Rihanna’s Savage x Fenty Will Make Its Runway Debut At NYFW


Fashion Month is almost here!

And you know what that means? All of our favorite brands will be hitting the runway, with everything kicking off in New York in just a few short weeks. This season, Rihanna will be joining the NYFW lineup, with her new lingerie brand, Savage x Fenty making its runway debut.



Of course, Rih is no stranger to the fashion fanfare. Before launching Fenty x Puma, which she presented during NYFW and PFW ahead of the brand’s current hiatus, she sat front row at shows for everyone from Yeezy to Alexander Wang. But the inclusive lingerie label she announced last spring hit stores earlier this summer, following a series of viral Instagram ads featuring influencers of all sizes and colors. Hopefully Rihanna will maintain the brand’s focus on diversity and ethos of empowerment for their first runway show.



As of now, not much is known about the presentation, other than that it will take place on September 12 in New York City, and that it won’t be just like any other fashion show. Rih described the event as an “immersive experience.”


#UCUTE in that Lace Teddy! | Tap to shop that! ✨Cc: @mollyconstable

A post shared by SAVAGE X FENTY BY RIHANNA (@savagexfenty) on


There’s one thing we do know, though: Rihanna definitely doesn’t like to follow convention. When she released the Savage x Fenty line in May, she even included a set of handcuffs as part of the collection. So, whatever she does on the runway this Fall, we know it’ll be lit AF.


Image courtesy of Savage x Fenty

Is it Fall Yet? Our Favorite NYFW Collections We Can’t Wait to Wear

Alexander Wang F/W ’18


Is it just us or is fall fashion just so much better than spring? That was definitely the case at the NYFW FW18 shows the past two weeks. And so while most New Yorkers might be pining for spring sunshine throughout this temperamental (but mostly cold) Northeast winter, we find ourselves counting down the days until September finally returns, and we can look cute again.

From Matrix-inspired office wear at Alexander Wang to ’80s power suits at Marc Jacobs and ’00s-era Paris Hilton puppy vibes at Gauntlett Cheng, we’ve compiled here our favorite Fashion Week moments – plus two honorable mentions because, well, we just couldn’t bear to narrow it down.


Alexander Wang



We’ve loved Alexander Wang since he first debuted his part minimalist, part rock ‘n’ roll It-girl uniforms; but we have to say, the last few seasons have left us with a never-ending #WANGOVER. This season, though, the San Fransisco born designer channeled The Matrix-meets-The Office, delivering a range of post-apocalyptic professional wear that we want every piece of – especially, the fur-lined ’90s CK-inspired undies.


Marc Jacobs



Marc Jacobs is basically the Alexander Wang of the late ’90s. So, needless to say, we’re giant fans. But much like last season’s awful #WANGOVER, Marc has fallen off a bit the last few years. I mean, remember the dreadlocks fiasco? Still, it seams Jacobs got the memo (or finally found it again), and this season felt like a return to form. Part ’80s power suit, part goth noir, the Marc Jacobs FW18 collection felt like Bianca Jagger in her white suit days, if she had Grace Jones’ attitude and Siouxsie’s sense of color. What more could you possibly as for?


Eckhaus Latta



One of fashion’s favorite new brands, Eckhaus Latta has mastered minimalism in its purest form. For their FW18 collection, designers Mike Eckhaus and Zoe Latta built upon the easy going feel of their last few seasons, but experimented more with shape and color than they ever have before. While the knits and sheer dresses fit right into the Eckhaus Latta playbook, bright yellow flowy fabrics were a new look for the brand. Overall, the collection was bold but understated, yet what Eckhaus Latta does best isn’t actually their clothes. Season after season, and despite its growing popularity, the brand remains dedicated to its outsider ethos. And did we mention their casting always rules? This season saw a diverse runway filled with New York City favorites, including model Paloma Elsesser and indie rock royalty Coco Gordon-Moore.


Tom Ford



Nobody does sleek and sexy like Tom Ford. This season, the designer went all in with leopard print, mixing loud colors with the even louder print in all different sizes from head-to-toe. Not only did each look feel totally timeless, you’ve got to give it to someone who can make lime green or bright red leopard print look not only classy, but cool.





Another one of the fashion industry’s favorite young designers, Becca McCharen-Tran built Chromat to empower women of all shapes, sizes and colors. While most brands have embraced a long overdue push for diversity on the runway (not looking at you, Stefano Gabbana), Chromat also delivers it IRL. With a focus on emerging technology and body positivity, the label pushes boundaries and challenges the fashion status quo. For her latest collection, McCharen stuck with oranges and neons, accessorizing each look with Flaming Hot Cheeto bags tied to models’ pants and in their hands. Rapper Slay Rizz finished out the show with a killer performance in an orange two-piece by Chromat, and even though we didn’t get any cheese puffs to go, we were sold.


