This Week’s Miami Happenings: Ultra Music Fest, Harry’s Pizzeria, Lucali Opens

FRIDAY: Ultra Music Festival Rages On
Get ready for the ultimate freak show that mixes top DJs, herds of mask-wearing, half-naked club kids, hallucinogenics, and Miami traffic jams at Ultra Music Festival. It may be tough to top last year’s unexpected appearance by Madonna at the turntable, but that doesn’t mean that the likes of Azealia Banks, Swedish House Mafia, Avicii, and Deadmau5 won’t try. Should you opt to stay home this year, the Ultra soundtrack – slated to hit digital stores on March 19th – ought to give you a taste of all that you missed. Minus the traffic, of course.

Ultra Music Festival kicks off Friday the 15th at Bayfront Park (301 Biscayne Blvd., Downtown). For tickets, visit the officialwebsite.

TUESDAY: Charitable Bites At Harry’s
Harry’s Pizzeria is the location of chef Bill Telepan and his effort to raise funds via a $150 dinner for the replanting of the edible garden at the Phillis Wheatley Elementary School in Overtown, a project that emphasizes locally-sourced produce and nutrition in public schools, potted by Harry’s Pizzeria and Michael’s Genuine Food & Drink.

Bill Telepan hosts the event at Harry’s Pizzeria (3918 N. Miami Ave., Design District)Tuesday the 12th. For details, read the listing in BlackBook Guides.

NOW: Lucali Opens In South Beach
Sticking with the pie theme, Brooklyn’s finest has finally landed in South Beach. Heralded as the country’s top pizza maker, Lucali has opened its first out-of-borough post of this wildly successful, no-thrills eatery. No sign, no menu; just seven toppings to pick from, secret tomato sauce, and on-tap Brooklyn beers.

Lucali is open now (1930 Bay Rd., South Beach.) For details, check out the listing in BlackBook Guides.

Be the first to know about the latest openings & events in Miami by signing up for the weekly BlackBook Happenings email and downloading the BlackBook City Guides app for iPhone and Android.

A Q&A With DJ Photographer Rukes

Considered the number one DJ photographer in the world, “Rukes is like a ninja,” according to mix master, Dirty South. The shutterbug, “beautifully captured the rise of a movement and the musicians that lead it that otherwise would have continued to go unnoticed if not for his amazing photographs," superstar DJ-producer Kaskade adds.

The worldwide client list of Rukes includes Swedish House Mafia, Deadmau5, Avicii, Zedd, Steve Aoki, Skrillex, Porter Robinson, Calvin Harris, Dada Life, Sub Focus and even Tommy Lee. When not on tour with DJ’s he can be found photographing massive events including Electric Daisy Carnival, Holy Ship! and Stereosonic in Australia, keeping Rukes constantly on the move

W Times Square approached Rukes with the idea of co-curating an exhibit as the brand is deeply committed to music and EDM in particular. Thus, “Inside the Booth” was born. The show will feature never-before-seen images of famous DJs shot by Rukes. Next to each DJ’s photograph, a listening station will be installed, allowing guests to enjoy the artist’s music while they fully immerse themselves in the moment as if they themselves were on stage. 

How did you become the go-to photographer for DJs?
A combination of trust and good photography! I started off taking pics of DJs around 2005 when digital cameras were just starting to get big, so there were very few people using them to capture the EDM scene. When I started honing my skills as the years went on and figuring out my eye for photos, they turned out to be the type of photos that most DJs wanted to represent their work. Not to mention my ninja-like skills of being able to take photos without getting in anyone’s way or even the DJs noticing I’m there!

You’re clearly a fan of EDM since listening stations will accompany this exhibition…
Yes, definitely! Been a fan since probably the very late ’90s, well before I even used my first camera!

Who is your favorite DJ and why?
It’s hard to pick favorites, there are so many out there for various reasons! I would have to pick two for now…

One would be Hybrid. They aren’t very well known, but should be. They have produced my favorite EDM music since I started listening to them, and were the first DJs to recognize that I had some talent hidden away and I should keep on working on my photography.

Second would probably have to be Zedd. We are really close friends; so much so that I was able to hang around in his top secret studio while he worked on his upcoming album, which is a MONSTER. One of those rare albums where pretty much every track could be its own #1 hit; and I rarely come across albums like that. He’s just starting out, and we definitely are planning on doing a whole lot of work together when he gets even bigger in the future!

Do you listen to hip-hop ever? Who?
Not regularly, but I’m pretty much a fan of every genre of music. I still haven’t fully branched out into hip-hop for my music catalog (I love to just load up tons of music on my iPod and hit shuffle in the car).

