There’s a Criterion Collection Flash Sale Going On! Here’s What You Should Be Buying

To save this dreadful Tuesday, the good folks over at The Criterion Collection have graced us with a special treat this afternoon. After announcing their spring releases a few weeks back, now they have graced us with a Flash Sale. Cue: cinephiles everywhere stopping whatever they’re doing, desparately scouring their dwindling bank statements and proclaiming, “But I will literally die without that Rohmer box set!”

So, from now until noon on Wednesday, all in-stock Blu-rays and DVDs are 50% off, and all you have to do is enter their code and voilà! I certainly understand that remembering what you wanted in the first place—let alone making a decision—is hard enough, so I’ve compiled the best Collectors Sets available on the site that you otherwise probably wouldn’t be able to shell out the money for. From American New Wave classics to German melodramas and everything in between, here’s a helpful reminder of what you should be purchasing today.

Eclipse Series 19: Chantal Ackerman in the Seventies

 Over the past four decades, Belgian director Chantal Akerman (Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles) has created one of cinema’s most distinctive bodies of work—formally daring, often autobiographical films about people and places, time and space. In this collection, we present the early films that put her on the map: intensely personal, modernist investigations of cities, history, family, and sexuality, made in the 1970s in the United States and Europe and strongly influenced by the New York experimental film scene. Bold and iconoclastic, these five films pushed boundaries in their day and continue to have a profound influence on filmmakers all over the world.

Three Colors Trilogy

This boldly cinematic trio of stories about love and loss, from Krzysztof Kieślowski was a defining event of the art-house boom of the 1990s. The films are named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but that hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red(Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema.

Eclipse Series 12: Aki Kaurismäki’s Proletariat Trilogy

 The poignant, deadpan films of Aki Kaurismäki are pitched somewhere in the wintry nether lands between comedy and tragedy. And rarely in his body of work has the line separating those genres seemed thinner than in what is often identified as his “Proletariat Trilogy,” Shadows in Paradise, Ariel, andThe Match Factory Girl. In these three films, something like social-realist farces, Kaurismäki surveys the working-class outcasts of his native Finland with detached yet disarming amusement. Featuring commanding, off-key visual compositions and delightfully dour performances, the films in this triptych exemplify the talents of a unique and highly influential film artist.

David Lean Directs Noel Coward

 In the 1940s, the wit of playwright Noël Coward and the craft of filmmaker David Lean melded harmoniously in one of cinema’s greatest writer-director collaborations. With the wartime military drama sensation In Which We Serve,Coward and Lean (along with producing partners Ronald Neame and Anthony Havelock-Allan) embarked on a series of literate, socially engaged, and enormously entertaining pictures that ranged from domestic epic (This Happy Breed) to whimsical comedy (Blithe Spirit) to poignant romance (Brief Encounter). These films created a lasting testament to Coward’s artistic legacy and introduced Lean’s visionary talents to the world.

Eclipse Series 2: The Documentaries of Louis Malle

 Over the course of a nearly forty-year career, Louis Malle forged a reputation as one of the world’s most versatile cinematic storytellers, with such widely acclaimed, and wide-ranging, masterpieces as Elevator to the Gallows, My Dinner with Andre, and Au revoir les enfants. At the same time, however, with less fanfare, Malle was creating a parallel, even more personal body of work as a documentary filmmaker. With the discerning eye of a true artist and the investigatory skills of a great journalist, Malle takes us from a street corner in Paris to America’s heartland to the expanses of India in his astonishing epicPhantom India. These are some of the most engaging and fascinating nonfiction films ever made.

The BDR Trilogy

 By the age of thirty-four, German director Rainer Werner Fassbinder had directed already twenty-two feature films. In 1978, he embarked upon a project to trace the history of postwar Germany in a series of films told through the eyes of three remarkable women. Fassbinder’s The Marriage of Maria Braun, Lola, and Veronika Voss—the BRD (Bundesrepublik Deutschland) Trilogy—would garner him the international acclaim he had always yearned for and place his name foremost in the canon of New German Cinema.

