Blue Point Brewing, Other Local Breweries Collaborate on Sandy Relief IPA

Hurricane Sandy destroyed scores of homes, businesses and livelihoods, and one of the areas the storm had a particularly detrimental impact was on the nightlife and brewing world. Among the storm’s casualties on Long Island was Oceanside Brewery Barrier Brewing Company. To help their fellow makers of beer and support fellow Long Islanders, a number of local craft breweries, along with photographers Matt Furman and Niko Krommydas, have created the Sandy Relief Beer project.

Long Island’s Blue Point Brewing will release the collaborative beer, Surge Protector IPA, but they were just one group to have a hand in the process. Other participating brewers came from Barrier, Blind Bat Brewery, Great South Bay Brewery, Greenport Harbor Brewing Company, Long Ireland Beer Company, Port Jeff Brewing Company and Spider Bite Brewing Company. Each brewery donated ingredients, and the whole crew met on December 4th to begin the process of creating Surge Protector. Now, the beer is about ready to roll out, and half of the proceeds from sales will go to Long Island Cares.

The beer will be released in bars and fine purveyors of brewed things around New York beginning January 22nd. This isn’t the first charitable beer project from Blue Point—in response to the BP Gulf oil spill disaster several years ago, the brewery came up with Toxic Sludge, a hoppy, black IPA whose sales proceeds went to Tri-State Bird Rescue and Research. For more about their current charitable effort though, check out the Sandy Relief Beer blog or the video below. Oh, and you can also still donate to BlackBook’s Sandy relief fund as well.

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[via Paste Magazine]

Artist Brian Batt Talks ‘Gossip Girl’

If you haven’t yet heard of artist Brian Batt, you’ll be getting a glimpse soon, especially if you tune into Gossip Girl. We know that not everyone’s smitten for Upper East Side scheming, but this impressive painter makes a cameo in tonight’s episode, “Portrait of a Lady Alexander.” Indeed, the 33-year-old acting neophyte even delivers some lines, in the presence of Chuck and Blair, no less. Guilty pleasure, meet aesthetic skill.

Born and raised in Philadelphia, Batt made his way to Manhattan roughly five years ago. At the time, he was working for a Long Island-based band merchandising company, designing t-shirts and other fan-focused products. But, much as he loved it, in 2008 Batt threw in towel, determined to work for himself and bent on painting fulltime.

And now, that’s just what he does. Day in and day out, he collides with the canvas in his Lower East Side two-bedroom walk-up, though soon he’ll be relocating to Dumbo. We can appreciate his need for more space. With two pit bulls, Lily and Zoe, bounding about (not to mention fixating on our feet) and countless large-scale works scattered throughout the apartment, perched precariously against walls and otherwise making it a little difficult to walk without worry, he’s due for—and deserving of—a real estate upgrade.

Batt’s style has certainly evolved over the years, and currently it’s all about gridding and dots. Some depictions we encountered during our visit were of Russell Simmons, Frida Kahlo, and Karen O of the Yeah Yeah Yeahs. Just blocks and dots of color making for a magnificent and entirely fresh perspective. No Lichtenstein or Seurat to be seen here.

Our personal favorite Batt original would have to be Venus, which features a gorgeous girl (who looks a lot like Lana Del Rey). She sports a letterman jacket and oversized sunglasses, her long locks billowing in the wind before a body of water. The closer you stand, the more out of focus it is. But back up a bit and the beauty comes together, well, beautifully. We really dig the illusion, not to mention the evident meticulousness. And we aren’t alone. Batt counts among his collectors the likes of Reese Witherspoon and John Krasinski, amid myriad more. Though he can command up to $25,000 per piece, prints are available on his site, signed and embossed, for only $90.

Jolly and totally down to talk shop, Batt opened up to us about his craft, breaking into television (if only once…so far), and his relationship with L.A. Spoiler alert: New York City wins.

Let’s begin at the beginning. Have you always been into art, even as a kid?
I was always drawing. And, I went to college for illustration at Hartford Art School in Connecticut. Also, my dad was an artist, too.

That’s awesome. Who is your favorite artist, apart from pops of course?
My primary influence is Chuck Close. Chuck Close is the man.

I can see that, for sure. You have a couple reminiscent, albeit distinct, aesthetics. What would you call them?
Pixilated paintings and dot style[, respectively]. [The former] is influenced by the digital era. The reference is like a bitmap. [The latter is] like look[ing] at a newspaper [if] you zoom way in; it’s all dots. It’s influenced by print.

What does this endeavor mean to you?
I’m just so motivated to be painting every day, as much as possible. Definitely more motivated now than ever before. I spend a lot of time; I’m working at least twelve hours a day, seven days a week. There’s so much I want to do, so much I’m set up to do right now. Commissions and pieces I’m compelled to do. I’m the only one here to do it, too. I don’t have assistants or anything, so I just have to be as productive as I can. I work really hard.

It shows. How do you create these pieces? Like, where do you source the initial images?
This [Russell Simmons image] is taken from a photo on the internet, which is something I’m trying to avoid. I want them to be original. Like, with Gossip Girl, I couldn’t show this because I didn’t take this photo, you know?

It’s tricky. So, how did you initially get involved with Gossip Girl?
The head writer bought two of my paintings at a show I had in L.A. They wanted [to feature] a New York artist and were trying to write me into the script. They wanted me to play myself for authenticity. When they first told me, I really [didn’t] expect it to happen. [After some back and forth,] they invite[d] me to do a cameo on the show.