Who is your all-time favorite DJ to photograph live? Why?
Again, I can’t really pick just one, there are way too many for various reasons. From Deadmau5 and his amazing production spectacle, to Dada Life and their champagne and bananas, to Steve Aoki and his crowd interaction, every DJ has their own reason why I love to photograph them.

You seem to be everywhere at once since there are so many DJs all over the world everyday of the week! How do you do it? When do you sleep?
I am always on the move it seems. Thankfully summertime I usually have a little bit of time off before tour season really starts, so I’m able to get some breaks here and there, and plan a family vacation to Tokyo.

I try to follow a “normal” sleep schedule as much as possible. I have to put priority of my health and well being over photography, as there can’t be good photos without it. I won’t be able to react quicker to capture any photos, or hold my hands stable enough with a lack of sleep. So for the most part, my schedule is sleep, eat, work on photos, shoot more photos, eat, sleep. Rarely during tours do I ever have a moment off to even explore the city; usually the best chance I get is when I’m looking for some food.

Is there anyone you haven’t shot and are dying for?
Probably Daft Punk is all that’s left on my EDM list. I saw them at Coachella and I did have a camera in hand, but since I knew I was witnessing something amazing, I felt I should actually enjoy what was going on without working. I rarely do that.

Who inspires you as a photographer?
Not to sound cheesy, but myself. When I take a picture that is amazing, it just inspires me to keep taking photos at that level and improve myself so the next time I take a photo like that, it’s even better. I sometimes reach that stage of creative depression where I think “Oh, nothing will top that picture I just took” but then I just surprise myself later when I do!

What advice do you have for the budding shutterbugs?
My favorite piece of advice is to make sure you find your personal eye for photography. Figure out your style; don’t spend all your life trying to emulate another photographer, that is a dead-end. Take photos the way you want to take them and make sure they make you happy, don’t try to make someone else happy. If people like your work, they will respect what you do.

What’s your fave software?
Adobe Lightroom is my program of choice for editing all the RAW photos I have. Can’t live without it!

Hardware?
Definitely my new Canon 1DX, it’s an amazing camera that helps get some shots I couldn’t get with earlier cameras! Every new technological innovation makes it a little easier to get those extreme low-light shots the way I want them.

Second would have to be my new laptop, a Dell Precision M6700. A lot of people are surprised I’m not a mac guy, but when you realize the MacBook Pro doesn’t have a great screen for photo editing (colors are a bit off even when calibrated, doesn’t have a full gamut of the color spectrum) it really helps having a beautiful 10-bit IPS panel with 100% sRGB color and more. No need to hook up an external monitor; the colors on my laptop are now the same as the colors as my pro monitor at home!

How has EDM’s explosion in the US change your career?
It’s done a lot to help boost it up, but not too much to change it. I’m still doing what I used to do, just a bit more now. More DJs I have worked with for years are starting to tour bigger and bigger venues, and more festivals are popping up. So pretty much EDM’s explosion has just provided me with the opportunity with more work, better “Rukes shots” (the behind-the-DJ fisheye shot with the entire crowd) and now with this exhibition at the W Hotel in Times Square, the ability for people to see what they missed the past few years, like the beginning of Skrillex when he first was hanging out with Deadmau5 in 2010 as “Sonny” and then later opening for his first Deadmau5 shows before “Scary Monsters And Nice Sprites”


For more exclusive photos, head to VIBE.com!

A Selection Of Cultural Works Inspired by Ray Bradbury’s Words

It’s been a sad few weeks in the literary world—following the passings of Maurice Sendak and Carlos Fuentes last month, we begin June by mourning the passing of poet, short story author, screenwriter, novelist and general sci-fi giant/master of the alien and sinister, Ray Bradbury, who passed away yesterday at the age of 91. 

Bradbury left an indelible mark on the literary and entertainment worlds thanks to his vivid imagination, eerie ability to predict the future and long, varied and prolific career. Here are just a few of the myriad examples of how Bradbury’s works have lived on off the page, on the big screen, small screen and in song. 

Fahrenheit 451

Several adaptations and iterations exist of Bradbury’s most important (and frequently challenged in schools) novel, Fahrenheit 451, the author’s spinning of a dystopian future in which dissent is virtually nonexistent and books are burned en masse. The most iconic of these is François Truffaut’s 1966 adaptation, the only film the French New Wave legend ever made in English. It won several awards, and the general approval of the author. 

The novel was later rearticulated as Michael Moore’s firebrand 2004 documentary, Fahrenheit 9/11, a much-discussed and provocative look at America during the beginnings of the War on Terror. The tagline, lifted directly from the one for Bradbury’s novel, was "The Temperature at Which Freedom Burns." 

