Benedict Cumberbatch’s WikiLeaks Movie is Coming to Theaters This Fall

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Benedict Cumberbatch can do no wrong. The strangely beautiful and fiercely talent Englishman first made us fall into love with him in the BBC version of Sherlock last year, and in the coming months we’ll see his villainous turn in Star Trek. But it’s DreamWorks that’s currently prepping their WikiLeaks movie with Breaking Dawn director Bill Condon leading the picture. Now titled The Fifth Estate the film is currently in production with Cumberbatch starring as Julian Assange and Daniel Bruhl as WikiLeaks co-founder Daniel Domscheit-Berg. The Fifth Estate, based on the books Inside WikiLeaks: My Time with Julian Assange at the World’s Most Dangerous Website and WikiLeaks: Inside Julian Assange’s War on Secrecy with a script from Josh Singer of The West Wing, looks to be shaping up to Sorkin-esque proportions.

With shooting still underway, DreamWorks has already set a release date for the project—a cozy November 15th premiere, hitting the prime award season sweet spot. The cast will be rounded out with the great Peter Capaldi and the stately Dan Stevens, as well as Anthony Mackie, Alicia Vikander, and Laura Linney. With a cast like this, it’s difficult to go wrong—but again, it’s difficult to judge how this will all pan out from the man who brought us the final saga of Bella and Edward. At least we get a bleach-blonde Benedict, right?

Photo via Indiewire

Five Of Your Favorite Novels Head To The Big Screen in 2013

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With a slew of new page-to-popcorn films in the works, here’s a look at what will be making its way onto the silver screen next year.

THÉRÈSE

French writer Émile Zola’s novel-turned-play Thérèse Raquin has been adapted for the screen many times, but this December we’ll get a taste of director Charlie Stratton’s take on the haunting classic. The psychological tale of affaires de coeur and betrayal centers on Thérèse, a young woman forcibly married to her first cousin, who soon begins a turbulent affair with her husband’s friend. After the lovers conspire to murder her husband, they find themselves haunted by his ghost as their love turns to fiery rage. Elizabeth Olsen takes the reins as Thérèse, with Jessica Lange, Tom Felton, and Oscar Isaac adding to the cast of tortured characters.

CARRIE

After Brian De Palma released his cult-classic adaptation of Stephen King’s novel in 1976, who knew there needed to be another one? But as Hollywood is wont to do, audiences are in store for a new spin on the bloody story of a shy high school outcast who taps into her newly discovered telekinetic powers to exact revenge on her bullying schoolmates. Helmed by Boys Don’t Cry director Kimberly Peirce, the film stars budding ingénue Chloë Grace Moretz in the titular role alongside Julianne Moore and Judy Greer in the new adaptation of one of the most frequently banned books in the U.S.

THE GREAT GATSBY

Like a boat against the current “borne back ceaselessly into the past,” F. Scott Fitzgerald’s most celebrated work of obsession and tragedy will make its way to the screen once again this spring. The long-awaited adaptation will reunite director Baz Luhrmann with Leonardo DiCaprio, as Gatsby, and stars Carey Mulligan as his unattainable love, Daisy. After being pushed from its December release to May, anticipation for the film has only increased, with audiences wondering just what Luhrmann’s theatrical aesthetic will add to the beloved tale.

THE SEVENTH SON

Adapted from Joseph Delaney’s 2004 children’s novel, The Spook’s Apprentice, this 18th Century adventure film centers around a mystical young boy, Thomas, who becomes an apprentice to the local Spook (a cloaked man who travels the country fighting evil spirits for those who cannot) in order to learn the supernatural trade. Directed by Sergei Bodrov, the film will star The Chronicles of Narnia’s Ben Barnes in the lead role, with Julianne Moore as a cannibalistic, mischievous witch named Mother Malkin. Jeff Bridges and Alicia Vikander also join the cast.

