Correct Culture: Man Bags, Muffinhead, Max Steele

Take the Picture – There seems to be a never-ending plethora of artists dabbling in the at times indulgent art of self-portraiture these days, but few ever rise to the fierce degree of established and still relevant talents like Cindy Sherman or Robert Mapplethorpe. Photographer Gregory Moon is that rare exception, and though his work is way different from the aforementioned art greats, he adds his own singular touch to his work, which veers from the ultra-sexual to the uber-sexy. Constantly revealing and evolving, he shows absolutely no fear in expressing his unique vision of himself and gives pause to those seeking only an unhealthy dose of counterfeit astonishment.

imageStyle That Doesn’t Suck – I’ve never been a fan of the “man bag,” those supposedly fashionable but oh-so-strange-looking oversized sacks of stylish indulgence that designers like Gucci, Prada, and Louis Vuitton have tried to convince us normal male mortals (and not just the gay ones) that we need to complete our daily ensembles. I still rock a $12 black nylon backpack from 14th Street. But then I came across the superbly sublime designs of San Francisco-based accessories designer Basil Racuk, and I’ve been singing a decidedly different tune. A 20-year veteran of the fashion biz, Racuk worked his magic for several large houses before striking out on his own as an artisan working directly with private clients and a few select retail stores. His passion for California gold miners and the alterna-hippy vibe of Haight Ashbury has resulted in a collection of rare leather pieces dating back to the Gold Rush days. The pieces have a handcrafted, lived-in-already feel and feature such unexpected touches as handpainted finishes and ergonomic shapes that keep them fashionably current, yet comfortably minimal.

image Style Exiles – I first spotted Muffinhead on Facebook but didn’t truly take in his entire amazing self spectacle until spotting him at one of artist Kenny Scharf’s Cosmic Cavern black-light parties. Describing himself as a “performance absurdist and hyper-surreal cartoon character intent on bringing other worldly visions to life, he injects a bold and brash jolt of visual distraction that brings to mind such geniuses as Leigh Bowery. Since relocating to New York in 2005, he has brought his chaotic and somewhat obsessive panache to the city’s hottest galleries, events, and nightlife. His solo show The Exhibitionist at Arena Studios received rave reviews, and he has been a featured player in the Deitch Projects Art Parade since its inception. This “Art Terrorist” seeks first and foremost to see his concepts through to brilliant completion, often taking several grueling months to finish. His recent collaboration with Kenny Scharf called “SuperWow!” was one of those unique only-in-New-York experiences, bringing together a group art party, performance exhibit, and all-night dancing to dazzling effect.

image What Would You Wear to the Second Coming? – it/EQ collaborators Ethan Shoshan and Carlo Quispe create custom clothes based on psychosexual power relationships inherent in the wearer, uncovering unconscious desires and allowing personal liberation. The story of it/EQ is based on one of the principles of Shamanism, and that is imbuing meaning (personal, spiritual, social) onto things; that objects, people, places have special powers — living symbols of power — and to reach beyond the ego into a realm where we are all deeply connected. The first amulet that ever existed was the shell portion of a sea-urchin. It has a hole through it, called it/EQ (anus) and was made the first amulet because of its association with a particular power of healing through wind and breath. Ethan Shoshan, 29, is a social ecologist and multimedia artist born in Brooklyn. His works utilize many creative platforms using visual media, performance, sound, video, installation, clothes, and cooking. He is currently living and working in New York as yoga practitioner, macrobiotic chef, and volunteer for various community organizations. You can check out more projects and sign onto the mailing list at www.disiterate.com. Carlo Quispe is 31, born in Lima, Peru, and now lives in New York in the Dominican ghetto of Washington Heights. Carlo’s work depicts men who have sex with men and their very private lives. His comic Killer Heights recently had a public showing in September at Printed Matter Inc. He is currently teaching visual literacy at the Hetrick-Martin Institute and is co-editing the next issue of World War 3 Illustrated, called “What We Want,” due out in early 2010.

