Sandra Bernhard On Her NY Shows This Week, Happiness, & Her Legacy

Sandra Bernhard will perform tonight at Carnegie Hall at a fundraiser to raise money for music education programs for underprivileged kids. The Music of Prince show produced by Michael Dorf has Elvis Costello, D’Angelo, Talib Kwell, Bettye Lavette, Amos Lee, Devotcka, and many others performing Prince hits. The Roots are the house band. And on Saturday, Sandra will appear at the Tarrytown Music Hall in the namesake NY suburb. This is part of her national tour which will take her through the summer. Sandra was the go-to gal for me when I opened two clubs back in the day, She wowed them on New Year’s Eve a long time ago in a galaxy far, far away with an all-star cast that she assembled when the Palladium entrusted me to fill it. She also set the tone for me at Life when I first launched that fabulously famous joint. In both cases, I enjoyed the consummate professional who wowed us off and on the stage. This week, I caught up with Sandra and asked her all about it.

First of all, let’s begin where we first met. I booked you two times when I was running nightclubs. I booked you at the Palladium for New Year’s Eve, which was an amazing show. And then I booked you at the opening, or right after the opening at Life, a nightclub I ran on Bleecker street. 
You were incredible. The first one was you, and you brought along Gianni Versace, Robin Byrd,  André Leon Talley, and there was one other..
It was Donatella Versace.

And we had Debbie Harry open, or after you performed because that’s the way it works. And the Psychedelic Furs performed for the first time in 10 years, and we had PM Dawn perform at dawn. 
Oh my God. 

So it was the biggest booking I think I ever did. 
Those days are gone. And sadly, cause I miss The Palladium. It was a great club. 

So you’re playing in Tarrytown this Saturday. Is the show the exact show that you’d do in Vegas or New York, or do you tone it down a bit for the local hoi polloi ?
I might just pull it back a bit, because you’re not gonna do a New York-style show in a place that doesn’t call for it. So in the sense of bringing all my wardrobe? No, I’m not gonna do that. But, I’ll be there with my band! We’ll have a great show. Apparently, a lot of NYers have moved to Tarrytown, as with all the surrounding areas of NYC, so you’re always gonna get a good audience wherever you are.

Tonight you’re playing with Elvis Costello, who’s amazing, at The Music of Prince at Carnegie Hall. What is the music of Prince? 
It’s a fundraiser for music education and it’s like 20 different people covering Prince songs. I’m covering “Little Red Corvette” with the band The Roots. You know, Questlove, it’s his band that’s the backup band. And other people are bringing their own bands, but I’m performing with Questlove. They’re backing me up.

You’re right in the forefront of the movement for LGBT rights. Under this administration, there seems to be exponential strides. Even Dirty Harry himself, Clint Eastwood, came out for gay marriage. Are you running out of material? 
That was never my thrust, the gay movement per se. That was certainly the backdrop, because that’s just sort of where the smart, forward-thinking people have always existed, and still do to a certain extent. But my material is much more eclectic than that and always has been. I mean, I never identified myself as, you know, a “gay performer." That’s just not where I’m at. My work is about taking all the things that I thought were sophisticated and important from all the different worlds. From the art world, from the music scene, the underground scene, from vaudeville, to Broadway, to rock ‘n’ roll, to burlesque, to the Black movement. I’ve always melded my shows together. I’m postmodern, honey. I don’t get caught up in one thing. Never have. 

I booked you back in the day because you know how to make a statement. 
And that’s what I’m still doin, honey, cause there’s plenty to make statements about. Now the statement is: how complacent can our culture be? How lazy can we be? How dependent are we on social media? And the lack of people putting themselves out there, meeting new people face-to-face, being inspired, which is the real human experience! That’s what makes people great and interesting. You can’t do that by hiding behind the veils of social media. I mean, it just cuts off people’s ability to grow as people. 

You have this band called The Flawless Zircons, which I think is an amazing name. Tell me about them.

Well, some of the stuff I’ve written and some of the songs are covers. I have a huge musical repertoire that I draw from depending on the night. I switch it up. I love that element of surprise, just the way I’m sure if you talked to The Stones the night before they did a set, they wouldn’t tell you their set-list  Nobody wants to hear ahead of time what they’re gonna be hearing, you know what I mean? And the name – I love to “wow” you with "the big rock" and it turns out to be diamond-wannabee Zirconia. It just makes me laugh.

You do so many things in your career, but what would you like to be remembered as? What is Sandra Bernhard’s legacy? 
As somebody who constantly breaks down the walls of complacency. I love being somebody who can command attention on stage. Who demands attention. Who earns attention. Is somebody who not only entertains you, but makes you walk away at the end of the night and think, “wow, here’s somebody who shares my emotions, my fears, my hopes." There’s a wave that carries us through life, and throws us on to lots of different shores of interesting, exciting, ongoing, inspiring circumstances. But life should always be inspiring. It shouldn’t suddenly drop off the cliff and not be fun anymore, no matter where we’re at culturally or environmentally. We still gotta find ways of making life inspiring. 

