Halos, Heartbeats, & Rosewood Land in NYC Tonight

Tonight sees the opening of Rosewood (5 E.19th Street). I’ll be there. I like everyone involved in the project and well…yes, they are paying me. I will be DJing in the lower-level den which the press release describes is for "a more eclectic crowd.” That’s me. I’m opening for the fabulous Kelle Calco, one of my favorite DJs. Upstairs, Danny Rockz and Zeke Thomas provide the music. They had some preview thing the other night and it was a major celebrity fest. The building space has been many clubs, mostly with silly names like Roam and Boudoir. Nobody went to these places, so it will feel real new now. Naysayers and nut jobs will say it’s cursed. Bah humbug! My first of many this season, says I. There is nothing wrong with the space that a little experience, some love, good DJs, and common sense won’t solve.

The experience comes in the form of Redd Stylez who, as Gary Oldman once quipped in True Romance is practically related to me. Redd has been associated with a dozen places over 15 or more years. He is the creative guy; the guy tasked to fill the room and make it sing and swing. He will do just that. Hiring Ruben Rivera to do the door is a great start. Ruben has a great following and a solid eye for what works. Like all great door folk, he is not afraid to say no and also not afraid to say yes. The latter part is something that newbie door folk rarely understand. Creating a mix and letting in that borderline patron and making a club money at the same time is the difference between red and black ink. Redd doesn’t want red ink.

Inside Rosewood will be one of the fastest and, he will tell you, best-looking bartenders in this ‘Burg: Blaise Johnson. Heis fast. There’s some drink he made up called the “White Rose” which I will try after I turn things over to Kelle. It’s Appleton Rum, Chambord, and blood orange puree. Sounds yummy. Rosewood will open Tuesday through Saturday, and I’m hoping they do well.

Saturday night I attended the 4AM electronic dance music event at the Highline Ballroom. I didn’t know what to expect. The place was sold out, jammed with a crowd down the block. When I arrived, DJ Dalton was frenzying the crowd. Promoter pal Cody Pruitt and I discussed how refreshing it is to attend events outside the usual boxes…the familiar clubs. He helped me out at that Dos Equis party at Masonic Hall a few weeks ago. Then, and over the weekend and seemingly always, he brings a great crowd to any party. He is singlehandedly convincing me that promoters, who usually referred to me as the "P-word," are not all bad. Last I saw him, he was going to cut off his long locks. Alas, it was only a couple inches and I feel mislead.

Also of note is tonight’s charitable event Halos and Heartbeats, hosted by the ever-fabulous Tish and Snooky at the new Cutting Room. Tish and Snooky of Manic Panic fame sold me my first pair of pointy shoes when they had their store on St Marks. I ruined them and a brand new leopard-print sports jacket while going over a barbed wire fence one typical night a long time ago in a galaxy far, far away. They are the most wonderful of people. Their hair dyes are coveted to this day. Tonight’s event features performances by Emmylou Harris and Steve Earle. It will benefit Frankie’s Friends foundation, which funds grants for life-saving veterinary services from their Hope Fund to treat pets whose families cannot afford the cost of care. There is a live, silent, and online auction to raise funds. For tickets to tonight’s event, see here.

Mount Moriah, For When You’re Snowed In

North Carolina Americana-folk-alt-country trio Mount Moriah are proof that sticking to one genre your entire career can lead to seriously missing out. Founders Heather McEntire and Jenks Miller were veterans of post-punk and psych-metal bands, respectively, but shared an interest in the American folk and rock music of yesteryear. So they formed Mount Moriah, and Mount Moriah released a new album, Miracle Temple, this week, and it is very, very good, and will be a source of comfort and warmth to those of you who haven’t left your houses because it’s been snowing or whatever all week. Unlike the burning house the album art depicts, Miracle Temple is more inviting, like a fire to curl up against and watch intently.

McEntire channels the classic American country-folk voice to near perfection, at times recalling Emmylou Harris, Stevie Nicks and, although this may not fit with the theme, the desperation and love of Björk on “Hyperballad,” which works. As for the album itself, there’s an air of loneliness about the whole thing, but in a comfortable and maybe empathetic way as opposed to a smothering one. “Swannanoa” and “Eureka Springs” are must-listens. Listen to the lovely lead track “Younger Days” below, or stream the whole thing at most places where you can stream music.

Rick Ross, Fiona Apple, and Eight Other Artists Who Deserved a Best Original Song Nomination

The category for Best Original Song is always a bit of a mess. The songs are rarely judged on how they sound; the importance is, of course, how the song fits into the film for which it was written. This year’s nominees are representative of the usual fare. There’s the popular choice (Adele’s "Skyfall," which will likely win, as it should), the new song for the big-budget musical adaptation (the unnecessary "Suddenly" from Les Misérables), and then there are the forgettable tunes (I didn’t even know what Chasing Ice was before today, much less the song from it). It’s a shame, really, because there were plenty of good tracks included in the list of 75 eligible songs. Here are a few that probably will have a longer shelf life than "Pi’s Lullaby."

Karen O – "Strange Love" (from Frankenweenie)

Fiona Apple – "Dull Tool" (from This is 40)

Rick Ross – "100 Black Coffins" (from Django Unchained)

John Legend – "Who Did That To You" (from Django Unchained)

Sunny Levine – "No Other Plans" (from Celeste and Jesse Forever)

Arcade Fire – "Abraham’s Daughter" (from The Hunger Games)

The Bootleggers feat. Emmylou Harris – "Cosmonaut" (from Lawless)

Florence + The Machine – "Breath of Life" (from Snow White and the Huntsman)

Katy Perry – "Wide Awake" (from Katy Perry: Part of Me)

The Black Keys / RZA – "The Baddest Man Alive" (from The Man With the Iron Fists)

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