image The Stuff You Need Right Now – With the continued advent of skinny jeans, finding the right shoe that keeps the elongated and lean line fresh requires footwear that doesn’t look bulky or make you resemble a modern-day version of Bozo. Nobody wants toothpick legs balanced on boat-sized feet. I usually opt for a classic pair of Chucks but was recently turned on to the reinvention of a true old school classic. Reworking their ultra-classic signature canvas kicks first introduced to the masses in 1916 by the company US Rubber, Pro-Keds has teamed with the uber-trendy boutique Opening Ceremony to create a line of red, white, and blue styles in faded washes, bandana prints, and even denim.

image Shop till Ya Drop – Live Fast is hands down the coolest shop on the LES. The carry and support an amazing array of independent designers who create one-of-a-kind pieces and accessories. Scooter La Forge, JackieHatesYou, Blue Tape Crew, Ramon Maiden, Bullets, Stiletto Leatherwear, OAP London, Michael Nirenberg, and Nickels & Dimes can all be found here, and the shop also creates rock-n-roll-inspired wedding/gala event dresses from their in-house studio. Owner Cecilia Anton opened the shop in 2005 and soon after turned the basement into a wildly popular gallery featuring artists like Nick Zedd, Vanessa Bucci, Joe Simko, and Monica Casanova. Upcoming shows include the aforementioned JackieHatesYou on October 31 from 6-11pm, and Scooter La Forge’s “Mega Monsters” on November 20. If you haven’t figured out your Halloween costume yet, get your ass down there ASAP as this is definitely the spot to put something together that will look fiercely fresh and stand out in a likely crowd of Sarah Palin wannabes.

image Fiercely Correct Art – New York-based painter Lara Jochim has pretty much done it all in her quest to keep things creative. Between serving up stints as a DJ, fashion stylist, record store clerk, theme party host, and 9-to-5 publishing gal, she “relaxes” by painting abstract figurative landscapes of swirling colors and collaged distraction.

image Caution: Correctness Ahead – Max Steele is a NYC-based performance artist/ blogger du jour/ go-go sensation whose personal sense of style often includes random correctness such as the Mickey Mouse tank he sports above. The kids in NY are really working the vintage again, thank God, and I’ve noticed that even though this never-ending 80s retro regurgitation refuses to leave us, there is a current of the future starting to creep up. I sat down with Max recently to ask him a few questions.

Tell me about growing up- where you’re from, were you out, gay, and performing? I’m originally from LA, but my family moved to a tiny island Bay Area suburb called Alameda when I was nine. My parents are both actors, so I was out from the get-go. Real artsy hippie CA vibe, I’m very lucky.

What made you come to NYC and what was the first fierce thing that happened to you? I came to NYC because when I was in high school this really cute punk band played SF on tour and I had a crush on the guitarist and they said they were from New York. The first fierce thing that happened when I got here was that for the first time in my life, dudes started cruising me. All of a sudden I existed.

What do you aspire to, and what inspires you? I aspire to share my work (performance and writing) with more and more people. I want to widen the discussion to include as many people as possible. I’m inspired a lot by the work of my brilliant friends, and by literature.

What all do you do to do what you love to do in NYC? I work days as a law firm receptionist, I go-go dance, and do freelance writing gigs to get money. I wish I could support myself without having a 9-5, but I’m still young.

Favorite color / drink / restaurant / club nite / performance-nightlife artist? Green, soy White Russian, Kate’s Joint, three-way tie (Queers Beers and Rears @ Cake Shop, JUDY! @ The Hose, and whenever there’s an East Village Boys party), Tayisha Busay.

Upcoming projects, dream jobs, and correct e-mail/web site contact info? I’m playing Starr Space on 10/17, opening for Ana Da Silva from the Raincoats, working on a new solo performance art show called Encourager, and writing the next issue of my psychedelic porno poetry zine Scorcher.

imageFast Food Fashion – I am a huge fan of irreverent t-shirts, the less in good taste the better. My new guilty pleasures come from Mike Hawk Teez, started by childhood friends Rick Ramos and Frank Guerra, who based their collection of crude sayings on stupid phrases they would come up with back in their college daze. They come up with the fictional characters Mike Hawk, the typical dirty-minded guy, and Betty Wacksitt, the empowered hot girl who tells it like it is. Not politically correct by a long shot, which is exactly why they are SO very correct.