Something Wicked This Way Comes

 Walt Disney adapted the haunted-carnival story and Halloween staple into a 1983 film starring Jonathan Pryce and Jason Robards. It flopped at the box office but was up for many major sci-fi awards, not to mention providing a whole lot of nightmare fuel for a generation of American children. 

In the novel, two teenage boys have a run-in with an alluring but terrifying traveling carnival that turns the town upside down. In the South Park episode "Something Wall-Mart This Way Comes," a certain sinister department store assumes the role. 

The Shakespearean title of the work appears in a number of album titles and songs, ranging from heavy metal to Britrock and acid jazz. It appears as the chorus on this track from 2Pac’s debut album, 2Pacalypse Now

The Martian Chronicles

Bradbury’s alien-encounter epic series was turned into a three-part miniseries in 1980 and sported an all-star cast, including Roddy McDowell, Rock Hudson and Bernadette Peters. The script deviated quite a bit from the novel, but more importantly, we had no idea Mars looked so much like a Hollywood soundstage littered with leftover props from the Stonehenge scene from This Is Spinal Tap

Short Stories

Giant-head wearing master of the turntables Deadmau5 crafted his single, "The Veldt," based on a Bradbury short story of the same name. In the story, two parents who build their children a freakish nursery replicated after the African savannah, complete with robotic lions, end up becoming victims of their own creation. You probably would not have guessed that had you just listened to the deadmau5 track, though. 

If any band would be major fans of Ray Bradbury, it pretty much had to be Rush, now, didn’t it? In 1984, the Canadian prog-rockers released "The Body Electric," which borrows its name from a Bradbury short story, "I Sing The Body Electric" (which in turn, borrows its name from a Walt Whitman poem… how meta) as well as some thematic elements (the plot about humanoid robots). 

One of Elton John’s greatest hits, "Rocket Man (And I Think It’s Going To Be a Long, Long Time)" echoes the plot of Bradbury’s short story, The Rocket Man, in which an astronaut experiences a case of the "grass is always greener" syndrome and misses his wife and family while in space. 

The Man and His Life

For a bonus entry, here is Rachel Bloom’s 90th birthday tribute to the man and his literature: "Fuck Me, Ray Bradbury." This hilarious—but NSFW—tribute includes couplets like, "You write about Earthlings going to Mars / I write about blowing you in my car." Whoa. 

F*ck Me, Ray Bradbury – watch more funny videos      
 

Introducing L.A.’s New Club Queens

L.A. loves its electronic music, but what would those beats be without a sultry voice riding atop them? L.A. has a small coterie of rising singers spanning multiple styles within the broad category of House music that can bring a sort of delicacy to an otherwise aggressive track. SOFI, Fawni, and Mandy are three names from L.A.’s increasingly internationalized House scene that you need to know.

2010 was a good year for SOFI (Some Other Female Interest). She exploded onto the scene after appearing on two tracks on friend Deadmau5’s latest album, 4X4 = 12. The Greek-born, Germany-raised singer (born Sofia Toufa) has been in the game since her early teens, when she was in a popular German R&B group named Danacee.

More recently, SOFI has been bringing an aggressive, almost rock-style of singing (she lives with her boyfriend Tommy Lee, after all) to dance music. Check out her performance on “Sofi Needs A Ladder” for proof.

This year, she’ll release her own record on Deadmau5’s imprint Mau5trap Recordings, that may surprise fans. I talked to the singer last week and she said “many” styles of music are represented on the album, perhaps even some poppier tracks. Expect the requisite bangers on the record, as she’s been busy in the studio with producer Skrillix. A teaser single from the set should drop by summer, she said last week.

While Toufa shares an ability to speak German with new-ish Los Angeles resident Fawni, their approaches to dance music couldn’t be more different. Fawni is currently making noise in more traditional dance music circles with her new single “Ready When You Are,” which was produced by one of Spain’s biggest commercial house producers and was recently featured on Manhattan radio station KTU’s website.

image Fawni.

Not only is Fawni, born Stefanie Pschill, a budding dance floor diva, but also she’s an art world star in the making. The singer boasts shrewd artistic instincts and has a few paintings going up at Bloomingdale’s Soho in Manhattan next month, as part of the “Fashion IS Art” pop up gallery series.

Last but not least is up-and-coming L.A.-based singer Mandy Ventrice. Hardly anyone in Los Angeles has even heard of Ventrice, but she’s already a familiar face in several European countries thanks to YouTube and two club bangers that received play from Berlin to Barcelona in 2010. “Let Loose” showed her vocal range, while her performance on Michael Mind’s German stomper “Delirious” got the attention of the music industry. This year, Ventrice is busy working on new tracks in L.A. with Grammy nominated producer Micayle “Mack” McKinney (Ne-Yo) that may well propel her to greater heights in the U.S.