Eclipse Seires 3: Late Ozu

 Master filmmaker Yasujiro Ozu directed fifty-three feature films over the course of his long career. Yet it was in the final decade of his life, his “old master” phase, that he entered his artistic prime. Centered more than ever on the modern sensibilities of the younger generation, these delicate family dramas are marked by an exquisite formal elegance and emotional sensitivity about birth and death, love and marriage, and all the accompanying joys and loneliness. Along with such better-known films as Floating Weeds and An Autumn Afternoon, these five works illustrate the worldly wisdom of one of cinema’s great artists at the height of his powers.

3 Silent Classics by Josef von Sternberg

 Vienna-born, New York–raised Josef von Sternberg directed some of the most influential, stylish dramas ever to come out of Hollywood. Though best known for his star-making collaborations with Marlene Dietrich, von Sternberg began his career during the final years of the silent era, dazzling audiences and critics with his films’ dark visions and innovative cinematography. The titles in this collection, made on the cusp of the sound age, are three of von Sternberg’s greatest works, gritty evocations of gangster life (Underworld), the Russian Revolution (The Last Command), and working-class desperation (The Docks of New York) made into shadowy movie spectacle. Criterion is proud to present these long unavailable classics of American cinema, each with two musical scores.

Frances Ha

Greta Gerwig is radiant as Frances, a woman in her late twenties in contemporary New York trying to sort out her ambitions, her finances, and, above all, her intimate but shifting bond with her best friend, Sophie (Mickey Sumner). Meticulously directed by Noah Baumbach with a free-and-easy vibe reminiscent of the French New Wave’s most spirited films, and written by Baumbach and Gerwig with an effortless combination of sweetness and wit,Frances Ha gets at both the frustrations and the joys of being young and unsure of where to go next. This wry and sparkling city romance is a testament to the ongoing vitality of independent American cinema.

Eclipse Series 8: Lubitsch Musicals

Renowned as a silent film pioneer and the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also had another claim to fame: he helped invent the modern movie musical. With the advent of sound and audiences clamoring for “talkies,” Lubitsch combined his love of European operettas and his mastery of film to create this entirely new genre. These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.”

Pierre Etaix

 A French comedy master whose films went unseen for decades as a result of legal tangles, director-actor Pierre Etaix is a treasure the cinematic world has rediscovered and embraced with relish. His work can be placed on the spectrum of classic physical comedy with that of Jacques Tati and Jerry Lewis, but it also stands alone in its good- natured delicacy. These films, influenced by Etaix’s experiences as a circus acrobat and clown and by the silent film comedies he adored, are elegantly deadpan, but as an on-screen presence, Etaix radiates warmth. This collection includes all of his films, five features, The Suitor,Yoyo, As Long as You’ve Got Your Health, Le grand amour, and Land of Milk and Honey—most of them collaborations with the great screenwriter Jean-Claude Carrière—and three shorts, Rupture, the Oscar-winning Happy Anniversary, and Feeling Good. Not one of these is anything less than a bracing and witty delight.

Eclipse Series 17: Nikkatsu Noir

From the late 1950s through the sixties, wild, idiosyncratic crime movies were the brutal and boisterous business of Nikkatsu, the oldest film studio in Japan. In an effort to attract youthful audiences growing increasingly accustomed to American and French big-screen imports, Nikkatsu began producing action potboilers (mukokuseki akushun, or “borderless action”) that incorporated elements of the western, comedy, gangster, and teen-rebel genres. This bruised and bloody collection represents a standout cross section of what Nikkatsu had to offer, from such prominent, stylistically daring directors as Seijun Suzuki, Toshio Masuda, and Takashi Nomura.

The Orphic Trilogy

 Decadent, subversive, and bristling with artistic invention, the myth-born cinema of Jean Cocteau disturbs as much as it charms. Cocteau was the most versatile of artists in prewar Paris. Poet, novelist, playwright, painter, celebrity, and maker of cinema—his many talents converged in bold, dreamlike films that continue to enthrall audiences around the world. In The Blood of a Poet, Orpheus, and Testament of Orpheus, Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination. The Criterion Collection is proud to present the DVD premiere of the Orphic Trilogy in a special limited-edition three-disc box set.

