National Treasure Huey Lewis Spoofs ‘American Psycho’

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I don’t think it’s serendipity that I walked to work this morning with "I Want a New Drug" in my head. Instead, it’s probably because of all the press releases I’ve received lately announcing the thirtieth anniversary of the release of Huey Lewis and the News’ Sports. Who knows where the time goes? (Also, please sign up for my mailing list, because I’ll send PR blasts in a few months about my thirtieth birthday.) Many of you young kids might know the song because the Ghostbusters theme ripped it off, or, possibly, from Christian Bale’s monologue in American Psycho. Thank goodness Huey Lewis himself has a good sense of humor about the latter and teamed up with Funny or Die and "Weird Al" Yankovic to parody the cult-classic.

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The ‘American Psycho’ Musical Is Happening Whether You Like It or Not

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Duncan Sheik, the ’90s singer-songwriter ("Barely Breathing," in case you needed a reminder or, more likely, a name attached to that song), won two Tony Awards for his work on the sexy German schoolchildren musical Spring Awakening a few years ago. And he’s trying his hand at musical theater once again, this time with an adaptation of Bret Easton Ellis’s modern classic, American Psycho. The musical will hit the London stage later this year, and hopefully will get a run on Broadway.

Gothamist talked to Sheik about his work on the show, which sounds a lot more promising than one might imagine:

The music is all electronic. You know, the conception of it, at least on my end… I kind of feel like, you have Broadway musicals, and you have the sound of the Broadway musicial—Les MisPhantom of the OperaCats—and then in some way there was a transition away from that. Spring Awakening [which Sheik scored and won a Tony for] happened, you had American IdiotNext To NormalMemphis… this whole set of things using more contemporary, guitar-oriented rock music. For me, I feel that’s a shark that’s been jumped. So the idea of doing a score that’s completely electronic, that’s exciting to me. You’re being progressive about the form, you know, rather than saying, ‘Well people like listening to rock music now in the theater.’ That’s not so interesting to me… it’s really important that you do new stuff. I want to attempt to do stuff that’s moving it forward. As opposed to repeating a successful formula.

At first, I thought, "Oh, no one should ever compare their musical theater ambitions to those who were responsible for Cats, Phantom, or Memphis, but I have to say: an electronic music-focused musical sounds pretty awesome, especially given the subject matter of the show. Oh, and don’t worry; Sheik promises a little Huey Lewis and Phil Collins in there, too. 

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