San Francisco Street Treat – Just spent a few weeks in San Francisco, where the street art scene is completely off the hook. Ironically, several of that city’s leading artists have been migrating to NYC and leaving their mark on both coasts. So if some of these images look familiar, you’re not trippin. The era of bi-coastal tagging is alive and well.

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All photos except Basil Racuk, Gregory Moon, Lara Jochim, and Mike Hawk Teez by Walt Cessna.

Correct Culture: Tobie Giddio, Illustrationist

Tobie Giddio is one of the most unique and inspiring artists I have ever been lucky enough to work with during my past 25 years in the fashion biz. We first met in the late 80s when the New York club scene was ground zero for creative kids in search of an outlet outside of the mainstream media. I was about to launch an alternative anti-fashion magazine called STOP and Tobie, already a friend, soon became one of my most important and favorite contributors. From the very beginning of her career she has displayed an unbelievably polished and signature technique. Her work takes you into a gorgeously sublime & abstract world where you find yourself in an elegant, almost futuristic dream. I’ve never seen nor met another artist with her perspective and the passion she brings to her work is utterly infectious. She inspires me to always move ahead — but in the most beautiful way possible.

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When did you first start drawing? I started drawing as a child and never really stopped. I loved drawing ladies in period gowns because I watched a lot of Barbra Streisand movies growing up. I was very inspired by all the Cecil Beaton period costumes with her 60s/70s make-up, hair, etc., and I still am. Then as a teenager I was into copying Richard Avedon photographs in my “studio” in the basement. Then there was The Eyes of Laura Mars, which probably put me over the edge.

Did you draw obsessively as a child? Not really obsessively … it was more of an escape. I loved nothing more than to put those giant headphones on and draw … Elton John, Donna Summer, Barbra, then Led Zeppelin, the Bee Gees, Queen, Disco … it was heaven and that pretty much still is for me.

You’re an 80s kid — what do you take from that period and use in your work today? I moved to NYC in 1982 to go to school. I like to think of us as the “fortunate generation.” The true melting pot as we knew it no longer exists in NYC. Nightclubs at the time were just so incredibly abundant with genuinely talented people and fantastic music … it was inspiring and a bit intimidating too, but it made you push yourself to be better, it made you dig down deep to find what was absolutely yours and to create from that place. It wasn’t about falling into some sort of lame standard of cool. The people I was surrounded by were just so amazing. Sister Dimension and Billy Beyond were some of my closest friends at the time (and still are) so I spent a lot of time at the Pyramid on Avenue A. The performances, the visuals, the music that I witnessed there for years are a huge part of my foundation as an artist. I was also spending a lot of time in London, and it was so incredible. Beings like Leigh Bowery and all the characters of that moment were just blowing my mind with inspiration. That time for me was so much about experiencing the limitlessness of how beautiful, how expansive, how expressive you could and should be. The 80s were great, but honestly I’ve embraced every decade so far for completely different reasons.

What particular job/assignment helped jump start your career? Well, while all that 80s stuff was going on, I was working, funny enough. I would have to say doing those black & white Bergdorf Goodman ads that ran in The New York Times every week. But my very first published piece was for the East Village Eye. I was still a student, and Donald Schneider just put one of my drawings in there for no reason other than because he liked it, no article or editorial, nothing, full page … I loved that.

Who are your major influences/icons illustrator/artist/designer wise? Heroes I have many, but here’s a to eleven, no particular order … Agnes Martin, Lee Bontecue, Tori Amos, Georgia O’Keeffe, Paolo Roversi, Leigh Bowery, John Galliano, Joni Mitchell, Keith Haring, Milton Glaser, and Picasso.

What inspires you in terms of pop culture/music/life in general? Hmmm, well music has always been a primary “art supply” in the studio. I work silently until I feel I am where I need to be, and then it goes on nice and loud and I completely let go into full on enjoyment. At the moment I’m not listening to a lot that’s new. I listen to a lot of Tori Amos because she’s so prolific and genius and gives me the rich production value. That and my other tried and true reliable. Nature, modern art, not so much that’s going on at the moment but I am loving the paintings of Tomma Abts … incredible abstractions.

