFW SS10 afterparty back in 2009, and is a front row regular at his runway shows. Now, another Wang favorite, Baltimore rapper Rye Rye, happens to be starring in Gurung’s fashion music video.

You’ll recall that Rye Rye (born Ryeisha Berrain) also performed at Wang’s killer SS11 afterparty, where everyone–including the designer–tore up the dance floor. Since both Wang and Gurung are breakout stars in the fashion world, we can see why they’d share a common interest in collaborating with young artists that are blazing trails in their own right.

Given their eyes for innovative designs and ears for infectious beats, we say Wang and Gurung link their music muses and create an joint NYFW dance party of epic proportions this September.

FashionFeed: Growing up Hilfiger, Gearing up for Chloé

● Just in time for Father’s Day, Ally Hilfiger reminiscences on growing up with her famous designer dad, noting, “I used to go to Bring Your Daughter to Work Day with him when I was little and I would sit in all of his design meetings.” [Style] ● Behold the Chloé Resort 2012 collection, produced under the design team until the new head designer makes her design debut later this year. [Fashionologie]

● Opening Ceremony’s Humberto Leon interviewed Jean Paul Gautier to celebrate the 35th anniversary of the French haute couture designer’s first runway collection. [OC] ● We can’t deal with how rad this Rye Rye music video for Prabal Gurung’s Resort 2012 collection is. [Styleite] ● will be live streaming the Burberry Men’s SS12 show in Milan on Saturday, June 18. [Fashionising] ● Peep the stunning 10-piece collection from Rodarte’s Pitti presentation, which was inspired by the “meditative state of heightened spirituality.” [Style]

Baltimore Itinerary: Rye Rye

Most people know Baltimore by way of HBO’s gritty drama The Wire: a rotting playground for corrupt politicians and bloodthirsty gangsters. But Rye Rye (born Ryeisha Berrain), a laid-back rapper with amphetamine rhymes from the city’s hardscrabble east side projects, has nothing but love for her hometown’s spirited club scene. And even though she’ll drop her debut LP this fall, on M.I.A.’s N.E.E.T. label, the 18-year-old music sensation doesn’t intend to leave town any time soon. “I plan on staying with my family for a while,” she says, “while repping that B-more sound.”

Joe Squared Pizza & Bar 133 West North Avenue My friends who are into the hip-hop scene go here. At night, they play music and different guys just jump back and forth into a circle. But they’re having fun, not competing. It reminds me of So You Think You Can Dance?, with hardcore breakdancing. Oh, and the pizza’s good, too. Usually, you buy a pizza and leave, but here, you sit down and watch a hip-hop dance show.


Sonar 407 East Saratoga Street Whereas Paradox has all the loud ghetto kids, Sonar has more of a hipster scene. It’s a lot of kids sitting around, chilling and drinking, and there are never any fights here. I used to go when I was 17 because I knew a guy who promoted the parties. A lot of people from the underground stopped by to spin techno and electronica, and I’d just pop up randomly—I’d go when Diplo was in town, and everyone would be wilin’ out.


Paradox 1310 Russell Street This is where M.I.A. directed the video for my single “Bang.” There are a lot of dance-offs here, with everybody crowding around in big circles and watching. When I was younger and wasn’t supposed to get into clubs, I used my older sister’s ID. That’s when it was fun, because you knew you weren’t supposed to be there. Nowadays, the youngest kids in there are like 12 or 13.


Broadway Diner 6501 Eastern Avenue If we go out to Sonar or Paradox, most likely we’ll be leaving late, so a whole group of us will go here because it’s the only place still open. I usually order the Buffalo wings with some ranch dressing. It’s never really crowded, so we can laugh and make some noise. It’s all about the people you’re with.


The Sound Garden 1616 Thames Street I didn’t even know there was a record store in Baltimore until one of my friends took me down here and I saw all this stuff I was on, like the Mad Decent EP. A lot of hipsters go here just to hang out. If you’re looking for a record, it’s a cool spot to hit.