Electronic music has changed nightlife forever, for better…for worse. It has made DJ’s rock stars, strange and remote places destinations, and has filled clubs and stadiums. It’s inspired Woodstockian festivals. It has defined, along with mash up/mixed format, a renaissance in nightlife. When clubs were going through their doldrums just a few years back, it was argued that there had not been a new genre of music to lead us out of the boredom. Mixed format combined other genres and was considered by some to be a sort of wishy-washy sound for the musically-challenged masses. DJs like AM certainly shattered that misconception. Electronic was lumped in as a progression of house and not much new. This has proven to be an inadequate description of the sound that has swept the world. Many DJs I have spoken to speak of how it has united people worldwide, as superstar DJs play for hundreds of thousands, from Asia to South America.
"[It’s] geared toward electronic dance music/DJ fans… elektro’s
mission is to take you behind the turntables and into the lives of DJs, sharing their passion for the music, giving fans an all-access backstage pass. From Tiesto’s
sold-out gig, to David Guetta’s new album
and the Swedish House Mafia’s
unreleased track, elektro
will show you the tools to make the music and the lifestyle they live. Electronic music is now the fastest-growing genre in music. DJs are the new rock stars and are selling out arenas around the world. elektro
brings you face- to-face with the fans that attend these events, along with powerful marketing solutions including print, online, and experiential activations at sold-out shows and festivals across the globe."
Tiesto is on the first issue’s cover. It will come out quarterly. I sent Zev a few questions (electronically of course) and got these answers:
What is elektro?
is a new platform for electronic dance music enthusiasts to learn about DJ culture and their favorite artists and producers. It’s definitely much more than a magazine as we have also built in a comprehensive digital ecosystem and a large special event calendar for 2012 to round out our presence nationwide. This includes our online hub at www.elektrodaily.com
, very active social media engagement, and strategic partnerships with Spotify
, future.fm, mixcloud
etc. We will also be distributed at all the large festivals including Ultra
and Electric Daisy
in New York and Las Vegas, etc.
You have been a promoter/marketing guy; is elektro an exit strategy…a way out of nightlife’s day-to-day, er… night-to-night, or a natural progression and a deeper commitment?
I must refer to a quote from Steve Jobs where he said, "You can’t connect the dots looking forward, you can only connect them looking backwards." I got my start in nightlife very early working the doors at Limelight and Kit Kat Klub when I was in college, striking out a few times on my own and eventually landing with Eddie Dean at Pacha NYC
. Nightlife is my absolute passion and I like to say that I got my Masters following Eddie around as we launched the Pacha brand in America. That was, by far, the most valuable experience of my life as I learned not only the importance of branding and guidelines, but also how vital nightlife can be to the world of marketing and how strong the connection is between consumers and brands. I have been jumping up and down on corporate board room tables for the last four or five years, begging brand managers to pay attention to what’s going on in electronic dance music (EDM) and people are finally paying attention. It’s an amazing feeling and now I have elektro
to make sense of it all. I never could have imagined this starting out but when I look back it all makes perfect sense.
Everybody in the world is going electronic..or is it elektronic… as online is more and more the way people want it…why print?
We are very in tune with the digital space. I actually moderated a panel
a few weeks back during Social Media Week based on a theory that the explosion of EDM in America is intrinsically tied to social media; that’s why we have created an extensive online presence across every single medium there is for us to share content. We are curating playlists with Spotify, streaming from events with future.fm, YouTube, Instagram
, etc., you name it. The honest answer is you need everything to succeed and we take a 360 approach here. The sweet spot for me is how everything connects from the live events, the social media, and the print piece. That gives us maximum leverage as both an editorial property and a marketing vehicle for brands.
How did Tiesto become your first cover boy?
This was such a no-brainer for me; he is arguably the most iconic DJ of all time and truly personifies how far dance music has come in America, from the initial burst in late ’90s, to now. I literally made a mock-up of elektro about a year ago with him on the cover to show my partners what I look at every day to remind me how this all started.
It’s a quarterly; will there be events to celebrate each issue at various clubs around the world? Will the cover boy be the DJ? Will the distribution of the magazine at these events be a huge part of the marketing strategy?
Absolutely. We are gearing up for a massive launch during Miami Music Week
. In addition to a private launch party with Roger Sanchez that we are hosting for the industry on Thursday, March 22 at The Setai
, we are going to be distributed in the VIP section at Ultra, are an official media partner of Winter Music Conference
, and will be hosting events all week at the National Hotel
, Villa221, Mansion
, as well as a big in-store event with Guess Jeans on Saturday 3/24. We’re also working on an official launch party in New York on April 14th at Pacha NYC which will be a sort of homecoming for me I guess, so I’m definitely looking forward to that.