ENDER’S GAME

Orson Scott Card’s science fiction thriller has been inching its way to the screen for years. First published in 1977 as a short story, the futuristic tale of alien warfare and adventure is set to hit theaters in November. Featuring Hugo’s Asa Butterfield and Little Miss Sunshine’s Abigail Breslin, the film tells the story of a gifted boy sent to a space-based military school to prepare for an alien invasion. The sci-fi classic will be directed by actor/director Gavin Hood, who leads Hollywood veterans Harrison Ford and Ben Kingsley into the dystopian future.

BlackBook’s List Of The Best And Brightest Stars Of 2013

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The New Regime 2013

Whether in front of the camera, or up to the mic, or behind the bar, the stars collected in our sixth annual declaration of the best brightest talents in film, music, television, art, and nightlife are all ready for their close-ups. Pay attention to these faces, because you’ll be seeing them often.

The New International: ALICIA VIKANDER

In the recent adaptation of Leo Tolstoy’s Anna Karenina, Sweden-born Alicia Vikander plays Kitty, the virtuous, if naïve, counterpart to the immoral titular character played by Keira Knightley. Kitty is one of the few characters in the film to break out of the claustrophobic stage setting employed by director Joe Wright that ensnares the other Russian aristocrats. Not that being on stage has ever daunted the 24-year-old. “My mother’s an actress, and when we didn’t have a babysitter, I would come with her to the theater,” she explains. Already an award-winning actor in her home country, Vikander became an international star after appearing in the Danish film A Royal Affair earlier this year, playing the adulterous Queen of Denmark, Caroline Matilda. Although Anna Karenina was her first English-language film, she’s eager to continue to work on international projects. To that end, she shot alongside Jeff Bridges and Julianne Moore this past summer. “It’s a very big adventure film,” she says of the project, helmed by Russian director Sergei Bodrov. And although Vikander is returning home to Sweden, she hopes to make her way back to the States soon. “The industry is so small in Scandinavia,” she explains. But for Vikander it’s not the size of the industry that counts. “I just want to continue to work with people—actors and directors—I admire.” —Tyler Coates

Photo Alisa Connan
Styling Angie Smith
Makeup Emma White Turle @ Red Represents
Hair Alex Price @ Frank Agency

The New
 Leading Man: NIKOLAJ COSTER-WALDAU

Nikolaj Coster-Waldau has been a hair’s breadth from becoming a household name for longer than seems justifiable. He starred in two Fox series that didn’t catch—as a 400-year-old homicide detective in New Amsterdam, which had an eight-episode run, and as the lead in the cult favorite sci-fi pilot, Virtuality, which was co-written by Ronald Moore (Battlestar Galactica) and directed by Peter Berg (Friday Night Lights)—but with his front-and-center role as the incestuous, gold-plated Jaime Lannister on HBO’s Game of Thrones, he’s finally beginning to take his rightful place in the spotlight. In the fantastic 2011 Norwegian film Headhunters, he played a revenge-seeking CEO who put his nemesis through a world of shit, literally. (Mark Wahlberg is planning a stateside remake of the film, and Nikolaj jokes about how busy the actor/producer is, saying, “He does catering on Game of Thrones.”) When asked about his lead role opposite Jessica Chastain in the upcoming Guillermo del Toro-produced supernatural thriller Mama, he instantly sings the first line of “Bohemian Rhapsody.” “I can’t watch movies like that,” he says. “They freak me out.” In an appealing confession for someone so tall (6’ 2”) and square-jawed, he says, “The idea of ghosts scares the shit out of me,” adding that he even had trouble watching the rough cut of the film. “I had to turn the sound off.” In 2013 he’ll appear alongside Tom Cruise and Olga Kurylenko as a battle-hardened weapons expert in the big-budget sci-fi epic, Oblivion, and opposite Juliette Binoche in A Thousand Times Goodnight. When prodded for hints about season three of Game of Thrones, which premieres in March, he’s appropriately tight-lipped. He also admits to not reading the books until after he gets the scripts. “I don’t want to get attached to anything too specific with the character because they make changes for the show,” he says. “I don’t want to start questioning their decisions. After all, they got us this far.” —Adam Brent Houghtaling