Dion Lee



Since launching his eponymous label in 2009, Australian designer Dion Lee has consistently delivered classic yet forward-thinking clothing, with his FW18 collection serving as further proof of his talent. Outfitting traditional sportswear looks with architectural bra-tops, it seems Lee also watched The Matrix and The Office before designing his collection. But unlike Wang’s, the Dion Lee range felt modern, not futuristic – the Neo influence was subtle. Lee also brought in more feminine elements, juxtaposing the structured suits and tops with flowy skirts.


Gypsy Sport



Ever since winning the CFDA/Vogue Fashion Fund in 2015, Rio Uribe has been making waves with his brand Gypsy Sport. Inspired by New York City, Uribe turned heads last year when he decided to present his Spring collection in Paris. But for FW18, Uribe returned to the city, thank god. Other than that, though, this was an all new Gypsy Sport. Over the last few years, the brand has become recognizable for their upcycled jerseys and I <3 NY logo tees, with the Gypsy Sport name in place of the heart. This season, Uribe ditched the streetwear element, presenting a romantic collection filled with suits and gothic ruffles, as well as a few sustainable aluminum looks. Of course, the designer stuck to his habit of using friends and members of the LGBTQ community as models, including 10-year-old activist and drag star Desmond is Amazing, who stole the show (and probably all of Fashion Week). Known for his willingness to experiment, it’s hard to tell whether this collection was a one-off, or the evolution of the brand. Either way, it doesn’t really matter, because whatever Gypsy Sport does is really, really good.


Adam Selman



Another CFDA/Vogue Fashion Fund alum, Adam Selman won Fashion Week in our book. The FW18 collection was kinky, it was campy, it was part John Waters, part new wave, it was punk as fuck. Featuring a collaboration with artist Cheyco Leidmann, who created the surrealist prints Selman used on dresses and shirts, the range was bold and colorful, mixing prints, patterns and styles in an ode to photographer Ypsitylla Von Nazareth. In addition to the outfits, Selman also debuted his latest collection for sunglasses brand Le Specs. If you haven’t already been spotting his metallic cat-eyes for the last few years, get ready – this season’s heart-adorned versions are about to be everywhere. We want ours now.





Most people had never heard of New York City brand Vaquera before last NYFW, when they debuted a dress made only of blue and gold credit cards. For some reason, the look ended up on every news outlet, even though it was one of the weakest of the show. (We’re not saying we didn’t like it – we did.) What Vaquera does best is their more subtle work. This season, the designers seemed to realize that as well, presenting a range of deconstructed pieces that were delicate and cool. The highlights: an oversized blazer dress, cropped suit and crazy snakeskin skirt that all looked like they were slightly unfinished, but in reality, took forever to make. And isn’t that the best stuff anyway? The kind that costs, like, $10,000, but looks like you got it in the back of Duane Reade.


Calvin Klein



Oh, Raf. There’s literally nothing he could do at this point that would make us angry, because every collection he sends down the runway is as close to perfect as it gets. After presenting a men’s collection for his namesake label earlier in the week that revolved around Christiane F. and Cookie Mueller’s Drugs, Simons presented a classic Calvin Klein collection that took all of his quirky eccentricities and somehow made them look, well, classic as fuck. I mean, who else could send swimming caps and sweatshirt-less hoodies down the runway, without looking like he’s trying to be avant-garde? No one. And that’s part of his charm. Unlike a lot of of designers who, when they take over a storied brand, start to lose their individual voice, Raf’s seems to get only louder with each season, and we can’t wait to see what happens next.


Jeremy Scott



We have to be honest when we say that we love Moschino, but have never really caught the Jeremy Scott bug. That is, until this season, where Scott went full-on Fifth Element, with futuristic space-inspired looks. For those of you that don’t know, Jean Paul Gaultier did the costumes for The Fifth Element, and it’s basically a 2-hour fashion orgasm. So, when Scott sent Gigi Hadid down the runway in a silver overall dress, pink crop-top and matching pink LeeLoo-inspired wig – well, we almost stood up to give him immediate applause. The rest of the collection was equally amazing, with all of it feeling retro-futuristic without trying too hard. The key was nothing felt too much like a costume, just the uniform for a school in 2064.