Do you still draw for yourself, or do you find yourself mostly doing it for work now that you’re more established? I’ve always drawn for myself. It has to please me or it just doesn’t flow, though my intent has changed over the years. In the beginning I felt a responsibility to be a part of visualizing the art of fashion illustration as all our guys were dying of AIDS and Steven Meisel was busy catapulting fashion photography to this level that it was not before. A lot has happened since then, and there are many illustrators and agencies out there now. I continue to draw for myself but my intention has taken off and evolved from where I started. I think it’s a mission accomplished in terms of keeping drawing fashion alive so I’ve personally moved on. I now work with an intention to express a much more personal yet hopefully universal vision of beauty that serves in a different way.

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Do you consider yourself an illustrator? Artist? Or both? I don’t think it’s entirely correct to call what I’m doing now fashion illustration. I say that with huge respect for the art of illustration. Hopefully without sounding like a pretentious fuck I can simply call myself an artist. I think it’s really about where I feel aligned with. I no longer work with an illustration agency or am a part of all the fashion illustration collective publications … It’s just me and my attorney at this point working for those who are in full appreciation of where I am coming from and exhibiting in places that resonate with the essence of the work. My assignments have a huge range of content. Sometimes it’s fashion, but it goes way outside that as well.

People are always saying that illustration — especially fashion illustration — is dead. How do you feel about that? Well I guess we’re talking about within the fashion community now. Yes, with these guys it is dead or just not relevant. Aside from the odd Mats Gustavson editorial in Italian Vogue or Visionaire once in a blue moon, you’re not going to see actual fashion illustration very much in what was once considered its proper arenas. I used to care a lot about it, but not so much now. It’s pointless to take it personally or to take the bitter pill. The fashion community’s collective mindset just could not embrace it. The idea that fashion illustration is some kind of quaint not-so-relevant stepsister to photography is ingrained in their psyche, and you’re not going to get through that no matter how talented you are, so for me this has meant a real need to carve my own way completely, even leaving my original intent to be a fashion illustrator. The truth is, great art is great art — it is always relevant and will find its place even if that turns out to be fashion. I think it’s a job of an artist to protect the work, nurture what is revealing itself, and to be steadfast and clear about its destiny regardless of what the world seems to be presenting … so, if you’re asking me how I feel about these attitudes in the industry, I can say it has been a source of frustration over the years, but at this point I’m fine with it. It’s not what defines my life or work. I’m making the work I want to make and I am very content with that.

What/who is your dream assignment? Proper editorials in relevant magazines, animations for retail environments for stores like Viktor & Rolf, print with brands that are truly innovative and gorgeous, music video for musicians I love, my version of a Yellow Submarine type of film. There’s something really great about not hitting your peak too early … I feel lucky that there’s so much more to come and I’m 45. The whole youth thing is so ridiculous. I don’t think the real deal actually happens as a young artist no matter who you are. I’m into building something authentically and steadily, something that will last and I can do as an old lady.

What are you trying to transmit/say with your work? Purity. Transcendence. The divine.

Where do you see yourself in the future? Somewhere very dressed up.

With all the emphasis on technology these days, how much of it do you incorporate/use in your work compared to when you first started out? I like to think the final result is at the perfect balance of digital technology and work by hand. All the drawing and collage is by hand. I start with a sumi ink drawing and then layer translucent color films that I’ve cut with a straight edge. Then it is scanned and cleaned up, meaning all the unnecessary cuts and bits of tape are removed, bubbles from the film, whatever … not too clean but just enough. Then there’s some color correcting and retouching so the black ink is nice and rich and the color at its best. I love the level the computer has taken my work to. I resisted it for a long time, but I realized at one point that I was holding back the work, and it did not serve me ultimately to hand it over to art directors for them to take care of. Then came the animation and having the necessity of how to integrate work on paper into the computer.

What’s the most satisfying thing about what you do? There’s nothing like the feeling of being in complete partnership with the creative powers that be, when the work is coming strong and fast, no editing, no deciding, no throw away, just one line after the next, one shape after the next, it’s exhilarating really, pure pleasure and when I’m done I feel so grateful to have been a part of the process.

Portrait of Tobie Giddio By Billy Erb.