How far is the real Sandra Bernhard from the stage Sandra Bernhard? Are you always on? Is it always you? 
No, not at all. I think I can drop into entertaining mode at the drop of a hat. But day-to-day, it’s work! You gotta roll up your sleeves, deal with so many different elements of this business. I’m on both sides of the live-performing and the creative side, and I’m also on the acting side. You can’t just throw it into somebody else’s lap because it’ll just fall apart. At different junctures, I’ve been with the wrong people, and you just gotta wrestle back control of your career, and be collaborative with people. 

Are you happy, or happier?
I’ve always enjoyed my life. As an artist and creative person, you’re always struggling to find level footing because you see things other people don’t see. If you didn’t see them, you would have nothing to talk about. You may lift up corners of rugs that are filthy, and no one wants to look at the filth, but if you don’t look at the filth then you’ve got nothing to talk about. So, when you look at things that are a little shocking or a little scary, they affect you emotionally and physically. That’s what artists do – painters, sculptors, writers, singers, funny people –  we look at things that other people aren’t willing to look at, and then talk about it in a funny or interesting creative way. 
So what’s the future? What comes next? 
Right now, a friend of mine is developing a great television series idea for me and another actress I don’t want to talk about because we’re right in the planning stages. We’re setting up meetings to go out and pitch the idea, and there’s nothing more irritating than when things are in transition. You just gotta let them fall together. But it’s a great idea with another fabulous, highly-visible actress who needs to be seen again, so it’s the two of us. I feel very positive about it, and that’s my next thing that I really wanna get done. 
I remember when you came in for sound check at Palladium, I hadn’t yet met you, and people were saying, " Oh my God, she’s gonna eat you up, and don’t do this…and that…" Then we heard you walk in, and from then on, you were just a joy. You were a joy to work with. So professional.
Thank you, and that’s what you gotta be. I mean, there’s no excuse for being anything less, and there’s no reason not to be. If you’re not professional, you don’t get anything done. You know that, and I know that. And thank you for that gig! It was a great, great night. That was the most fun night. 
Transcribed by BlackBook’s superstar intern Nicole Pinhas. 

Let Prince Wake You Up With His New Track, ‘Breakfast Can Wait’

Even when Prince is being absolutely ridiculous, it’s hard not to love everything he does. Following up on his driving, blues-rock single “Screwdriver” released at the end of January, His Royal Badness has released “Breakfast Can Wait,” a smooth, funky little ode to the most important meal of the day, or rather, delaying the most important meal of the day for more intimate activities.

And you’d better believe there’s food imagery happening: “Hotcakes smothered in honey, I’mma have to pass / fresh cup of coffee, no no, I’ve gotta have you in my lap.” The first two thirds or so groove, but then Prince goes into this chipmunk voice pitch distortion thing at the end, which totally kills the mood. But maybe that’s what he was going for. He’s Prince, after all. Still, it’s definitely worth a listen and hopefully an indicator of even more Prince.

If that’s not enough Prince (and it’s never enough Prince), the all-star Prince tribute show at Carnegie Hall is right around the corner on March 7th, featuring an impressive and varied lineup including D’Angelo, the Blind Boys of Alabama, Talib Kweli, Sandra Bernhard, Bettye LaVette, The Roots and Princess with Gretchen Lieberum and Maya Rudloph. Yes, please. And tickets for the show will benefit a number of arts and education programs for New York children. What’s not to love?

Have a listen to “Breakfast Can Wait” below, or if the video doesn’t work, you can download the new track for the low, low price of 0.88 over at Prince’s website.

D’Angelo To Play First U.S. Festival In 10 Years

American R&B fans were greeted with good news and bad news at the beginning of 2012. The good news was that neo-soul powerhouse D’Angelo was returning this year with a new album and a tour (and a really, really good cover of Soundgarden’s "Black Hole Sun"). The bad news was that D’Angelo’s "Occupy Music" Tour would only be through Europe.

Well, weep no more, excited D’Angelo fans! The singer just announced his first U.S. show in a decade, where he will join the likes of Mary J. Blige, Aretha Franklin, Kevin Hart and many more at the Essence Music Festival in New Orleans, July 6th – 8th. Luckily for fans, both the European gigs and the new songs performed at them, including "Charade" and "Sugar Daddy," were met with positive words. The Occupy Music Tour backing band included a pretty formidable lineup, too, featuring Chris Dave, Pino Palladino (The Who, John Mayer Trio), Kendra Foster and Jesse Johnson (Morris Day & The Time).

D’Angelo has a new album due out this year, of which collaborator ?uestlove has said: "At best, it will go down in the Smile/There’s A Riot Goin’ On/Miles Davis’ On The Corner category." A bold prediction, indeed.

