I’m very late today because I went to Long Island to pick up slate for the fireplace at The Elsinore, which is quickly approaching completion. I think it will be done the end of next week. On the way back, with literally a ton of stone in the truck, the truck konked out. Luckily, we were on a steep hill and spotted a gas station at the bottom. We just rolled into the place and they went to work right away to fix what was broke. Next door to the gas station was a Dunkin’ Donuts so it wasn’t a complete disaster.
One of the prime directives of nightlife and maybe life itself is, "if it ain’t broke don’t fix it." The converse of this is, "if it is broke, fix it… and fast." My DJ gig at Hotel Chantelle got a little broke as mainstay Scott Hockins and his merry band of rockers left, anticipating the imminent opening of The Elsinore, where he has a piece. Tim Spuches of Chantelle added Michael Tee as a DJ, added fabulous new promoters, and gave Sam Valentine the tools he needs to reinvigorate his Thursday night. Yes, Sam got a couple of stripper poles to excite his crowd. Oh, and he hired a couple of girls to do what they do with those. Sam had his last bash at White Noise this past Friday. This new party is called Generation Wild and it blasts off tonight.
I will DJ off and on with only one regret: missing the opening of Jaguars 3, a new nightclub in Sunset Park, Brooklyn, (225 47th Street). They’re doing a dinner and serving complimentary cocktails tonight and all of Brooklyn’s finest will be on hand – maybe Staten Island as well. They offered to send me a car, but alas I’m otherwise engaged. I’d cross-commute for this one because old-school Brooklyn clubs are amazingly amazing when they are. As part of the festivities, Chuck Zito will be celebrating his birthday there tonight, surely setting a tone. Chuck will be the regular VIP host of Jaguars 3. Manhattan joints are what they ar,e and maybe Brooklyn clubs are what they aren’t, but sometimes that’s just more fun.
Tomorrow night is the monthly party Hot Music and my pal DJ Jennifly Green is expecting me. I will surely come, as her parties are that rare mix of cultures and music populated by exciting, dancing adults. I asked her all about it:
Tell me about the party…the wheres, the whens, the whos but more importantly the whys, as in why should people go.
Hot Music is simply Hot Music! Basically, Hot Music is a monthly party where the vibe, music, and having fun are king, and image and attitude are irrelevant. Musically, there’s no particular mission statement, but expect to hear a lot of funk, 80s & 90s, R & B, house, & perhaps a little classic hip-hop… Where in the city can nightlife dwellers go to hear real dance music from all genres that’s not exactly radio-friendly, top 40 music? Your choices are very limited. Hot Music happens every first Friday of the month at subMercer. Resident DJs include: South London’s Jennifly, DJ MOma, and ROK ONE, all bringing elements of their varied styles into the mix. If you are looking for a great, sophisticated party, you should go to Hot Music at the subMercer, where all you need are your dancing shoes. Our one goal is to stay connected to the people on the dance floor and keep them there.
Why a monthly? What are the advantages of doing a monthly as opposed to a weekly?
The idea is to give something for people to look forward to once a month. They know if they miss it, they will have to wait a whole month, and that is long! So we do it once a month to make it a special event to look forward to. And people get upset if they do miss it; we have gained a loyal following – it’s the the usual Friday night affair for many. We started the party a year ago, and it’s still hot! Hot Music brings the feel of what basement-style parties were like in New York 10 years ago, before bottle service ruined the easy-going vibe. Why should you go to Hot Music? The dance floor is always packed, with a transatlantic hip crowd that’s a microcosm of New York City. Black, white, gay, straight, and the fabulous!
We play danceable music from all genres: 80s, nu- disco, deep house, 90s dance, new wave and electronica; whatever mood we are in we go with it. Sometimes we have themes, like a tribute to a recently-passed artist.
Where else can you hear Holy Ghost alongside Prince, Talking Heads, D-Train, and Cut Copy? People come to our party because they know what they are going to get and hear. It’s very rare that you hear all these types of music under one roof in one night; that’s what makes our party unique. Then there’s the talent of the three DJs that make Hot Music its namesake.
We DJ’d together at that getting-to-know-you-party for staffers when Blackbook merged with Vibe. Tell us about yourself.
I’m originally from London. I have DJ’d at some of the most exclusive lounges in New York, such as subMercer, The Mulberry Project, Peninsula Hotel Roof Deck, and Apothèke. I like to DJ at the cool spots with a sophisticated clientele who enjoy good music – not the annoying type that doen’t know who David Bowie is. My DJ sets are an eclectic mix of dance music of all genres, from music that were popular on the radio in the UK when I was growing up, like Britpop and new wave, to 80s, pop/R & B, disco, electronica, lounge, post punk, nu-disco, indie, and house.