The 2013 Tribeca Film Festival is but a month away and we’re already starting to gear up for what amazing new features, from across the globe, are in store for us. And today, the good people over at Tribeca announced the first installment of their slate for World Narrative and Documentary Competition Films, as well as their out-of-competition Viewpoints section.
Taking place from April 17th to the 28th, the festival will feature 89 films for the official program, selected from 6005 submissions. Frederic Boyer, Artistic Director Tribeca Film Festival says, "Our competition selections embody the quality and diversity of contemporary cinema from across the globe…The cinematic proficiency that harnesses this lineup is remarkable and we’re looking forward to sharing these new perspectives, powerful performances, and multifaceted stories."
This year, half of the productions are American and half are from all around the world, a testament to Tribeca’s desire to illustrate the universal power of film. Genna Terranova, Director of Programming, went on to say that, "The films in this year’s documentary competition deliver tremendous insight into the challenges of our ever-growing global culture as well as highlight how individuals affect and react to change. With varying styles of filmmaking, this mix of American and international voices are pointed and thought-provoking."
Check out the Narrative Features below and head HERE for the Documentary and Viewpoints slate.
Alì Blue Eyes (Alì ha gli occhi azzurri)
Directed by Claudio Giovannesi, written by Filippo Gravino and Giovannesi.
(Italy) – International Premiere.
Claudio Giovannesi’s award-winning second dramatic feature captures one week in the life of sixteen-year-old troublemaker Nader, who, despite his mother’s threats and family’s insistence that he respect his Muslim roots, fights, steals and pursues an Italian girlfriend. A stunning example of contemporary Italian neo-realism, Alì Blue Eyes is an engrossing coming-of-age story about an immigrant who will stop at nothing to fit in. In Italian with subtitles.
Before Snowfall (Før snøen faller)
Directed by Hisham Zaman, written by Kjell Ola Dahl and Zaman.
(Norway, Germany, Iraqi Kurdistan Region) – International Premiere.
Director Hisham Zaman brings the moral crisis of honor killing front and center in this dazzling, international drama. When his older sister Nermin flees an arranged marriage, Siyar must atone for the slight. He tracks her from Kurdistan to Istanbul, where a fateful encounter with a street girl creates cracks in his resolve. Then Nermin escapes into Europe, and Siyar must continue a search that will forever change his notions of loyalty, dignity, honor and love. In Kurdish with subtitles.
Directed and written by Lance Edmands.
(USA) – World Premiere.
On a freezing January evening, school bus driver Lesley (Amy Morton) completes her route, but her final inspection abruptly ends when a bluebird comes into view. What happens next shakes her small Maine logging town, proving that even the slightest actions have enormous consequences. Co-starring Adam Driver, Margo Martindale, John Slattery, Louisa Krause and Emily Meade, Lance Edmands’s absorbing feature debut is a perfect encapsulation of the interconnectedness of life.
The Broken Circle Breakdown
Directed by Felix van Groeningen, written by Carl Joos and van Groeningen.
(Belgium, Netherlands) – North American Premiere.
Elise runs a tattoo shop. Didier plays in a bluegrass band. When their daughter Maybelle is born, their happiness is complete, until a tangle of complications forces these two very different lovers to fight to save their marriage. Belgian director Felix van Groeningen follows his acclaimed Cannes entry The Misfortunates with this powerhouse melodrama of star-crossed lovers laced with emotional bluegrass performances. In Dutch with subtitles.
Hide Your Smiling Faces
Directed and written by Daniel Patrick Carbone
(USA) – North American Premiere. During a hot summer in rural America, brothers Tommy (Ryan Jones) and Eric (Nathan Varnson) are confronted with devastation as death forces its way into their young lives. This stunning debut feature explores the nature of the relationship between boys, as both violence and support is encapsulated in quiet storytelling and breathtaking photography. With incredibly sensitive performances by its two leads, Hide Your Smiling Faces packs a subtle but powerful punch.
Just a Sigh (Le temps de l’aventure)
Directed and written by Jérôme Bonnell.
(France) – International Premiere.
In the short break between performances in Calais, stage actress Alix (the stunning Emmanuelle Devos) makes a quick escape to Paris. On the train she meets a mysterious English stranger (Gabriel Byrne) and, for the most fleeting of afternoons, imagines what the future could hold down a different road. With masterful performances by its two acclaimed stars, Just a Sigh is an imaginative, lushly filmed Parisian romance from young and versatile director Jérôme Bonnell. In English, French with subtitles.
Directed by Matt Creed, written by Amy Grantham and Creed.
(USA) – World Premiere.
Nearing the end of her treatment for breast cancer, Lily focuses on life with newfound clarity, reevaluating her relationship with an older man and her feelings about her long-absent father. In wandering through atmospheric New York City streets and lingering in intimate, charged moments with Lily during this vulnerable period, first-time director Matt Creed and actress Amy Grantham create a mature, stylish character piece reminiscent of classic French New Wave.
Directed and written by Kim Mordaunt.
(Australia) – North American Premiere.
Set against the lush backdrop of rural Laos, this spirited drama tells the story of scrappy ten-year-old Ahlo, who yearns to break free from his ill-fated destiny. After his village is displaced to make way for a massive dam, Ahlo escapes with his father and grandmother through the Laotian outback in search of a new home. Along the way, they come across a rocket festival that offers Ahlo a lucrative but dangerous chance to prove his worth. In Lao with subtitles.
Six Acts (Shesh Peamim)
Directed by Jonathan Gurfinkel, written by Rona Segal.
(Israel) – North American Premiere.
Naïve teen Gili is determined to improve her social status by hooking up with her new school’s coolest guy. Afterwards, he passes her off to his friend. Happy at first for the attention, Gili soon finds her situation deteriorating, as this average girl is increasingly consumed by a culture of oversexed teenhood. Director Jonathan Gurfinkel questions conventional ideas of consent, exploitation and complicity in this edgy and perceptive feature debut. In Hebrew with subtitles.
Stand Clear of the Closing Doors
Directed by Sam Fleischner, written by Rose Lichter-Marck and Micah Bloomber.
(USA) – World Premiere.
When autistic teen Ricky is scolded for skipping class, he escapes into the subway for a days-long odyssey among the subway’s disparate denizens. Meanwhile, his mother wages an escalating search effort above ground. Based on a true story and set in Far Rockaway, Queens, in the days leading up to Hurricane Sandy, these parallel stories of mother and son take the viewer on a touching journey of community and connection in and below New York City.
Directed and written by Laurie Collyer.
(USA) – World Premiere. Quickie-mart employee Melissa (Naomi Watts) and paraplegic Richie (Matt Dillon) are very much in love. Supported only by Melissa’s small hourly wage, they are nevertheless thrilled to learn that Melissa is pregnant. Then their situation deteriorates, and their tenuous financial situation threatens to bring their happy life crashing down. Norman Reedus also stars in this a moving romantic drama from Laurie Collyer, director of the Golden Globe-nominated Sherrybaby.
Will You Still Love Me Tomorrow?,
Directed and written by Arvin Chen.
(Taiwan R.O.C.) – North American Premiere.
Straitlaced optometrist Weichung is finding the typical married life difficult. Then he bumps into an old flame, setting off an unexpected array of dormant emotions. Meanwhile, his sister Mandy flees her sad sack fiancé, coping via food and the fantastical appearance of a daytime soaps star on her couch. Arvin Chen’s sophomore feature is a fresh and playful comedy about the odd realities of desire in a traditional society and what happens when you seek a big change. In Korean, Mandarin with subtitles.