Barry Jenkins Set to Direct James Baldwin Adaptation

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Photo: David Bornfriend via Wikipedia

Following his groundbreaking film Moonlight, which took home Best Picture at this year’s Oscars, director Barry Jenkins will adapt James Baldwin’s novel If Beale Street Could Talk into a feature, according to The Hollywood Reporter.

If Beale Street Could Talk was published in 1974 – it’s set in Harlem in the 70s and follows the story of a couple, Fonny and Tish, who are expecting a child when Fonny is wrongly accused of having raped someone. As a result Tish must scramble, while pregnant, to find evidence clearing her partner’s name. Jenkins, who in addition to Best Picture took home Best Adapted Screenplay for Moonlight, wrote the movie’s script back in 2013, the same summer he wrote his monumental Oscar winner.

Jenkins is working closely with the Baldwin estate on the production. In a statement, Baldwin’s sister said: “We are delighted to entrust Barry Jenkins with this adaptation. Barry is a sublimely conscious and gifted filmmaker, whose Medicine For Melancholy (Jenkins’ debut feature) impressed us so greatly that we had to work with him.”

Jenkins added: “To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.”

The movie will be financed by Annapurna Productions, as well as Jenkins’ Pastel Productions and Plan B, who produced Moonlight. Work on the film is set to begin in October.

Here’s ‘Moonlight’ Director Barry Jenkins’ Entire Historic NBR Acceptance Speech

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Photo: David Bornfriend via Wikipedia

Barry Jenkins made history yesterday when he accepted the award for Best Director at the National Board of Review for Moonlight, becoming the first black person ever to do so. Jenkins has already won Best Director this year from the African American Film Critics Association, Alliance of Women Film Journalists (as well as for Best Adapted Screenplay), Austin Film Critics Association (in addition to Best Original Screenplay), the Black Film Critics Circle Awards (also for screenplay), the New York Film Critics Circle, the Satellite Award for Best Screenplay, and countless more, making him a serious contender for Best Director and Best Adapted Screenplay Oscars – if he wins, he’ll be the first black winner of a Best Director Academy Award, and the third for Adapted Screenplay – he’d be the first for Original Screenplay, which Moonlight is sometimes considered, depending on the voters.

Read Jenkins’ full speech below.

I wasn’t going to say this, but shit, I’ve got to say it. So I know exactly where I was when I found out that I was going to receive this very prestigious honor from the National Board of Review. I was at a Q&A, and [publicist] Peggy Siegal ran in and said, “Oh my god, Barry Jenkins, you just won Best Director from the National Board of Review!” And she had this look on her face, and I was like, “Why does she look like that?” And then she said, “And you’re the first black director, the first black person to ever receive that distinction.” [Applause] I didn’t want to talk about this, but we’re here, so let’s talk about it. And so I wondered, “Why is that?” I looked through, this organization started in 1909, and I looked at all the names of best director. And they were all amazing names. And just like this year, we all have a choice, Kenneth Lonergan could be up here, Damian Chazelle could be up here, Pablo Larrain, Kelly Reichardt … There are so many people who made great work this year. You have a choice, and this year, you chose me. And in all those years, all those directors who were chosen made great films, but then I thought about it, and I said, “You know what? There were certain people who just weren’t considered. For so long, they were never considered. Until 2012, someone like Kathryn Bigelow had never been considered.”

So I want to thank you guys from the National Board of Review, for making this very kind gesture of considering me for this award, and bestowing it upon me. You know, the country is changing, the world is changing, and you know, we’re trying to make America great again. [Audience laughs] All I’m going to say is, I’m going to take this honor as a symbol of being considered. It’s a very considerable gesture of making America great again. And what I want to say is, I want to acknowledge this because as we make America great again, let’s remember some of the inconsiderable things in our legacy, because there was a time when somebody like me was not considered. Thank you very much.