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Correct Culture: Hairy Eyeballs, Aetherphone Blues

Shop Till You Drop – One day as I was wandering around Williamsburg looking for random street art to photograph I literally stumbled upon the most insane jewel box of a store filled with most eye-catching hairy eyeball graphics imaginable. Everything that makes a super skate geek happy can be found at Mishka, from signature print jeans to rare collectible toys to the aforementioned hairy eyeball pillows and caps. Plus, when you need to take a shopping break, you can chill and challenge your buds to a round on the in-store video arcade or just kick back and ogle the Adam Wallacavage squid chandelier that hangs almost menacingly in the center of the store. The clientele is as captivating as the merch, and the sales staff are so laid back you might not even realize they’re there. In other words, the perfect shopping experience.

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Blog or Die – My absolute everyday must-read-or-die blog is Eitel Thoughts by Reavis Eitel. Always visually arresting and bitingly ironic, Eitel takes you into his world and serves up his personal take on everything from his health to Sundaze at Vandam with tongue planted firmly in chic. Here’s a brief Q & A I recently conducted with him.

What is the purpose/inspiration for your blog? It’s characteristically without purpose! I started it because I wasn’t feeling well. I had no idea that anyone would ever read it. If I had any idea, I wouldn’t have made it so confessional and personal, but I just continue to go with it.

What are your favorite things about living in NYC? At this point, just convenience and anonymity. You’re also still pretty protected from how banal and slow the rest of the world is when living here. If you don’t think so, then try going an hour or so outside of Manhattan. Whenever I cross over the bridge to return, I can breathe again.

You have made an incredible personal transformation — what inspired you and what are you aiming for? Thanks. I switched to whole grain. Just looking to further my all-natural healthy agenda in personal maintenance and fitness pursuits.

Is there an underground scene still in NYC and what/who are your favorite parts of it? No.

Give me a brief bio — the usual, where you’re from, what you’ve done, what’s in your future? I was born and raised in Manhattan where I went to school through college. I intend to retire in the future.

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Style Exiles – Twenty-eight-year-old Nicholas Gorham is a Vancouver transplant specializing in cabaret-based performance art, but that’s putting it lightly. Filled with the kind of sassy bravado that few can actually pull off, his performances have become known not only for his side-splitting humor, but the way-over-the-top visuals he serves. A regular at the Inbred/Hybrid book club burlesque reading series, his recent reinterpretation of the classic Tin Tin was a hodgepodge of larger-than-life hair, major make-up and theatrics taken to terrific extremes. In his spare time, he designs one-of-a-kind hats that run the gamut from leopard-print mini-saucers perched on the tip of your head to more involved and abstract black mesh numbers that are architectural and stylishly accurate, although I chose to photograph him in a cap by Kangol cause I’m confusing like that. But you can check out Nick modeling his headgear here.

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Street Treat – I caught up with performer extraordinaire Armen Ra ({encode=”armenramusic@yahoo.com” title=”armenramusic@yahoo.com”}) sneaking a ciggy after his breathtaking performance at the Participant gallery on Houston Street. Besides possessing an unending capacity for fiercely personal style statements, Ra is one of the few souls on this planet truly gifted enough to master the theremin, an early electronic musical instrument controlled without actual physical contact from the player. The controlling section usually consists of two metal antennas which sense the position of the player’s hands and control oscillators for frequency with one hand and amplitude with the other. The electric signals from the theremin are amplified and sent to a loudspeaker. To watch Ra perform is like a love making session as he sensuously maneuvers and strokes the air around the instrument, creating arresting musical interludes that are as seductive and spellbinding as an opium-induced trance. If you’ve never witnessed this live and in person, you truly do not know what you’re missing. Ra always serves up a super correct visual, melding masculine and feminine overtones like no other.

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Style Child – Denise Azira has a penchant for urban-oriented style staples given a fashionable twist. Her knuckle rings are lady-, not thug-like, but still leave a tough impression — almost like chic self defense jewelry. But her silver millipede necklace really hits the mark, wrapping itself around the neck as if it were actually alive.

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Tag You’re It – I’ve noticed that a lot of my favorite random street art sightings as of late are almost like abstract paintings, eclipsing their graffiti origins and taking things up a notch to an almost painterly level. It seems as if the days of just bombing your name are truly a thing of the past as a new posse of urban artists prefers to leave their mark with visuals that could just as well hang in a gallery when not being uncovered on the side of a wall or in a dark, skanky alley.