Honorable Mentions




This was Telfar Clemons’ second collection since winning the CFDA/Vogue Fashion Fund, and though it was impeccable, it was the presentation that really kicked ass. Following the runway show that saw Clemons’ solidify his gender neutral ’70s aesthetic, singer/performer Dev Hynes, rapper Ian Isiah, Kelela, Oyinda, 070 Shake and Kelsey Lu took the stage for an intimate performance. The result was emotional yet understated, just like the collection itself.


Gauntlett Cheng



We’re big fans of Esther Gauntlett and Jenny Cheng’s self-aware brand that makes clothes for cool girls all over the world. This season, the duo went Westminster – or maybe Paris Hilton circa 2002. Either way, we were obsessed with the high fashion pieces they presented on models and a group of pups.


All photos courtesy of Vogue Runway

CFDA Announces Plans to Make Fashion Even Faster

Fashion shows are a “broken system,” according to the Council of Fashion Designers of America, who announced yesterday that they’ve been investigating ways to restructure the twice-yearly New York Fashion Week schedule. Rather than previewing what to expect in the coming season, the CFDA is moving toward a more consumer-driven experience that presents in-season collections already available for purchase.

We have designers, retailers and everybody complaining about the shows,” said CFDA Chairman Diane von Furstenberg to WWD. “Something’s not right anymore because of social media, people are confused […] We have some ideas. Everyone seems to feel that the shows being consumer-driven is a very good idea.”

Alongside Boston Consulting Group, the CFDA will begin conducting a survey after the holidays that closely examines this potential by assessing who in the industry is in favor of a change. Though they’ve yet to pinpoint the perfect solution, von Furstenberg suggested a shift would allow brands to preview their collections more intimately with press and retailers six months out. Once product has shipped, these brands could then produce a more timely big-budget production to coincide with the official release. 

With this organization, fall collections would be shown in September and spring in February, which CFDA President and CEO Steven Kolb said would benefit designers and shoppers equally. “We want to take a broken system and create a new system,” he told WWD. “Ninety-five percent of the people I’ve spoken to say, ‘Amen.’”

Last Night’s VFiles DJ Championship

Image via VFiles Instagram

Last night VFILES kicked off fashion week with their Made Fashion show followed by the culmination of their DJ Championship with Def Jam all at Webster Hall. I missed the fashion show, but I made it in time for the high stakes DJ showdown which was kind of like The Gathering of the Juggalos but for fashion FUCCBOIS (in the best way!). There were pseudo-hood Moschino outfits, turnt-up interns, free beers, and DJ sets from the three competitors. In the end Gianni Lee, a designer and music producer, took the well deserved win (his set had my friends simply going owfffff).


Not to Miss: Watch Moncler’s Winter Symphony Spectacle at #NYFW

Every season we can count on Moncler to put on a real show during fashion week — a flash mob at Grand Central in 2011, a mirrored line up of models at Gotham Hall in 2013 — and this season was expectedly over the top.

When the curtains rose at Hammerstein ballroom, 60 Moncler-clad models appeared  in a grid, with a hydraulic-powered symphonic chorus center stage impressively singing while on somewhat treacherously-moving metal stilts.

The coats are always something, but the show is definitely something else.

Take a look, below:

Catching Up with Emerging Designer Karolyn Pho

When we met with Karolyn Pho this past October she had only just shown her first collection designed in New York and now, not even four months later, she’s preparing to present her debut collection at New York Fashion Week. Despite the usual chaos associated with Fashion Week, Pho is calm, cool and collected.  The obvious dissemination of this confidence into her clothing is probably what we love most about the eponymous label.

We stopped by to catch a quick glimpse of her mood board and discuss her inspirations, her design process and her plans for the future.

What’s changed since we talked in October? I am going to guess a lot.

A lot has changed since then. Spring/Summer was my first collection in New York. So that transition from LA to New York really affected that collection. This new collection is me being more comfortable here and having received a lot of feedback from this community, really trying to add it in and be mindful of it. Which helped me grow a lot as a designer and as a person in general. This whole transition phase has been a great leaning experience. And now I am here and I can’t believe it.

On the fashion calendar!

If you told me this a couple months ago I wouldn’t have believed you. It’s absolutely surreal.  I feel blessed and so thankful.

That must have been quite a change going from first collection in New York to showing at Fashion Week?

It’s so surreal. From last season, where I was just getting my feet wet and receiving feedback, to this.  And taking all of that feedback and infusing it in this collection but still keeping my concepts and aesthetics. That was the main evolution.  I took the community’s response and really tried to focus it and push it toward the collection. If the editors and buyers can see their notes from the last collection and compare them to the new collection and be happy, then I am stoked, because that’s exactly what I was trying to do. And that’s out of respect. Yes, you should have your own voice but at the same time you need to respect your community. These are the people supporting you.

