Gaspar Noé’s Animal Collective Video Predictably Trippy

One day, the culture-bloggin’ world will use more effective modifiers for both Animal Collective and Gaspar Noé than "trippy," and yet, here we are. The Argentine filmmaker and big Kubrick fan, who previously blew minds/melted faces/what have you with the neon-lit thriller Enter the Void and gut-wrenching Irréversible, helmed the latest video from Animal Collective’s very-good 2012 release, Centipede Hz. In the video for the spiraling, spacious "Applesauce," a pixelated woman slowly eats fruit against a stuttering, flickering bright colored background, like a screensaver on the fritz. 

Watching it in the dark intensifies the colors, the sensory overload and the unwitting feeling of dread, almost like being at a popular dance club on the wrong night and everyone around you is just a little too sweaty and it’s all a bit too claustrophobic. Try for yourself below, and be wary of potential seizure risk caused by the images. 

Watch the Gaspar Noé-Directed Video for Animal Collective’s ‘Applesauce’

With spastic, psychedlic melodies and distorted sonic warbling, Animal Collective’s new video for their song "Applesauce" is intended to be viewed in complete darkness. And to be fair, most music sounds better after sundown with the curtains closed tight, but in this case, the request for lightlessness stems from the visually entrancing nature of their latest video, directed by maestro of fucked-up cinema, Gaspar Noé, whose affinty for sexuality and neon-colored violence is like a swallowing a pill succumbing to whatever he puts before you. 

"Applesauce" comes off Animal Collective’s latest album, Centipede Hz, and stars model Lindsay Wixon. Featuring five and a half minutes of flashing vibrant color juxtaposed by a colorless close-up of the model’s mouth as she eats fruit in a way akin to Noe’s signature sense of grotesque sexuality, the film also has elements of Paul Sharits’ 1968 short film “N:O:T:H:I:N:G." Recently, Noé directed the shadowy video for Nick Cave and the Bad Seeds "We No Who U R."

Check out the video below, courtesy of

Animal Collective Returns with ‘Centipede Hz’

Centipede Hz, the new album from electronic soundscape creators Animal Collective, thunders out of the gate like none of their other work. The lead track “Moonrock” is a feverish ride on the back of the thunderous beat of a live kick drum. And that’s not the end of the live instruments: guitars strum, keyboards hit, and you can almost hear the drumsticks clacking. For most bands, this isn’t big news. But for Animal Collective, an outfit largely famous for their abstruse textural landscapes, it’s a revolution.

The quartet has always had a
bit of an identity problem. They’re
 an experimental band who can make
droning long-form songs that are
supremely challenging to the average
listener; they’re the pop band whose tracks “My Girls” or “Summertime Clothes” wouldn’t sound out of place synced to commercials for hybrid cars; they’re the band who, according to the internet, was “created by/for/on the internet,” yet they were so terrified of their music leaking online that every review copy came with a 300-word excoriation of file-sharers and a timeline for when it was permitted to mention having heard it on Facebook (August 1).

It’s hard to think that the same group that made “My Girls” also made aggressively rocking, inaccessible tracks like “Transverse Temporal Gyrus Part 1.” But perhaps this willingness to veer around, to make left turn after left turn, is what Geologist, the man largely responsible for the band’s heady layers of samples, means when he says Hz “feels like an Animal Collective record” since change is the only thing constant across their catalog. “We like to feel like every record is a bit of an unexpected departure,” he says.

But the band’s newfound focus on live instruments doesn’t mean they’ve come back down to earth too much. In addition to forging new musical terrain, Hz is also a full-on concept album, focusing on “the afterlife of radio signals.” There are garbled radio noises in the intros and outros of most songs, out of which swell songs, like “Father Time,” in which a ghostly semi-tropicalia beat shimmers into life before fading away.

In fact, much of the album feels like woozy station surfing, which is a good way to think of the non- teleological evolution of the band. If Centipede Hz isn’t for you, change the dial. “There’s enough in our discography that you can sort of pick and choose what sides of Animal Collective you like,” says Geologist, “without—I hope— being offended when we do something you don’t like.”

Animal Collective Are Kings of the Desert in ‘Today’s Supernatural’ Video

Somewhere between an acid-induced fever dream, an imagined trip to the Gathering of the Juggalos and an alternate ending to The Adventures of Priscilla, Queen of the Desert lies the surreal new video for Animal Collective’s "Today’s Supernatural." Danny Perez, who helmed the band’s film venture, ODDSAC, directs the cut for the spiraling psych-pop track, which features ATV-driving Chinese New Year dragons, clown makeup, distortion, and plenty of other vivid and terrifying things.

"Today’s Supernatural" can be heard along with a stream of the rest of Animal Collective’s new album, Centipede Hz, on Sunday night on Animal Collective Radio. In the meantime, check out the clip below.