Photographs (except for Reavis Eitel and Denise Azira) by Walt Cessna. See more from Walt Cessna on Facebook.

Correct Culture: Egg Work, Photo Finishes, Bauhaus Built

Fiercely Correct Art – Besides being a talented photographer whose alterna-persona Rosie The Clown is known for beyond-scandalous performance art shenanigans and homo-erotic photos that feature him as a bizarre clown serving up a rather, ahem, large appendage, artist Paul Wirhun a.k.a. The Eggman is also an uber-talented artist working in a medium involving eggshells and found wood. Inspired by early modernist paintings, Asian ceramics, and Japanese prints, Wirhun painstakingly arranges thousands of eggshell fragments into surreal, sensuous collage/paintings depicting everything from a young man’s curvaceous backside to the Brooklyn Bridge.

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Caution: Correctness Ahead – John Kelly is a performance and visual artist whose legendary career dates back to the early East Village clubs of the 80s. His talent seems to know no bounds, as he is not only a trained dancer who studied with the American Ballet Theater, but also a visual artist who studied painting and drawing with Larry Rivers and Barbara Pearlman at Parsons School of Design. His homage to Joni Mitchell, “Paved Paradise,” was so unsettlingly realistic that he was invited to give a command performance for her at Fez in 1998. Since the 80s he has created over 30 performance works and has appeared at many alternative venues including PS1, the Warhol Museum, LaMaMa, and the Brooklyn Academy of Music’s Next Wave Festival. He recently had a successful showing of his paintings and drawings titled “The Mirror Stages: Self-Portraits 1979-2009,” at Alexander Gray Associates, and was last seen on the big screen acting in John Turturro’s Romance & Cigarettes in 2005. He is constantly in a state of creation, utilizing the many splendid gifts he is blessed with to exhilarating effect. But most important, Kelly remains one of the most humble, sincere, and truly sweet people on a scene that often turns even those with the best intentions into bitchy caricatures of what some feel a performance artist or diva should be. After a much-deserved rest this coming September, he will be focusing more on his acting, hopefully bringing his particular brand of magic to the wider audience he so justly deserves.

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Take the Picture – Victoria Dearing is incapable of cliché, in constant motion through the world refusing all those easy visual options, refusing repeatedly to take the photograph that so many already have and will do again, always seeing everything anew instead. She will not focus on the poverty even in the poorest pueblo of El Salvador but rather grants us elegantly composed, almost abstract details of everyday existence — images which tell us all we need to know about life here, yet with the promise of redemption, that spark of beauty which every person and place guards. Likewise in Africa she creates compositions of great tonal and aesthetic intrigue whilst never reducing her subject matter to mere geometries, always connecting directly to their essential humanity. Dearing is opposed to the condescension and compromise inherent to so much photojournalism; instead, she offers her utter and genuine curiosity and, yes, friendliness toward the world and all its inhabitants … an exceptional openness apparent in every one of her photographs. Dearing has photography built into her DNA and has been taking pictures all her life, negotiating that path between commercial imagery and personal vision where that art has currently found itself at its most fruitful. At a time when everyone travels and everyone takes photographs, it has become easier rather than harder to distinguish between the true photographic eye and the tourist’s banal snapshot. Any one of Dearing’s images makes it immediately clear that whether you mean a “decisive moment” or Barthes “punctum” — whatever the word for it — she has that rare and precious gift of truly seeing and so letting us see also.

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The Stuff You Need Now – I asked my friend Alex Bator to describe in his own words exactly what the deal is with his hot new T-shirt collection Dessau ({encode=”dessausportgear@gmail.com” title=”dessausportgear@gmail.com”}:

I chose the vintage bike as an ICON, because it represents freedom. A metaphor for that good feeling we all get from doing the things that we love to do. DESSAU on the other hand is one of the founding cities of BAUHAUS the art school/design movement. If you recall, I had always published Stuf Mag under an assumed parent company: Amerikan Bauhaus. To me the Bauhaus movement represented and new way of thinking and teaching. Bringing several artistic disciplines under one roof, for what seemed like the first time, there was a lot gained by the proximity of arts and more importantly ARTISTS. This lead to collaboration and unexpected goodness. Thus Dessau is based on this collaborative effort. In this way I am looking for other artists and brands to collaborate with. And because of all of the above, and COI (Conflict of Interest) included I am ok with moving very slow, very limited edition type of productions.