Photo Aaron Richter
Styling Christopher Campbell
Grooming Tayler Treadwell
Location Acme Studios, Brooklyn

The New Sound of Young America: HAIM

“We grew up on TLC, Aaliyah, Missy Elliott, Backstreet Boys, and ’N Sync,” says guitarist and vocalist Danielle Haim of the ’90s R&B influence in the sister act’s sound. “We still listen to Top 40 radio most of the time, but through our parents we listened to classic rock and Motown and funk.” All those sounds blend together in the celebratory pop of HAIM. Danielle, 22, has the highest profile in the band, having toured with Julian Casablancas and Jenny Lewis, but along with multi-instrumentalist Alana, 20, and bassist Este, 24, the trio—who recently added drummer Dash Hutton to the band—have years of live experience after playing in family band Rockenhaim with their parents when they were young; “Alana was four,” says Danielle. “We always thought we would end up working together on something more serious. We just didn’t know how to get there.” They went the great-artists-steal route while learning the songwriting process, taking their favorite songs and refashioning them as their own. They soon began playing live and building a loyal following in their native Los Angeles. But recording proved to be a difficult process. “Every year we would go into the studio and try to make a record and it always sounded… not good,” says Danielle, but each instance was an education. After “fucking around on three songs for six months” the Forever EP finally appeared this past February, and their fortunes have sharply improved ever since. They recently signed to Columbia Records and are now under a little more pressure to turn out a full-length album, which Danielle vaguely suggests they’ll be ready to release in the early half of 2013. —ABH

Photo Dan Monick
Styling Christopher Campbell
Makeup Sandra Ganzer @ Jed Root
Hair Candice Birns for candicebirns.com using Orbie Haircare
Location Siren Studios, Los Angeles

The New Hollywood Believer: NATE PARKER

“I think I’m an activist before I’m an artist,” says actor Nate Parker, whose favorite roles exhibit a strong social perspective. “I love the arts, but I think a platform is no good if you can’t use it to better your fellow man.” With electrifying supporting roles in Spike Lee’s coming-of-age drama Red Hook Summer and Nicholas Jarecki’s Wall Street thriller Arbitrage, the 33-year-old Virginia native claims he tries to make it “extremely difficult not to cast” him. But Parker didn’t always have Hollywood ambitions. Having received a degree in computer science from the University of Oklahoma, it was only after accompanying a friend to an audition in Dallas that he was inspired to begin acting. At the audition, Parker was approached by a manager who asked him to read a monologue and, after watching him perform, insisted that he move out to Los Angeles immediately to pursue an acting career. “I try to live my life completely without fear,” says Parker who, without hesitation, uprooted his life—moving to Los Angeles within four days. As a “firm believer in process,” before auditioning for his longtime hero, Denzel Washington, Parker wrote a 100-page biography of the character he was in contention for after hearing a tip about the elder statesman’s own methods. He impressed the Oscar-winning actor/director, landing a role in his film, The Great Debaters. “These journeys we go on as actors, in many ways, are a call to tap into our own experiences,” says Parker. And perhaps it’s his competitive background as an athlete, or the fact that he left home at the age of fourteen and endured the life experiences of someone much his senior, but Parker’s work ethic and confidence are unquestionably setting him ahead of the young Hollywood pack. —Hillary Weston