For a preview of what’s to come, here’s a clip from his Stockholm show:

D’Angelo’s ‘Black Hole Sun’ Cover is Very Good

Close your eyes and envision watching MTV back when music videos existed outside of Vimeo. There’s a strong chance that in your imagination you are viewing an iconic video like the one for Soundgarden’s “Black Hole Sun” or D’Angelo’s “Untitled (How Does it Feel?).” You would think those songs share nothing in common besides the videos that defined their respective slices of the past 20 years. Now, via Head Nodz, we have D’Angelo’s neo-soul cover of “Black Hole Sun,” which was just leaked onto the Internet to bring these two artists together.

D’Angelo and Soundgarden, it turns out, go together like pineapples and pepperoni pizza. You can’t figure out how the combination will work in your head, but then you take a bite and—BOOM—you realize how delicious Hawaiian pizza is. Take a taste:

This cover is reportedly from 2003 or 2004 (while other outlets suggest 2008), but languished on some hard drive before its recent leak. That’s an interesting time frame, considering it straddles D’Angelo’s rehab stint for alcoholism that was documented in this Spin story.

Funny how a cover of a mid-nineties alt-rock staple recorded years ago by a soul artist who reached the apex of his fame in 2000 sounds fresher than anything else being released nowadays. Hawaiian pizza truly is timeless.

Afternoon Links: Katy Perry Is Not Getting A Divorce, Nic Cage Sold A Really Expensive Comic Book

● Ignore the rumors: Katy Perry and Russell Brand are too busy giving each other tattoos to get divorced. Sort of like the way Katy is too busy drinking to have a baby. [TMZ/People]

● The gesture’s thoughtful, but Beyoncé is not at all interested in your hot sauce and pickles and bananas, thank you very much. "That is disgusting!" she says of her rumored pregnancy cravings. [Us]

● Questlove says that D’Angelo’s next album (finally!) is 97% done and that "it’s going to be the black version of [The Beach Boys’] Smile." [P4K]

● Lucky Nic Cage just sold one–just one!–of his comic books for a record breaking $2,161,000. Granted, it was the first-ever Superman comic, but still. [NYT]

● All the products Lady Gaga has ever hawked in one place. How stars are made! [GoldMedal2/YouTube]

● An Odd Future superfan claims to have Earl Sweatshirt’s first ever track, "WattStax," recorded when the currently MIA boy wonder was just 15 and working under the name Sly Tendencies. [CoS]

● 50 Cent has signed the Jersey Shore‘s DJ Pauly D to his G-Note label. Does this mean Pauly D and his Shore-mates will be trading out their beloved Gatorade for Vitamin Water next season? [Huff Post]

Links: D’Angelo’s Botched Blow Job; Scientology Remains Terrifying, “Kafkaesque”

● Washed up soul singer and one-time walking six pack D’Angelo was driving around with $12,000 in his car before getting arrested for soliciting oral sex from an undercover cop. Where did D’Angelo get $12,000? [Daily Swarm] ● If a Joel Madden DJs the Oscars and no one is around to hear it, is Nicole Richie still famous? [People] ● Even the Oscars had a “Kanye moment” — and no, James Cameron did not make one of the best films of all-time… “of all-time!” [Salon]

● Inside Scientology things aren’t all Tom Cruise and John Travolta and Will Smith and Beck bro love parties. It’s far more “Kafkaesque.” [NYT] ● A word to the wise: If you’re getting your butt “enhanced” with injections, use a trained professional or you’ll end up looking like J.Lo today, instead of Jenny from the Block. [NYP] ● No one should miss this news: Mickey Rourke claims to have slept with 14 women in one night, with no mention of money or a film crew. [Page Six]

Did a New D’Angelo Song Just Leak?

To make a very long story short, early aughts neo soul genius D’Angelo more or less disappeared from the public eye after his second proper album came out, due in no small part to the way D’Angelo’s sexuality was exploited after the infamous video for “Untitled (How Does It Feel)” came out. He went into hiding, got a DUI, and hasn’t been heard from in almost eight years. Last January, it’d been ten years since Voodoo came out and changed R & B, and also, more or less the last time we heard from D’Angelo. Until, supposedly, now.

Via OkayPlayer blog 2dopeboyz, on YouTube is what they’re noting as a new, unmastered new D’Angelo track called “1000 Deaths.”

It’s funky, dark, psychedelic, soulful, and has an awesome beat with an incredible bass line to go under it. In other words: it sounds like The Real McCoy, an actual, new D’Angelo song, and an incredible one at that. But how real is it?

Well, the YouTube clip first appeared on an Okayplayer website. And D’Angelo used to be associated with the online community/website — and at one point, label — Okayplayer, and probably still is. Especially seeing as how ?uestlove, who produced Voodoo, (A) is a founding force of of Okayplayer, and (B) has always been rumored to be working with D’Angelo on new material. If this is the new sound of D’Angelo, it sounds like after all these years, he’s up to the same old trick: reinventing neo soul, essentially.