Personality: I am as you know a guy from Detroit I have always been drawn to cars, Muscle, Euro, Micro, Trucks, cool shapes and colors, I’m all about it. Motorcycle were stronger when I was a kid and used to dart around on a Vespa Style Honda 50 and super fun, Little Indian which was the lawn mowers version of a mini bike replete with Briggs and Stratton, pull start engine. I remember I bought one, took it all apart, painted the frame black, dropped new chrome fenders on it and recovered the seat with Denim that I probably re-cycled from a pair of old jeans or a jacket. Unfortunately the photo documentation is a bit weak, but maybe I could dig up, scan and PSD magic it back to visible life. 110 Film camera’s sucked for sure. Weirdly enough I‘ve recently found a slew of global brands that are mining the same idiosyncratic passions, literally stating: “We’re into Vintage Cars, Motorcycles and Skateboarding”. Oh yeah, I forgot to tell you I’m into skateboarding! (ya, that was a J-oke and I know you got it!).

Photographs (except for Victoria Dearing) by Walt Cessna. See more from Walt Cessna on Facebook.

Correct Culture: Time, Hybrids, Clicks, & Drags

Major Music – Mixing a powerful combination of funky dance, bluesy rock, and urban pop, add in beyond-energetic live performances with a powerful fashion sense that references everything from old school punk to The Guardian Angels and fierce fast food fashion finds, and you have Farrad. His new CD is called The Time Is Now, and the song to catch first is “The Way U Do.” If you are not dancing your butt off within the first few seconds, you simply have no soul. Zipper harness by Sohung Designs.

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Caution: Correctness Ahead – Inbred-Hybrid Collective is an insulated performance art-based troupe of very select talent hoping to get out to a wider audience and fill a void that has been getting more vacuous since 2000, when much of that scene disappeared. Their Book Club Burlesque series is genius, using the old school-book club format mixed with performance art to create thematic events. The next event is based on Tin-Tin and takes place in late July. Their pictured leader prefers to go nameless, but as you can see from his ensemble of futura glam gorgeousness, the visuals will be ultra distracting.

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Style Exiles – Multidisciplined visual artist and director Rob Roth provides custom image solutions for performance, rock ‘n roll, art parties, and club promotion and events. His creative stamina and relentless pursuit of a defined mythology consistently results in works of unprecedented originality, always refreshingly unselfconscious. Roth was a founder of the renowned downtown performance phenomenon Click & Drag, a cyber-fetish spectacle at the legendary nightclub Mother. There will be a new Click & Drag party on October 17 at Santos’ Party House; if not, an alternative venue will be arranged. Be warned: there is a very strict dress code. His most recent works include The Mystery Of Claywoman, a mockumentary/performance piece written by and starring Michael Cavadias as a 500-year-old woman from another planet, featuring Amy Poehler, Alan Cumming, and Edgar Oliver. The film version also stars Debbie Harry and Justin Bond. It follows his enormously successful rock opera Screen Test starring Theo Kogan and choreographed by Vangeline Theater. A DVD will be available soon.

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Blog or Die – Even though print magazine ad revenue is down by 29% from just last year, there’s a slew of new titles hitting the stands in the hopes of reversing the trend towards on-line publishing. One of the freshest if not raciest is Try State, which features in their own words “quality art, trash, nudes, fetish, punk, music & fashion victims”. My reason for you to pick it up is that they feature some of the best up-and-coming international photographers and artists that you’ll see there first — before they get scooped up by the bigger titles.

Could there really be a good literary- and art-based site that isn’t pretentious, redundant, or stale? Yes. John Sebastian’s eclectic and eager The New York Optimist is a hodgepodge of short stories, features on emerging art talent, and other assorted visual candy. Definitely a treat for those looking for mental distraction of the correct caliber.

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Endnote – Last column, I screwed up some of the photos and wanted to give two super-fine ladies their due. Street Treat Natalie Cora serves us with her jaunty pom-pom topped cap, and It Girl Lindsey Salerno shows us why being young, attitudal, and gorgeous is always a very correct thing.

