Pitchfork Recap: The Clouds Part for Sunday’s Jams

Finally: a day in which the weather wasn’t actively working against us. Well, other than the fact that it was 95 degrees, which after two days of rain and heavy foot traffic led to Union Park smelling like the world’s most depressing petting zoo. Nevertheless, if you’re going to spend the day at an outdoor festival, “hot” beats “rainy” ten times out of ten. And as long as you followed John Dwyer’s (of Thee Oh Sees) advice to “stay hydrated, goddamn it”, it was a solid day to catch some great performances from Milk Music, Thee Oh Sees, The Field, and The Men. Oh, and Lady Gaga was there, if that’s your thing.

Best Set: The Men
Near the beginning of The Men’s set, someone in the crowd kept shouting, “Play some Springsteen!” at the band. It’s unclear if this was meant sincerely or as a joke, but a little bit of The Boss wouldn’t have sounded out of place. From the moment in their sound check when they played the opening riff to Van Halen’s “Jump” to the end of their outstanding set, the Brooklyn four-piece seemed like they were on a mission to prove that all of those people who say Pitchfork doesn’t care about rock music anymore don’t know what they’re talking about. They even had one person skanking! (Maybe he thought he was going to see Mustard Plug and just decided to roll with it? Whatever. He was happy, so right on, buddy.) The audience-led clap-along to “Open Your Heart” was just the cherry on top of an awesome performance.

Biggest Surprise: Araabmusik
This was more of the bad kind of surprise, but I’ll take some of the blame for it. My familiarity with Araabmusik stems exclusively from from last year’s fantastic Electric Dream album, which was closer to the house music genre. I was unprepared, then,  for his brostep-heavy set that evening. To his credit, he’s certainly a lot more fun to watch than most DJs, as he constructs songs on the fly by pounding on his MPC at speeds that seem almost superhuman. But in the end, my low tolerance for wub-wubs beat out my fascination with his technique. Kudos to whomever scheduled him before Beach House, though, as that is a Pitchfork Festival trainwreck transition for the ages.

Biggest Disappointment: the stage assignments
I’m sure there’s some kind of logic to who plays where at Pitchfork, but I’ll never understand it. For example, Thee Oh Sees drew twice as big a crowd as Iceage, yet they were relegated to the smaller Blue stage. The same thing happened on Friday with Japandroids, though in their case I wonder if it was a conscious decision to make sure the crowd was bananas. This is a nit-picky complaint, I know, but it would be nice if more established acts got to play on the bigger stages, since they’re more than likely going to bring in more people. Sure, it was nice being able to watch Thee Oh Sees and The Men in the shade at the Blue Stage, but I’d be willing to stand in the sun a little bit if it meant more people got the chance to actually see the bands they wanted.

Pitchfork Music Festival Finalizes Lineup: Beach House, Wild Flag & More Join the Fun

Today, Pitchfork added the final batch of bands to its 2012 music festival lineup, well ahead of the July 13-15 weekend where the excitement will go down in Chicago’s Union Park: Beach House, Wild Flag, Real Estate, Atlas Sound, Big K.R.I.T., Nicolas Jaar, Cults, Chavez, Ty Segall, Oneohtrix Point Never, Youth Lagoon, Thee Oh Sees, King Krule, Lotus Plaza, Dirty Beaches, Lower Dens, Milk Music, the Psychic Paramount, Unknown Mortal Orchestra, Outer Minds, and A Lull. The festival might not ever be as fun as the year when they sold Sparks at the beer tents, but sometimes life forces you to make sacrifices for sanity’s sake. You can look at the final lineup, which is looking pretty healthy, after the click.

Pitchfork, in my opinion, is the best deal in national music festivals. For the cost of a one-way plane ticket, you get to see dozens of relevant, high quality bands at varying points in their life cycle: buzz acts finding their live presence, indie veterans who’ve settled into a comfortable set list, and the random top-shelf name brand gifted with a headlining set for a crowd that’s absolutely reveretial of their presence. And the people watching! The people watching is absolutely superb. Three-day passes are sold out, though you can still purchase individual one-day tickets if that weekend is still looking free on your schedule.  

Friday, July 13:

A$AP Rocky
Willis Earl Beal
Big K.R.I.T.
Clams Casino
Dirty Projectors
Feist
Tim Hecker
Lower Dens 
The Olivia Tremor Control
Outer Minds 
Purity Ring

Saturday, July 14:

The Atlas Moth
Atlas Sound 
Danny Brown
Cloud Nothings
Cults 
Flying Lotus
Godspeed You! Black Emperor
Grimes
Hot Chip
Nicolas Jaar 
Liturgy
Lotus Plaza 
The Psychic Paramount 
Schoolboy Q
Sleigh Bells
Wild Flag 
Youth Lagoon 

Sunday, July 15:

A Lull 
AraabMUZIK
Beach House 
Chavez 
Dirty Beaches 
The Field
Iceage
King Krule 
Kendrick Lamar
The Men
Milk Music 
Thee Oh Sees 
Oneohtrix Point Never 
Real Estate 
Ty Segall 
Unknown Mortal Orchestra 
Vampire Weekend