CBGB Festival Hits NYC This Week, Featuring Cheetah Chrome

As I left BINGO last night, I stared across the street at Daniel Boulud’s DBGB Kitchen & Bar and the John Varvatos store and all the new construction near Joey Ramone Place, East 2nd Street. I was looking back, something I always do with caution. I miss a lot from those days of yore, but not the seriously rough streets or the death-by-needles and the AIDS-related disease that decimated a generation. I don’t miss the poverty, the desperation. I do miss many great friends and clubs and bars. Although I always leaned to Max’s Kansas City for my action, I do miss CBGB.

The club started in 1973, and a million bands later shuttered on October 15th, 2006, with Patti Smith doing the honors. The house that Hilly Kristal ruled left a legacy of showcasing budding stadium acts as well as countless bands that went nowhere, and tons in between. It was a watering hole where rockers came to listen to rockers. It had rock chopspurity despite all its impurities. It died hard, fighting court cases, landlords, and headlines. It has been missed. Somebody is doing something about that.

Starting Thursday, the CBGB Festival hits NYC. The three-day event features over 30 venues hosting innumerable bands, film screenings, a music and film conference, and a spirit festival. I could go on, but it’s easier to let you go here for the breakdown. There’s even rumors that a CBGB club may happen down the road. I contacted Dead Boys guitarist author, gentleman, and old friend Cheetah Chrome for his two cents on all this.

The festival is upon us. What does it mean to be playing in a festival that includes blasts from the past and still-kick’ers’ like Richard Lloyd, David Johansen, Glen Matlock, Tommy Ramone , and so many more?
Well, it’s great. I love to see the old gang whenever I can. I have a feeling this time it’ll be tempered by the people who aren’t there just as much as the ones that are, though. A lot of the old gang aren’t going anywhere, and they’ll be missed.

We had tea a few times in the booths of Max’s Kansas City. What were the differences between CBGB and Max’s –  besides the bad food?… actually, it wasn’t that bad.
CC) Well, the food was a huge difference; believe me, I know – I lived on Hilly burgers and chili for six months! To me there wasn’t a whole lot of difference between the two. That seemed to be more of a New York thing, after the big incident between Dick and Jayne; we missed that, we were on the road. So we just happily went between the two. There was a real sense of family at both. Of course, after the split, the CBGB family sort of banished us for awhile…luckily, me and Hilly got past that and were close right up until his death. 

I saw you post somewhere:
"Those who cannot remember the past are condemned to repeat it-"
George Santayana. What needs to be remembered and heeded from those CBGB days?
Beware of men named Seymour bearing contracts. Read anything you sign before you sign it. Look down at the floor ahead of you wherever you walk. Smell chili before you eat it. And the soundman isn’t out to get you.

Who are you looking forward to seeing at the festival?
Everybody the night I’m playing, I’m leaving the next morning! I won’t have time to see anyone else! I wish I could see Bebe Buell’s set, but I’m needed at the film festival at that time.

On Facebook and probably in other parts of your life that I am not seeing you are very outspoken and political. Since your Dead Boys days and through your rock history how have you strived to tell your public your viewpoint, and how important is it to mix sounds with enlightenment? What lyrics need to be heard?
The last two MC5 albums; everybody seems to have missed them the first time, and they’re just as relevant today. Steppenwolf’s Monster album. Rage Against the Machine.

Bebe Buell told me how smart Stiv Bators was. Tell me about him, the Dead Boys, and while you’re there …how did you survive those times?
Stiv was very smart and very fun to have long conversations with about politics and conspiracies, movies and music, you name it. He was the closest thing to a brother I ever had, and he taught me quite a lot. Dead Boys was a pretty special bunch, all very quick and funny as hell.  I miss those times a lot.

How I survived I can’t figure out; I figure God must have kept me around to raise my son – I doubt it has anything to do with me. I’m not doing anything earthshaking but he very well may someday!

Where are you musically today as opposed to, say, 1984, and what’s new that you like?
Same place pretty much –doing solo gigs and I hate all the new bands!

How to Play a Rock Star in a Movie

The casting of the upcoming CBGB’a movie has been a drawn-out process scored by endless commentary from fans who think they know better than filmmakers. Even the classic bar’s regulars got in the game. Not too long ago, Cheetah Chrome of the Dead Boys told us, “Hell, get Johnny Depp to play me!” Now it’s been announced that there is a new round of cast members, including former Roseanne star (and current The Big Bang Theory player) Johnny Galecki as manager Terry Ork and actress Mickey Sumner as Patti Smith. Perhaps the most controversial casting, though, is Foo Fighters drummer Taylor Hawkins, who, The Hollywood Reporter found out, will be playing Iggy Pop. 

The musician has plenty of experience behind the camera, having composed music for video games, TV, and movies, and he’s also appeared in plenty of rockumentaries in his capacity as a band member. But can he actually play the role of a musician?

He can start by checking out these clips below, showcasing what we consider fine examples of actors playing rockers.

The Velvet Goldmine 

With Jonathan Rys Meyers as Brian Slade and Ewan McGregor as Curt Wild—clearly Pop influenced—this should be Hawkins’ go-to movie for Iggy inspiration.

 

La Bamba

Lou Diamond Phillips played Ritchie Valens in this 1987 movie about the rocker who died at 18 in a plane crash that also killed Buddy Holly and The Big Bopper.

 

The Rose

Bette Midler made her screen debut in this movie, based loosely on the life of Janis Joplin. Pop never had Janice’s pipes, so singing like this won’t be a worry for Hawkins, but still a good role to study.

 

Sid and Nancy

For a taste of 1970s rock, what’s better than the Gary Oldman and Chloe Webb in this 1986 classic?

 

The Doors

To capture some of pop’s slithering sex appeal, checking out Val Kilmer’s performance in Oliver Stone’s The Doors would be a smart idea. Kilmer’s magnetic, insane, and overwhelmingly alluring Jim Morrison raised the bar for playing rockers.

 

Ladies and Gentlemen, The Fabulous Stains

The 1982 punk cult classic featuring a young Diane Lane and Laura Dern is required viewing for anyone who should be allowed to be punk, let alone play one on the screen. Absolutely essential viewing.