Photo Dan Monick
Styling Natalie Toren
Grooming Kristen Shaw @ Jed Root

The New Thespian: LILY RABE

“I’ve always wanted to perform,” says Lily Rabe, channeling the plucky sensibility of her childhood self. “I remember going by the Broadway Dance Center and seeing the dancers in the window. The teacher said I was too young to train there—I was still wearing diapers. My mother told me that within two weeks I had potty-trained myself and was like, ‘Alright, let’s go!’” While adamant against acting as a young girl, she came around to the craft in high school. It’s no surprise given her fortitude—and her pedigree (her parents are playwright David Rabe and the late actor Jill Clayburgh)—that she’s become a respected performer by the age of 30. “I was so determined to do it differently from my parents,” she explains. “I wanted to forge my own path.” After attending Northwestern University, Rabe returned to her native New York and landed a role in a Broadway revival of Steel Magnolias in 2004. Highly praised performances followed, most notably as Portia in The Merchant of Venice opposite Al Pacino’s Shylock, for which she earned a Tony nomination. After two more starring turns on stage, Rabe headed to L.A. to play poltergeist Nora Montgomery on American Horror Story. She returns to the psychosexual drama for its second season—American Horror Story: Asylum—as Sister Mary Eunice, and this time around goes head-to-head against recent Emmy winner Jessica Lange. “It’s the best kind of challenge, and I’m having an incredible time,” she gushes, while keeping mum about this season’s shocks and terrors. Both American Horror Story and her starring role in The First, an upcoming biopic about silent film legend Mary Pickford, will keep her on the west coast for a few more months, but she’s already planning a trip back east. “I’ll return to New York soon,” she says. “I get itchy when I’m not doing a play.” —TC

Photo Emilie Elizabeth
Styling Marissa Joye Peden
Makeup Joanna Schlip @ Cloutier Remix
Hair Danny Rishoff @ Tracey Mattingly
Photo Assistant Adrian Espinosa
Location The Jesus Wall, Los Angeles

The New Short Seller: JIM GAVIN

“All the stories in the collection were rejected everywhere until I sent one to The New Yorker, unsolicited, and they took it,” says author Jim Gavin of the pieces that make up his first short story collection, Middle Men, which is being published this coming February by Simon & Schuster. From his home in Culver City, Gavin writes about a side of Los Angeles that is often overlooked in favor of the city’s more glamorous reputation. His stories are sun-bleached and overflowing with bloviating salesmen and well-meaning people with dried-up checking accounts. “They’re all stories I wanted to tell for a long time, I just didn’t know how,” he says. “They’re very autobiographical.” The titular two-part story, “Middle Men,” comes straight from his own experience as a plumbing supplies salesman. “That’s what people want to read about,” he quips, “industrial plumbing in southern California.” “I think writing fiction in Los Angeles is fun,” he says. “There’s a healthy remove from the New York literary world and there’s a great fiction scene flourishing here in the shadows of Hollywood.” For a time, he worked on the sports desk at The Orange County Register—“It gave me a thick skin, but it burnt me out. I lived like a vampire.”—and recently finished an MFA at Boston University, but he credits a handful of adult education classes at UCLA as being a turning point in his life. “That’s when I started to get serious [about the work],” he says. Following the sale of the collection, he’s moved on to his first novel, which has also been sold to Simon & Schuster—but don’t expect to see it any time soon. “It’s a fun, grueling, terrible process,” he says. “I have no idea what I’m doing, but I can sort of see the horizon.” —ABH

Photo Emilie Elizabeth

The New Double Threat: SAINT LOU LOU

“We’re floating.” These are the first words Miranda Kilby (the brunette one) says after we establish a trans-oceanic connection with her and her sister, Elektra. And the twins, both 21, should be floating. The universal adoration the duo has received for their first single, “Maybe You,” is nothing less than amazing; the song is a hypnotic re-imagining of ABBA’s melancholy side as run through a chillwave filter (listen at soundcloud.com/saintloulou). They certainly didn’t expect it to spread like wildfire over the internet as it has (it’s since been released as a single via Kitsuné Records). “It was crazy. It was a rough demo that took off and then got mastered and became the single,” says Miranda. “Overnight it became this big thing.” Born in Australia, but raised primarily in Sweden with holiday jaunts back down under, the girls grew up in a musical environment, but were initially more interested in becoming academics. “I think Saint Lou Lou chose us,” says Elektra. “Time chose us. It does feel like destiny.” They’re still getting to know themselves as songwriters while they carefully gather material for more singles and, eventually, an album. When asked about what they’re working on for the future, they say people will be surprised. “Some of the songs are more up- tempo,” Miranda says. Elektra quickly leaps in to add, “When we say up-tempo, it’s still down-tempo.” As the interview wraps, Miranda asks, “So are you going to use the crazy twins angle? The sultry twins angle?” A question she quickly follows with the sweetest of threats: “I don’t like that. If you do, we’ll come and knock on your door one day. You can be sure.”—ABH

