Bartlet 2012: Your Reunion Video From The Cast of The West Wing

If the thought of another election cycle filled with vicious attack ads, conspiracy theories and more about the candidates’ past treatment of canines than you ever wanted to hear is getting you down, you can now take comfort in the nostalgia of a presidency gone by: a fictional one.

The cast of The West Wing have reunited in a new video up at Funny Or Die, and they’re doing what they do best: walking and talking, in hallways. President Josiah Bartlet (Martin Sheen) is back, as is his Press Secretary, C.J. Cregg, codename “Flamingo” (Allison Janney). Rounding out the reunion are Dulé Hill, Joshua Malina, William Duffy and Melissa Fitzgerald, all doing the usual hallway rounds to raise awareness about Every Body Walk, an initiative to encourage Americans to walk at least 30 minutes a day, five days a week. You heard C.J. Cregg, now get off your laptops and get moving.

Included in the video are a couple of good quips, including one making fun of Segway users, a classic thoughtful Bartlet ramble from Sheen and Sheen putting on a sweatband with what looks like a lot of effort. Although the video is for a great cause, it does have one minor flaw in its lack of Bradley Whitford. No Josh Lyman? Really?

Watch after the jump.

Movie Reviews: ‘Coco Chanel & Igor Stravinsky,’ ‘Life During Wartime,’ ‘Cyrus’

Coco Chanel & Igor Stravinsky opens with a fleeting glimpse of a youthful Coco Chanel (Anna Mouglalis) battling her corset, a feminine symbol she later trades for a signature style: polished androgyny. Chanel is first exposed to Russian composer Stravinsky’s misunderstood genius at the premiere of The Rite of Spring at Paris’s Théatre des Champs-Elysées. Chanel is instantly smitten with Stravinsky (Mads Mikkelsen), even as she enters the heyday of her renown. At her insistence, he relocates his wife and four small children from a dingy tenement to her picturesque country home. Their romance deepens as Stravinsky’s wife battles tuberculosis and suffers from the strain of her husband’s betrayal. The affair is brief, but director Jan Kounen locates, with magnificent precision, the passion and intensity that forever changed their lives. (June) —Eiseley Tauginas

Winter’s Bone – This year’s winner of the Sundance Grand Jury Prize for dramatic film, Debra Granik’s Winter’s Bone is an exploration of human endurance. The drama follows Ree (Jennifer Lawrence), a strong-willed, 17-year-old loner, as she bravely defies her rural community’s code of silence in a quest to hunt down her meth-making, bail bond-ditching father and save her family. Along the way, she battles drugs, moonshine and a bevy of other impoverished mountain life clichés. With restrained direction and subtle, compelling performances from Lawrence and John Hawkes (as her uncle, Teardrop), the film never feels hammy or maudlin. Winter’s Bone is as chilling, saturnine and breathtakingly barren as its title suggests. (June) —Ashley Simpson

Life During Wartime – History haunts the characters in Todd Solondz’s Life During Wartime, the pseudo-sequel to his much-praised 1998 ensemble feature, Happiness. Purists might be perplexed to find that Solondz has recast each role in the new film—Ally Sheedy replaces Lara Flynn Boyle; Allison Janney, Cynthia Stevenson; Shirley Henderson, Jane Adams—but that shouldn’t detract from the thrill of the ride. Life During Wartime highlights the twisted but talented writer-director’s darkly acerbic humor and sideways exploration of upper-class American suburbia. Narrative threads weave in and out of each other as the film’s oddball characters grapple with divorce, newfound romance, pedophilia, mental illness and suicide in a way that is both wry and suffused with pathos. A son’s recrimination of his child-abusing father (Ciarán Hinds in the role once played by Dylan Baker) is simultaneously hilarious and tragic. Darker than night, yes, but absolutely delicious. (July) —Michael Jordan

Cyrus – What can a few million extra bucks buy you in Hollywood? Well, John C. Reilly, Marisa Tomei and Jonah Hill, for starters. And that’s all Mumblecore grads Jay and Mark Duplass need to elevate Cyrus from a quaint indie flick into a highly watchable, slightly warped romantic comedy. It’s the Duplass Brothers’ first film with major studio backing, and besides a crisper stock and wider release, it’s got their distinct mark, all embarrassing moments and start-stop dialogue. Cyrus takes its name from Hill’s character, whose Oedipal relationship with his mother, Molly (a radiant Tomei), stands as the primary obstacle to her finding happiness with glum divorcé John (Reilly). The rivalry between the two man-children, as they battle for Molly’s affections, is at once hilarious, unsettling and truthful. (June) —Ben Barna