How did that cross-country move from L.A. to New York affect your collection?

If anything it gave me more confidence in the collection. I was doing something similar in L.A. and I just don’t think the community there was as receptive to it. When I brought it to New York people were really feeling it. When the community says, yes, we’re into it, that’s everything, especially when you’re in New York. It really validated for me that I am doing what I should be doing.  New York really pushed me to my limit, pushed me to my edge. And I think New York does that for everyone, in whatever occupation. There’s a really fun energy here.

KPho FW14 Inspo board

What was your inspiration for this collection?

Well here’s my mood board (see above.) The way my mind works is kind of like a Venn diagram. I have two circles overlapping with two different ideas and whatever meets in the middle is what I take as the backbone for the collection. The left side is darker while the right is lighter with much more vibrant colors. These are clippings that I’ve gathered over the past couple of months and none of it really made sense until I printed it all out, laid them out and saw what my mind was trying to get to. And it all plays well together.

I am calling this collection “Self-Preservation”, as in the idea of protecting oneself for the purpose of moving forward; that ability to move to another life if you will, to whatever your heaven or your afterlife is. My collections always have some sort of religious undertone. I take a general interest in it. I don’t really know yet what I believe except that I believe in a higher power and all my collections have this feeling of what is purgatory, what is afterlife? My last collection was called “Unknown”.

Do you have any daily routines?

My daily routine is that I don’t have a daily routine. I don’t know what you call it because it’s not ADD or OCD. But like I have to be working on at least five different projects. And I like that. I don’t have to feel like I have to do any one of them right now because creatively I can’t force myself to do something it just comes. I just let it go when it happens, when I am feeling in. And that sounds super hippie-dippie but I don’t know how else to explain it.  My routine is that I have no routine.

What about if you’re in a creative rut?

I go for a really long walk and this is going to sound insane but I play the same song over and over. I walk seven miles listening to the same song and I don’t know what it is but the monotony of it all gets me thinking, Walking helps, music always helps. Movies sometimes too, I am by no means a cinefile but I do appreciate a really cinematic film.

Does your background styling for film still affect your design process?

I can’t say that what I was doing then is so much different than what I am doing now when I’m conceptualizing. You’re trying to tell a story and create a character and show how that character lives in the story.

If you had to pick a film for this collection, what type of film would it be? Who are the characters?

I can’t help but think of that movie I Am Love with Tilda Swinton. It’s the characters, the time, the movement, the space, the pace and the music in the film.

Favorite piece from the collection so far?

I can’t pick a favorite. Okay, that’s a lie I do have a favorite. It’s this rabbit fur tank top. It’s really the look in general. I am pairing it with a pair of slouchy, baggy tuxedo pants and it’s so formal but so andro and so masculine. I love that. I don’t think there’s a sexier, harder look.

We loved your exploration of textiles in your last collection. Has that carried into this collection as well?

I love experimenting with textiles. Every collection that I do has a similar silhouette. That keeps the consistency in the brand. Where I have room to play is in the color, fabrications and textures and I am really heavy on that. I love finding weird quirky things and adding it as trim, just a little touch of this and little touch of that. Everyone wants to wear something that they are comfortable in but at the same time they still want to be different and unique and those little touches really help with that.

Did you have a goal for this collection?

Industry approval sounds bad. But from the last collection I got so much feedback from the community that I really tried to keep that in mind and push that into the new collection and make it stronger and build it. That was my main goal. The concept is always there but as a designer I am still growing and that feedback helps so much.

What is the biggest different between this collection and collections past? 

I think silhouettes. There are certain silhouettes that I think are beautiful and conceptual but from a market standpoint maybe you can’t sell it. So I still have my conceptual pieces and I get to show them but they’re not the backbone of the collection rather they strengthen it and are building blocks for it. I feel where I’ve grown the most is in creating tangible relatable pieces that have the concept and idea but are so much easier to wear. I really played with different materials and different color ways. That was my main goal, making it more tangible to the people.

Do you have any advice for young artists?

Be true to yourself. This is so lame but I was drinking tea this morning and the tag on the tea said “know that you are the truth” and I was like wow, this is the perfect day to have this little tea bag. And I think what I want to say to young designers is you’re the truth. You are your voice and you are your concept.  Stay strong to that. Don’t waver. At the end of the day it’s you, and it’s your name and it’s your brand.

Do you have a strategy going into Fashion Week?

