The colossal annual Eurovision Song Contest apparently has long had a ban on overtly political lyrics. The hardly-easy-to-enforce edict was challenged this past Tuesday, when Armenian singer Iveta Mukuchyan brandished a Nagorno-Karabakh flag, in protest of Armenia’s occupation of the Azerbaijani region. It set tongues wagging.
But last night’s final in Stockholm may have genuinely served to escalate the ongoing troubles between Ukraine and Russia, with Ukrainian singer Jamala taking the top prize for her song “1944.” It contains the not-so-subtle lyrical pleas, “You think you are gods / But everyone dies / Don’t swallow my soul / Our souls” and “We could build a future / Where people are free / To live and love.”
Before her victory, Jamala had told The Guardian that if she did indeed win, “It will mean that modern European people are not indifferent, and are ready to hear about the pain of other people and to sympathize.” It was a clear reference to the 2014 Russian annexation of Crimea, and the continuing violent struggle that has followed. Russian officials responded to Jamala’s victory with immediate scorn, calling for her disqualification based on breaking the ban on political lyrical statements.
This comes hot on the heels of Beyoncé’s controversial Super Bowl halftime show in February, which itself set off something of a socio-political firestorm in America. As could be expected, both sides of the ideological divide conveniently interpreted her performance to the specific promotion of their own agendas.
Considering Eurovision 2016 had a worldwide viewing audience of 200,000,000, Russia, surely, can be expected to not just shrink quietly away from this fight.