Photo Alisa Connan
Styling Angie Smith
Makeup Emma White Turle @ Red Represents
Hair Alex Price @ Frank Agency
Photo Assistant Jack Lawson
Stylist’s Assistant Danielle Whiteman

The New Innovator: CHADWICK BELL

“I was a little awkward. I’d paint all the time, all night even, then go to school the next day with the paintings,” says 30-year-old womenswear designer Chadwick Bell of his teenage years in Southern California. Bell was drawn to art at a young age, but ultimately gravitated toward fashion, getting his start in retail at Dolce & Gabbana while studying design and media arts at UCLA. After graduation, he and Vanessa Webster, a childhood friend-turned-business partner, set their sights on the Big Apple. “I was visiting Vanessa while she interned in New York during our sophomore year of college, and it sort of sealed the deal that this is where we needed to be,” he says. “New York just felt right,” he adds. “I’m just a little too high strung for California.” Bell found his first muse in Webster, who in turn likes to say that she discovered his talent. “There’s a mutual push between us,” says the designer. “Nobody can get me to do things the way she does.” Chadwick Bell—the brand—made its debut at New York Fashion Week in fall 2008. The collection stemmed from one of his many fantasies about “the Chadwick Bell woman,” someone who is always “worldly, modern, chic.” That season he found inspiration from a 1940s Robert Capa photo of American socialite Slim Keith holding a shotgun while bird hunting with Ernest Hemingway. For spring 2013, Bell places his muse in the American Southwest (“New Mexico, to be exact”), envisioning her on a “personal crusade for clarity.” While focusing on minimalism, illusion, and austerity, the collection, entitled “Nirvana,” features clean lines and a neutral color palette with splashes of green and yellow. And then it’s on to next season’s designs. “All we can do is recreate and reinvent,” he says. “I plan to be doing this forever.” —Ryma Chikhoune

Photo Alexander Wagner
Photo Assistant Ken Morton

The New Auteur: ZAL BATMANGLIJ

Zal Batmanglij’s hauntingly seductive first feature, Sound of My Voice, opened this past year to critical praise, establishing him as one of the most innovative voices in a new wave of American independent cinema. “I’m excited to make movies that feel real even in the most fantastical situations,” says the 31-year-old director. After studying anthropology at Georgetown University, Batmanglij attended AFI’s graduate school for directing—and what better course of inquiry for a filmmaker whose debut walked the line between in-depth ethnographic study and psychological thriller? Sound of My Voice, co-written with the film’s star Brit Marling, tells the story of a couple who infiltrates a cult in order to expose its leader who claims to have time-traveled from the future. “A story is a disguise that allows you to bypass people’s defenses and enter the innermost chambers of their hearts,” Batmanglij says. Following their success with Sound of My Voice, Batmanglij and Marling collaborated again for his upcoming directorial feature, The East, a drama about a young woman who goes undercover to join an anarchist collective—starring Marling, Ellen Page, and Alexander Skarsgård. “So much of what Brit and I have to do as writers is to go live,” says Batmanglij, who actually stayed in an anarchist collective with Marling prior to making the film— understanding the importance of “living something authentic” in order to come back and tell an original story. Inspired by directors from Krzysztof Kieslowski to Alan J. Pakula, it’s evident that Batmanglij has a zeal for creating stories that stem from the anxieties of the modern age as shown through a lens that exposes the mysticism lurking just beneath the surface. “I feel tremendously lucky to be a filmmaker in this decade,” reveals Batmanglij, “but it’s also daunting because nobody knows what the fuck is going on. We live in a strange, strange time.” —HW