Eclipse Series 20: George Bernard Shaw on Film

 The hugely influential, Nobel Prize–winning critic and playwright George Bernard Shaw was notoriously reluctant to allow his writing to be adapted for the cinema. Yet thanks to the persistence of Hungarian producer Gabriel Pascal, Shaw finally agreed to collaborate on a series of screen versions of his witty, socially minded plays, starting with the Oscar-winning Pygmalion.The three other films that resulted from this famed alliance, Major Barbara, Caesar and Cleopatra, and Androcles and the Lion, long overshadowed by the sensation of Pygmalion, are gathered here for the first time on DVD. These clever, handsomely mounted entertainments star such luminaries of the big screen as Vivien Leigh, Claude Rains, Wendy Hiller, and Rex Harrison.

John Cassavetes: Five Films

John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art. A former theater actor fascinated by the power of improvisation, Cassavetes brought his search for truth in performance to the screen. The five films in this collection—all of which the director maintained total control over by financing them himself and making them outside the studio system—are electrifying and compassionate creations, populated by all manner of humanity: beatniks, hippies, businessmen, actors, housewives, strippers, club owners, gangsters, children. Cassavetes has often been called an actor’s director, but this body of work—even greater than the sum of its extraordinary parts—shows him to be an audience’s director.

Six Moral Tales

The multifaceted, deeply personal dramatic universe of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the sixties, standing apart from his New Wave contemporaries, like François Truffaut and Jean-Luc Godard, with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with his audacious and wildly influential series “Six Moral Tales.” A succession of jousts between fragile men and the women who tempt them, the “Six Moral Tales” unleashed onto the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating.

Eclipse Series 7: Postwar Kurosawa

Akira Kurosawa came into his own as a filmmaker directly following World War II, delving into the state of his devastated nation with a series of pensive, topical dramas. Amid Japan’s economic collapse and U.S. occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety. In these five early films, which range from political epic to Capraesque whimsy to courtroom potboiler, Kurosawa revealed the artistic range and social acuity that would mark his career and make him the most popular Japanese director in the world.

La Jetée/ Sans Soleil

One of the most influential, radical science-fiction films ever made and a mind-bending free-form travelogue: La Jetée and Sans Soleil couldn’t seem more different—but they’re the twin pillars of an unparalleled and uncompromising career in cinema. A filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, Chris Marker has been challenging moviegoers, philosophers, and himself for years with his investigations of time, memory, and the rapid advancement of life on this planet. These two films—a tale of time travel told in still images and a journey to Africa and Japan—remain his best-loved and most widely seen.

By Brakgae: An Anthology, Volumes One and Two

Working outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were created without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching. With these two volumes, we present the definitive Brakhage collection—fifty-six of his works, from across his career, in high-definition digital transfers.

Nashville

This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and cultural landscapes, set in the nation’s music capital. Nashville weaves the stories of twenty-four characters—from country star to wannabe to reporter to waitress—into a cinematic tapestry that is equal parts comedy, tragedy, and musical. Many members of the astonishing cast wrote their own songs and performed them live on location, which lends another layer to the film’s quirky authenticity. Altman’s ability to get to the heart of American life via its eccentric byways was never put to better use than in this grand, rollicking triumph, which barrels forward to an unforgettable conclusion.

Martin Scorsese’s World Cinema Project

Established by Martin Scorsese in 2007, the World Cinema Project expands the horizons of moviegoers everywhere. The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions generally ill equipped to preserve their own cinema history. This collector’s set brings together six superb films from countries around the globe, including Senegal (Touki bouki), Mexico (Redes), India and Bangladesh (A River Called Titas), Turkey (Dry Summer), Morocco (Trances), and South Korea (The Housemaid). Each is a cinematic revelation, depicting a culture not often seen by outsiders on-screen.