Photos: Walt Cessna. See more from Walt Cessna on Facebook.

Correct Culture: Naughty Needlepoint, Apocalyptic Hats

Fiercely Correct Art – Maria E. Pineres showing at DCKT. I’ve known Maria since she was a brilliantly before-her-time teen rocking Sprouse & Alaia at the 80s Palladium in the Mike Todd room. She’d done many things over the years: model, muse, OCD graphic-obsessed repetitive artist, best friend to too many count, interior decorator, proud aunt to Master Schellenbach, for the past 10 years creating the most insanely yet abstractly detailed needlepoints depicting vintage 60s & 70s porn imagery mostly, but also venturing into the arenas of fashion and celebrity portraiture (her Eminem is classically correct). Her new show was a chilled-out affair of old 80s pals reconnecting and getting a chance to catch an artist so obviously at the top of her form and selling out to boot. Go girl. Plus it was a blast sneaking cigs with fellow artist painter Erika Keck, whom I’ll be featuring soon. She in the painter of her generation to watch. TRUST.

Style Exiles – Juanita More is the ruling and most caring & giving queen working the San Francisco scene. Her party, Booty Call Wednesdays, is tres gay and a must-stop and disco drop for connected homos and sassy friends alike. This beer can & diva-sunglassed pose has that Latina La Trasha style we all love.

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The Stuff You Need Now – Emily Payne used to design an SF-based line called Brick that excelled at magically morphed 40s vixens meshed with Star Wars Ewok hoodies taken to gloriously oversized proportions. Her new LA-based collection, Payne, is a bit more grown up but no less cutting edge, mixing asymmetric layers and future fierce proportions. Emily photographed above wearing a Payne one-piece by Isaac Payne.

Tag You’re It – A recent jaunt to Bushwick yielded some of the finest examples of street art in this rather rough ‘n’ ready yet couture & cute neighborhood. Everywhere there is correctness to behold — brazen taggers marking their territory for visual trick and treats. I wanna single out the mommy from John & Kate Plus 8, which is kinda touchingly creepy in a colorforms-gone-wrong way.

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Street Treats – I have been gagging on all the correct kids I come across on a daily basis lately. From the divine mistress of the theremin, Armen Ra, after her performance du jour at Participant looking especially chic in a backless dress and cigarette. Manileke has one of the coolest names I’ve ever come across and amazing capacity for counterfeit astonishment when it comes to literally tweaking his nipples. He was one of the more unique specimens at Folsom Fair. Finally, Natalie Cora is an accessories designer who I caught doubling as a make-up artist on West 23rd Street, shooting one of the hopefully many more commercials NYC needs to help bolster its embarrassing economic crunch berries. Her uber-correct tilted pom-topped cap and shrunken munchkin vest were serving major style overload on a particularly dry fashion-wise day.

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What Would You Wear to the Second Coming? – Kangol modeled by Zane. It’s a question I often ponder since they keep trying to shove it down our throats that ze endz timez is near. Oy. I prefer to fantasize about the few, distinct items of clothing I would need to get me through to the afterlife. Henceforth, a new section where I showcase the shiz that I would actually wear and need to keep wearing if, ya know, we were all about to bite it. I know I’m sprouting angel wings, but my head is going to be turned out by that urban streetwear (and unfortunate Samuel Jackson obsession, but that’s another story) hat force, Kangol. This summer seasons styles are a strange ode to “I Want You Back”-era Michael Jackson (which is why I styled it on a young white boy. Oops, sorry) and two-tone cool linen newsboy caps that instantly transform any tired basic ensemble into a fierce fast-food fashion fix.

The It Girl of More than the Moment – I discovered Lindsy Salerno three years ago when she was a wisecracking Betty Page meets Snow White 16-year-old with a penchant for older men and brazen books. She was already a regular on the punky EV scene, but because of her cat-eyed and alabaster-skinned good looks always stood away from the crowd. Three years later this modern but softened supervixen spends her time playing electric guitar, working at a record company, and modeling for those lucky enough to get her to sit for them. See I have an in. I’ve grown up with her and still haven’t come across anyone as brassy and bossy, severe yet sensitive, looking for trouble in all the right places since.

Photos: Walt Cessna. See more from Walt Cessna on Facebook.