Photo Dan Monick
Styling Natalie Toren
Grooming Kristen Shaw @ Jed Root

The New Multi-Talent: DOMHNALL GLEESON

“I hate having my picture taken,” says actor Domhnall (pronounced “tonal”) Gleeson during our photo shoot. It’s a surprising confession considering the infectious energy he brings to the set as he poses and pratfalls for the camera. One of a family of acting Gleesons—he’s the son of character actor Brendan Gleeson, and his brother, Brian Gleeson, is also an actor—Domhnall seems to have his fingers in every aspect of the business. His resume is already flush with choice roles in films like the final two Harry Potter installments (as the scarred, elder Weasley, Bill), 2010’s Never Let Me Go and True Grit, and the recent adaptation of Anna Karenina, but that’s just the beginning. He earned a Tony nomination in 2006 for his part in the Broadway play The Lieutenant of Inishmore, co-wrote and starred in sketches for the six-part Irish comedy show, Your Bad Self, and wrote and directed two short films—2009’s What Will Survive of Us, which he refers to as “the anal sex one,” and Noreen, which stars his father and brother as incompetent police officers. Writing, acting, directing—is there anything the 29-year-old Dubliner can’t do? “I haven’t done any interpretative dance yet,” he says with a long sigh. But he has gotten a haircut. When asked about what happened to his trademark long ginger locks, he laughs and says, “Really…I’d done as much with my hair as I possibly could.” Coming up, he’ll play the romantic lead opposite Rachel McAdams in About Time, and he’s learning to play guitar for the rock comedy Frank, for which he’ll go head-to-head with Michael Fassbender. And it turns out he’s camera-shy when filming as well, admitting that being in front of the camera is nerve- wracking. “What’s so terrifying—and exciting—is that it remains forever.” —ABH

Photo Aaron Richter
Styling Christopher Campbell
Grooming Tayler Treadwell
Location Acme Studios, Brooklyn

The New King of Cocktails: JOAQUIN SIMÓ

“I love this window,” Joaquín Simó says, gesturing to a large half-moon aperture facing a soggy Avenue B in New York’s East Village. After five-and-a-half years making cocktails in the inky shadows of venerated spirits den Death & Co., and earning the title of America’s Best Bartender at this year’s Tales of the Cocktail industry gathering, the academic-turned- bartender is seated comfortably in his recently-opened bar, Pouring Ribbons. “The devil is in the details,” he says, referring not only to novel cocktail ingredients like his house-made corn milk, but also to remembering customers’ names and their favorite drinks. Simó, a Cuban-Ecuadorian-American, learned hospitality from a priest at his first job, making coffee in a Miami church office. He picked up the art of bartending—shooting the shit, cutting people off—from a couple of Irish guys in Boston. And he perfected the trade of making cocktails— balancing ingredients, the art of the elegant pour— with guidance from modern legends like Phil Ward and Brian Miller (both formerly of Death & Co. and now at Mayahuel and Lani Kai, respectively). Now Simó makes a Southside that would put the 21 Club to shame and blasphemously stirs up a killer Negroni without a drop of Campari (he prefers Luxardo Bitters). On any given night Pouring Ribbons is busy with a mixture of recognizable barkeeps, chefs, and cocktail aficionados. It’s a bar owner’s dream. “I knew New York was going to make or break me. It is the best city in the country to be completely anonymous, or the city where you can find the biggest, brightest stage.” —Leslie Pariseau