Were you stoked?
I was very interested.

Then what?
They explained what the scene was going to be; Chuck and Blair come to my studio to talk about a painting. They wanted me to read in front of the camera. That was the final test. I was super nervous, because I’d never done that sort of thing. They just wanted me to be myself.

Did Gossip Girl film here?
They wanted to. Because of the walk-up, it was an issue. So, they came, picked up, like, 18 of my paintings, and recreated my studio out on Long Island. It was cool to see it all recreated.

I bet. So, what was the end result?
It was amazing. The experience was great. They made me feel really comfortable and were really enthusiastic about the work. It was so surreal. It should be great exposure.

Beyond the head writer of Gossip Girl, who else invests in your work?
Probably the most famous person who’s bought work from me is Reese Witherspoon. I did one for John Krasinski a couple years ago, too. It was commissioned by a friend of his. He loves JFK…

Are you bent on depicting famous faces or are you also into lesser-known subjects?
It’s both. I don’t feel as comfortable submitting pieces where I didn’t take the photograph.

And that largely ties back to portraying folks you know or have easier access to than the celebrity (or deceased) set. Tell me about your Frida Kahlo painting.
I think it’s important [to represent] the power of women. There’s not as many female artists. There’s not as much of a presence of female artists. That’s what inspired me. I like subjects who are game changers, who overcome adversity, who stand up for something. To me, Frida totally represents that.

It’s also about doing more obscure icons. People I think are amazing but don’t necessarily get the recognition of, like, Bob Marley, who’s on posters everywhere. [For example,] this is Karen O. from the Yeah Yeah Yeahs. I love Karen O.

Does anyone ever sit for a portrait?
Used to. But now I take a photograph because I don’t want to make someone wait so long.

Speaking of waiting, what’s your waiting list like?
A year. Some are priority. Some people are anxious to get something; others are, like, Whenever. I’m happy to have a bunch of commissions lined up.

It must be awesome to be an artist who isn’t starving.
It’s the best. I’m starting to pick up some momentum now.

Yes, you may even make it to Art Basel this year. Tell me more about the piece you anticipate showcasing there?
I’ve probably put in 1,000 hours so far. It’s tedious. I really hope they take it.

For sure. So, does New York inform your art? This area?
It’s always inspiring to walk around the neighborhood. I’m lucky I have dogs. Gets me out of the apartment.

But soon you’ll be abandoning the Lower East Side for Dumbo. Are you ready to say goodbye to Manhattan?
I’m freaking out. I’m majorly freaking out.

I would be, too. Lastly, your manager’s based in L.A. Can you describe your relationship with the West Coast?
There’s so many opportunities for artists out there now. It’s really refreshing to have New York artists [going] to L.A. The general population in Los Angeles is all about it. There’s so much to take advantage of. It’s really positive and beneficial to be involved in some way. It’s also nice to recharge a little bit, too. I love going back and forth, absorbing what both places have to offer. I don’t think I could live there full-time, though. New York is just so amazing.

New York Islanders Will Move To Brooklyn

The New York Islanders, which I understand to be some sort of hockey team, are announcing today their plan to abandon the Nassau Veterans Memorial Coliseum on Long Island to the new Barclays Center in Brooklyn, because they hate our troops and love British banks. No, just kidding, I’m sure they have a good reason. Everyone wants to make it out of the suburbs, right?

The Islanders would be joining the Barclays Center’s only current franchise—the Brooklyn (formerly New Jersey) Nets—to create some manner of all-powerful hipster sports conglomerate. But I don’t think the stadium’s owner, Bruce Ratner, should stop there. He needs to keep poaching teams! For example, you never hear about the Pittsburgh Pirates anymore; bring them to Barclays and rename them the Brooklyn Buccaneers. And are the New York Giants still playing in the Meadowlands? They should play in Barclays as the Brooklyn Big Guys!

May as well move all of New York’s big concerts and speeches to Barclays as well. The easiest solution would be to airlift Madison Square Garden over the East River and drop it on top of Barclays as a second floor. Then put Gracie Mansion on top of that and make Mayor Bloomberg live there. Then, for skyline purposes, cap the whole structure off with the Statue of Liberty (to be renamed the Statue of Flatbush Avenue). Oh, and put a Shake Shack or Five Guys in her crown. I don’t want to have to go back to Manhattan for a quality burger.  

Follow Miles Klee on Twitter.

Shark Diving Wedding Features Creatures More Vicious than Bridezilla

Not to be outdone by the gimmickry of last night’s MTV Movie Awards, one Long Island couple organized a most unique wedding yesterday. April Pignataro and Michael Curry were married in a steel cage surrounded by sharks at Atlantis Marine World in Riverhead, New York. The bride wore a white wetsuit (always flattering), while the groom sported a black neoprene number.

Both are experienced divers. “We both love the ocean we love the water,” the bride told NBC New York. “And yes, the idea of an underwater wedding, not to mention one surrounded by sharks at an Aquarium, is different and unique, but that is also exactly who we are.”

The couple said their vows underwater using special headgear that transmitted their I do’s via radio. A minister and some 75 guests stayed dry, watching from behind glass.

Atlantic regularly holds weddings, though they’re typically on land. The aquarium’s shark tank features sand tiger sharks, nurse sharks, and moray eels. Till death do you part.