American Lost and Found: The BBS Story

Like the rest of America, Hollywood was ripe for revolution in the late sixties. Cinema attendance was down; what had once worked seemed broken. Enter Bob Rafelson, Bert Schneider, and Steve Blauner, who knew that what Hollywood needed was new audiences—namely, young people—and that meant cultivating new talent and new ideas. Fueled by money from their invention of the superstar TV pop group the Monkees, they set off on a film-industry journey that would lead them to form BBS Productions, a company that was also a community. The innovative films produced by this team between 1968 and 1972 are collected in this box set—works that now range from the iconic (Easy Rider, Five Easy Pieces, The Last Picture Show) to the acclaimed (The King of Marvin Gardens) to the obscure (Head; Drive, He Said; A Safe Place), all created within the studio system but lifted right out of the countercultural id.

The December Criterion Lineup Has Arrived

Ah yes, it’s yet again the time of month when The Criterion Collection announces their upcoming set of releases. We all flock to check our funds and make sure we’ll have enough for our most desire and start savoring for those on our wish list. With films like Slacker, La Notte, Frances Ha, and Tokyo Story being released in October and November, we now have Criterion’s picks for December. Here’s what they’ll be releasing on Blu-Ray and DVD. Get excited.

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Elio Petri’s Investigation of a Citizen Above Suspicion
"The provocative Italian filmmaker Elio Petri’s most internationally acclaimed work is this remarkable, visceral, Oscar-winning thriller. Petri maintains a tricky balance between absurdity and realism in telling the Kafkaesque tale of a Roman police inspector (Gian Maria Volonté, in a commanding performance) investigating a heinous crime—which he committed himself. Both a penetrating character study and a disturbing commentary on the draconian crackdowns by the Italian government in the late 1960s and early ’70s, Petri’s kinetic portrait of surreal bureaucracy is a perversely pleasurable rendering of controlled chaos."

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Robert Altman’s Nashville
"This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and entertainment landscapes, set in the nation’s music capital. Nashville weaves the stories of twenty-four characters—from country star to wannabe to reporter to waitress—into a cinematic tapestry that is equal parts comedy, tragedy, and musical. Many members of the astonishing cast wrote and performed their own songs live on location, which lends another layer to the film’s quirky authenticity. Altman’s ability to get to the heart of American life via its eccentric byways was never put to better use than in this grand, rollicking triumph, which barrels forward to an unforgettable conclusion."

 

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Martin Scorsese’s World Cinema Project
Established by Martin Scorsese in 2007, the World Cinema Project expands the horizons of moviegoers everywhere. The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions of the world ill equipped to provide funding for major restorations. This collector’s set brings together six superb films from various countries, including Bangladesh/India (A River Called Titas), Mexico (Redes), Morocco (Trances), Senegal (Touki bouki), South Korea (The Housemaid), and Turkey (Dry Summer); each is a cinematic revelation, depicting a culture not often seen by outsiders.

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Albert and David Maysles’ Grey Gardens
Meet Big and Little Edie Beale: mother and daughter, high-society dropouts, and reclusive cousins of Jackie Onassis. The two manage to thrive together amid the decay and disorder of their East Hampton, New York, mansion, making for an eerily ramshackle echo of the American Camelot. An impossibly intimate portrait, this 1976 documentary by Albert and David Maysles, codirected by Ellen Hovde and Muffie Meyer, quickly became a cult classic and established Little Edie as a fashion icon and philosopher queen. The Blu-ray edition features the 2006 follow-up to the film, The Beales of Grey Gardens, constructed from hours of extra footage in the filmmakers’ vaults.

Watch Haskell Wexler Talk the Origins of ‘Medium Cool’

Yesterday, we urged you to get excited for the Criterion Collection’s release of Haskell Wexler’s incredible 1969 political film Medium Cool. "I think I’d die if I couldn’t shoot," says Wexler, who prior to his directorial debut had already solidified himself as a brilliant cinematographer— as the man behind the camera for Heat of the Night and Who’s Afraid of Virginia Woolf?. 

And with a new excerpt from an interview with Wexler for Criterion, he talks about the beginnings of Medium Cool and where the legendary and brilliant Peter Bart played a role in him taking to the first steps towrds directing. He goes on to talk about his own political activism and how the social and political unrest of the time between war, civil rights, etc. informed his film that works as a snapshot of a pocket of history embroiled in turmoil but also rich in fantastic films. 
 