Photo Eric Medsker
Photo Assistant Anthony Tafuro
Location Pouring Ribbons, NYC

The New Pride of Manchester: JOSEPHINE

“When I was a kid I used to listen to a lot of indie rock,” says 29-year-old singer-songwriter Josephine Oniyama. “A lot of Oasis and Nirvana, and my mom used to play a lot of highlife music like Fela Kuti and King Sunny Adé. And as I’ve gone along I’ve begun to enjoy the American Songbook and American folk like Woody Guthrie and Odessa.” Her addictive debut album, Portrait, is reflective of the many influences that informed it. She also feels a deep connection to her home city of Manchester, which has produced some of the greatest U.K. bands including The Smiths, The Stone Roses, and the aforementioned Oasis. “I’ve always felt connected to the history here,” she says. Portrait was written and recorded over a long length of time, and the album’s final material was finished a full 18 months before it finally saw release in October. In terms of songwriting, she says, “I’m a years kind of person,” explaining that the germ of a song—a riff, a verse, a chorus—can sit for 12 months or more before it takes another step forward. “When it comes to finishing songs off, I’m terrible,” she says. “It’s a great help to have people like my producer to help carry it along.” She co-wrote three tracks on Portrait with British singer-songwriter Ed Harcourt—including the sweeping album opener, “We Were Trespassers,” and the fragile finale, “House of Mirrors.” Now with a bona fide critical success to her name, she’s been hitting the road with The Noisettes and Rodrigo y Gabriella, and in the new year you’ll find her playing a string of U.K. dates with Paloma Faith. —ABH

Photo Alisa Connan
Styling Angie Smith
Makeup Emma White Turle @ Red Represents
Hair Alex Price @ Frank Agency
Photo Assistant Jack Lawson
Stylist’s Assistant Danielle Whiteman

The New Prince of California Cuisine: ARI TAYMOR

Alma is the most exciting restaurant in Los Angeles right now and it sits in the most unlikely of locations: next to Las Palmas, a hostess club on South Broadway in Downtown, and across the street from the United Artists Theatre, a long-empty movie palace. The restaurant opened in June, and Ari Taymor, its 26-year-old chef, is already one of the most intriguing culinary names in the country. His cooking is a compelling version of California cuisine that balances reverence for farmer’s market produce with the avant-garde aesthetic and complex textures of Nordic culinary heavyweight René Redzepi, chef at Copenhagen’s lauded Noma. In Taymor you can chalk up another motivating victory for Alice Water’s inspirational Berkeley restaurant, Chez Panisse. It was a meal at the influential locavore restaurant nearly six years ago that led him to pick up a chef ’s knife. He sharpened his skills at Bar Tartine and Flour + Water in San Francisco, but when it came to stepping out on his own, he headed for Los Angeles. “I wanted to seclude myself from the influence of the Bay Area,” he says. “It’s too hard to shut yourself out from it and develop your own style.” He needn’t worry. His style is already distinct, but Alma is very much a work in progress. The kitchen may make squid-ink ice cream—a black orb of which sat on top a dish of dry-aged steak tartare—with a $4,000 Pacojet, but diners still sit in the faux snakeskin booths selected by the previous tenants. The contrast between exacting food and disheveled surroundings is charming, but Taymor can’t wait to make changes. “Having lights that don’t look like they came from a brothel in Katmandu, and not having a countertop made of Formica, those things are important to me, but not more important than being able to cook and plate food.” —Willy Blackmoore