I am a control freak so I’ve always had a game plan but to be honest this time, I don’t. I’ve done as much as I can. And everyone I am working with is so on top of it and that helps so much. I am not worried, I am nervous but I am not worried. It’s all there.

What do you hope comes from this experience?

It sounds terrible but this whole act is totally selfish. This collection is for me. I obviously want people to enjoy it and there’s sales and yada yada yada but really at the end of the day I just want to see a beautiful show and I want to know that I can do it. It’s so rewarding even just to see the collection done and then presenting it is, I am lost for words. I may cry! I don’t know.

I can understand crying.

Yeah, there are heavy emotions. But I have to be honest after it’s all done, the designing that is, I immediately detach myself from it. Because when I start working with a stylist for instance who’s saying do this, do that, I can’t get my feelings hurt. And especially with a collection being shown on a runway, other people have opinions, and once it goes to sales buyers have opinions. And that’s something I have to be okay with listening to on the business side. I have to be receptive without getting defensive.

How do you do that?

I start thinking about the next collection. It’s like a bad break up. You just have to move on to something else and not think about. That way it doesn’t hurt so badly.

When we talked in October you described the girl who you imagined wearing your collection, is she the same girl for this collection or different? 

It’s always going to be the same girl and the same silhouettes. I don’t want to veer too far from off from that. That’s the consistency in the brand. I want people to be able to come and find that certain something. However, the colors and fabrications will be forever changing.

What’s that certain thing?

I want them to shop Karolyn Pho when they want something that will make them feel confident, comfortable, professional, classic and elegant on a day-to-day basis.  You should dress how you feel!

What are your future plans for your line?

I just want to continue doing what I love. And I want to be able show again next season!

Watch our film on Karolyn Pho here.

Rad Hourani Goes Lean & Green for Fall

While conventional couples wined and dined at 9pm on Valentine’s Day, hardcore fashion fans gathered at Studio 450 in Chelsea to witness another captivating collection by Rad Hourani. From street-style phenom Kate Lanphear to fashion week fixture Jared Leto, Hourani loyalists turned up in droves to experience the designer’s surreal sartorial world first-hand. 

As expected, the collection was equipped with reversible and utilitarian looks that left viewers in awe and wondering how in the world one could imagine—let alone construct—such exquisite work. Just as Hourani introduced a hint of blue last season, his latest unisex collection features a new pop of color: green. According to the designer’s show inspiration, the hue stands for "nature, Earth, perseverance and self celebration." 

Standout looks include wool hooded jackets, leather skirt panels, and boxy backpacks that buckle at the waist. See more looks here.

Photos: Style.com

5 Really Funny Fashion Week Videos to Calm Your Nerves

‘Tis here: New York Fashion Week is finally upon us and, like always, it feels like the first day of school. Editors, stylists, influencers and fashion month jetsetters are currently roaming the streets in their meticulous effortless Sartorialist-approved outfits as they tote fresh new Moleskines and It accessories. Will you be invited to the popular table this year? Did you do all your homework? Do you have your calender planned? Now that you know what to do tonight for Fashion’s Night Out and have a good idea which celebrity designers will be presenting throughout the week, it’s time to chill the eff out and have a good laugh. From P’Trique to The Man Repeller, here’s a roundup of hilarious fashion week spoofs to get you through this anxiety-ridden day.

This is how P’Trique gets ready:

Here’s how to and how not to get street-style snapped: 

It’s fashion week boot camp y’all:

A Lanvin fall 2011 spoof starring top bloggers is always welcomed:

You will here or say these things more than once this week, guaranteed:


NYFW: Shoes of Prey Crafts Fierce Bespoke Footwear for Mandy Coon

Australian bespoke footwear brand Shoes of Prey has been delivering one of a kind kicks to shoe aficionados since 2009. From sky-high heels to sole-saving flats, anyone can dream up their perfect style starting at $140, which can be shipped anywhere in the world in just four weeks. Genius? Yes. Dangerous? Very.


In honor of NYFW and their collaborative nature, Shoes of Prey teamed up with three cult-favorite designers—Jonathan Simkhai, Mandy Coon (pictured), and Gretchen Jones—to produce custom footwear for their SS13 collections. I swung by the Coon show at MADE Fashion Week in Milk Studios yesterday to peep the results and, as expected, I was floored by the construction of each individual style. Innovative touches like metal inserts on ankle cuff flats and steel caps on wedge booties paired well with Coon’s phenomenal futuristic aesthetic this season. I was especially enamored with the snakeskin and fish skin stilettos, which featured binding ankle wraps that I wouldn’t mind being strapped in forever.