In his essay "Medium Cool: Preserving Disorder," Thomas Beard says of the film:
And while Medium Cool endures as a complex and revealing chronicle of a turbulent age, it feels especially relevant to a contemporary situation as well. Just as the film pulses backward and forward in time, it’s difficult to think of that summer in Chicago without also conjuring up images of the Occupy movement (one of Wexler’s most recent documentary subjects). Both episodes in our country’s history involved the theatricalization of social crisis; the former was catalyzed by television, the latter by viral videos and hashtags. Yet while the terms of representation have evolved significantly between these two eras, newer technologies likewise have their limits. Any number of public earnings reports can readily prove the ability of television and Facebook, of media old and new, to deliver us to advertisers—but it remains uncertain and unlikely that they will be able to deliver us otherwise, to set us free.
Watch Wexler talk Medium Cool below.

Treasures of Cannes Past: This Week on Hulu

This Wednesday, Baz Luhrmann’s cinematic re-visioning of F. Scott Fitzgerald’s The Great Gatsby will Charleston its way into Cannes, kicking off the most anticipated film festival of the year. And with premieres by everyone from Nicolas Winding Refn and James Franco to Claire Denis and the Coen brothers, there’s more than enough to ignite plenty of excitement. But for those of us that will, sadly, not be in attendance, we can still celebrate with our own at home festival, looking back on some of the most beloved Cannes winners from the past.

And this week on Hulu, the Criterion Collection has made some of their greatest works of film available for your viewing pleasure. From Wim Wenders’ absolutely perfect existential romantic yearning masterpiece Paris, Texas to MIchaelangelo Antonioni’s iconic and breathtakingly beautiful L’Avventura and many a goody in between, see what took home top prizes at festivals of yore. So in case you just cannot decide where to start, here are some brief previews of the cinematic magic in store. Enjoy.

Wim Wenders’ Paris, Texas (Palme d’Or, 1984)

"Wenders and Shepard produce a powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon."

 

Luis Bunuel’s Viridiana (Palme d’Or, 1961)

"Banned in Spain and denounced by the Vatican, Luis Buñuel’s irreverent vision of life as a beggar’s banquet is regarded by many as his masterpiece."

 

Lars von Trier’s Europa (Jury Prize, 1991)

"With its gorgeous black-and-white and color imagery and meticulously recreated (if then nightmarishly deconstructed) costumes and sets, Europa is one of the great Danish filmmaker’s weirdest and most wonderful works, a runaway-train ride to an oddly futuristic past."

 

Masaki Kobayashi’s Harakiri (Jury Prize, 1963)

"A fierce evocation of individual agency in the face of a corrupt and hypocritical system."

 

Abbas Kiarostami’s Taste of Cherry (Palme d’Or, 1997)

"An emotionally complex meditation on life and death. Middle-aged Mr. Badii drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him."

 

Hiroshi Teshigahara’s Woman in the Dunes (Jury Prize, 1964)

"One of cinema’s most bristling, unnerving, and palpably erotic battles of the sexes, as well as a nightmarish depiction of everyday Sisyphean struggle, for which Teshigahara received an Academy Award nomination for best director.

 

Michelangelo Antonioni’s L’avventura (Jury Prize, 1960)

"Antonioni’s penetrating study of the idle upper class offers stinging observations on spiritual isolation and the many meanings of love."

 

 

Kon Ichikawa’s Odd Obsession (Jury Prize, 1960)

"Less known today and currently unavailable on DVD or Blu-ray, is Kon Ichikawa’s Odd Obsession. The latter is an absorbing tale of adultery, jealousy, and a quest for eternal youth, starring Tatsuya Nakadai, Ganjiro Nakamura, and Machiko Kyo."

Checking Into the Heartbreak Hotel: What’s Happening This Week on Hulu

Speaking to his work as a filmmaker and his own emotional sensibility, John Cassavetes once said, "That’s all I’m interested in—love. And the lack of it. When it stops. And the pain that’s caused by loss of things that are taken away from us that we really need." His films exposed the painful struggles of love and turmoil loving another causes on the human heart. And in its most overwhelming and passionate form, love is rarely healthy, perhaps no more than an illness from which you’ll never fully recover. And according to the Criterion Collection’s Amour Fou section of films, love is apparently all I am interested in as well. Featuring some of my favorite features from Terrence Malick’s dangerous love story Badlands to Nicolas Roeg’s obsessive psychodrama Bad Timing, to Cassavetes’ soul-crushing A Woman Under the Influence and Liliana Cavani’s darkly erotic The Night Porter, these are films best enjoyed with a glass of whiskey on standby. 

But this week, Criterion and Hulu are showcasing rare films of bad romance that delve into the misguided, corrosive, and often violent nature of love. Ranging from Gus van Sant’s first feature Mala Noche to Keisuke Kinoshita’s rarely seen Snow Flurry, these intense dramas penetrate the soul and illuminate the hardships of love. Get acquianted with these rare and stunning films and decide whom you’d like to break your heart tonight. Enjoy.

Miss Julie

"Swedish filmmaker Alf Sjöberg’s visually innovative, Cannes Grand Prix-winning adaptation of August Strindberg’s renowned 1888 play brings to scalding life the excoriating words of the stage’s preeminent surveyor of all things rotten in the state of male-female relations. Miss Julie vividly depicts the battle of the sexes and classes that ensues when a wealthy businessman’s daughter (Anita Björk, in a fiercely emotional performance) falls for her father’s bitter servant. Celebrated for its unique cinematic style (and censored upon its first release in the United States for its adult content), Sjöberg’s film was an important turning point in Scandinavian cinema."

Mala Noche

"With its low budget and lush black-and-white imagery, Gus Van Sant’s debut feature Mala Noche heralded an idiosyncratic, provocative new voice in American independent film. Set in Van Sant’s hometown of Portland, Oregon, the film evokes a world of transient workers, dead-end day-shifters, and bars and seedy apartments bathed in a profound nighttime, as it follows a romantic deadbeat with a wayward crush on a handsome Mexican immigrant. Mala Noche was an important prelude to the New Queer Cinema of the nineties and is a fascinating capsule from a time and place that continues to haunt its director’s work."

Snow Flurry

"A generation-spanning drama from 1959 that partly concerns the fallout from a couple’s failed suicide pact, shot in wonderfully expressive widescreen and color."

Double Suicide

"Many films have drawn from classic Japanese theatrical forms, but none with such shocking cinematic effect as director Masahiro Shinoda’s Double Suicide. In this striking adaptation of a Bunraku puppet play (featuring the music of famed composer Toru Takemitsu), a paper merchant sacrifices family, fortune, and ultimately life for his erotic obsession with a prostitute. Criterion is proud to present Double Suicide in a stunning digital transfer, with a new and improved English subtitle translation."

Pale Flower

"In this cool, seductive jewel of the Japanese New Wave, a yakuza, fresh out of prison, becomes entangled with a beautiful and enigmatic gambling addict; what at first seems a redemptive relationship ends up leading him further down the criminal path. Bewitchingly shot and edited, and laced with a fever-dream-like score by Toru Takemitsu, this gangster romance was a breakthrough for the idiosyncratic Masahiro Shinoda. The pitch-black Pale Flower (Kawaita hana) is an unforgettable excursion into the underworld."

Senso

"This lush, Technicolor tragic romance from Luchino Visconti stars Alida Valli as a nineteenth-century Italian countess who, during the Austrian occupation of her country, puts her marriage and political principles on the line by engaging in a torrid affair with a dashing Austrian lieutenant, played by Farley Granger. Gilded with ornate costumes and sets and a rich classical soundtrack, and featuring fearless performances, this operatic melodrama is an extraordinary evocation of reckless emotions and deranged lust, from one of the cinema’s great sensualists."

Lydia

"Julien Duvivier’s film, starring Merle Oberon as a woman looking back on a life of doomed affairs."