Photo Emilie Elizabeth
Photo Assistant Adrian Espinosa

The New Solo Show: DIGITS

“I just can’t stop releasing music,” says Alt Altman, the 27-year-old, Berlin-based, Toronto-bred mastermind behind moody synth-pop act Digits. There’s ample evidence to back up that statement. In 2012 alone he released the Death and Desire mixtape, the seven-song album Where Do You Belong, a serialized story album called City of the Dead, and his next EP, Only Affection, is already complete and ready to be released early in the new year. He started Digits, which grew out of his old band Europe In Colour, in 2009 with the release of his first album, Hold It Close, and the new project quickly became his focus. When asked about how it felt when The Guardian compared his mixtape Death and Desire to Human League’s unimpeachable synth-pop classic Dare earlier this year, he still sounds shocked and excited: “It was the craziest experience,” he says. “My jaw was on the floor and I even thought, ‘This is a bit much.’ Everything really took off after that… more press, more shows, everything’s been different.” When quizzed about the R&B influence that runs through much of his recent music, it becomes clear that Altman is approaching the genre sideways. While his contemporaries like the xx, How to Dress Well, and Nite Jewel pull from ’70s classics and ’90s Top 40, Altman’s soul influence comes from hip-hop and house music. “Frankie Knuckles’ work with Jamie Principle has always been a touchstone for me,” he says, “and I’m also a huge Prince fan.” Live, Digits is truly a solo show. “I’ve never played a Digits show with anyone else on the stage,” Altman says, “My drums are generated by a laptop, but I play two synthesizers live and also use a looping pedal for various synth lines and backing vocals.” It’s important to him that his fans see more than a guy standing at a computer. “I’ve been to a lot of electronic shows where it felt like nothing was happening live. So I prefer to make my shows as live an experience as possible.” — ABH

Photo Norman Wong

The New Soft-Rock Renegades: DIANA

When speaking with Joseph Shabason (saxophone and synths) and Kieran Adams (drums, samples, and synths), founders and songwriters for Toronto-based four-piece Diana, words like “substance” and “texture” tend to crop up a lot. “Joseph and I met at jazz school, which is also where we met [bassist and guitarist] Paul [Mathews],” says Adams, “but by the time we graduated, neither of us was enamored with the idea of a career as a jazz musician. At some point Joseph got a keyboard and a Pro Tools setup and we started writing pop songs, but I don’t think we figured out how to really do it until we started writing for [our first] album.” Their music is soft, fuzzy, and smart, and much of their inspiration comes from ’80s touchstones like Talk Talk’s The Colour of Spring, Tears for Fears’ Songs From the Big Chair, Roxy Music’s Avalon, and Bryan Ferry’s Boys and Girls. “I think music from that era has a combination of intelligence and pop sensibility,” says Adams, “and there’s a progressiveness in the sonic aesthetic of those albums. It’s all well played and carefully delivered.” When singer and guitarist Carmen Elle came into the process, the Diana sound gelled instantly. “I think I saw her perform when she was 16 and I was 23,” laughs Adams, “and we knew she was a perfect fit for the material we were writing.” Shaboson adds, “We would give a picture of what we wanted for a song and she would run with it. The recording of the vocals was actually hilariously quick.” Listeners can find some of the band’s work on their Soundcloud page, Forest Family Records has released their first 12-inch single, “Born Again,” and they expect their full-length to see the light of day this spring. They’re also planning a big tour in the new year that will take them through the U.S. and parts of Canada. —ABH

Photo Vanessa Heins

The New Lord of Light: DEV HARLAN

“No matter what the medium, good design is timeless, and if something has good design qualities, it will hold up outside the medium,” says Dev Harlan, a New York-based light artist whose work is a coolly modern juxtaposition of video mapping and sculpture—the projections throwing patterns of ephemeral color and light over his fractal, pyramid-based objects. “I consider video projection mapping a medium in the same category as sculpting, painting, or drawing. It’s an expressive medium, but not the be-all end-all of the work.” Harlan was homeschooled, so it’s no surprise that he became a self-taught artist. He worked in commercial design for five years, but his interest began to drift as he became more involved in experimental films and paper-craft models, all of which led to his unique work blending sculpture and light. Though he primarily works with video mapping technology, he’s also worked with L.E.D. lighting and says, “I consider myself an artist who works with light rather than an artist who works with video.” Harlan’s goal is to get as close as possible to the experience that his sculptures are glowing and says, “The projectors are a necessary evil.” He’s done commissioned work for fashion label Y-3 (at 2012’s New York Fashion Week) and the launch event for Target’s Jason Wu fall 2012 line, but it was a video of his 2011 work “Parmenides I”—a room-sized fractal orb awash in video mapping projections—that has increased his exposure more than anything else. Concerning the future, Harlan says, “It’s totally intuitive. I’m not entirely sure myself.” —ABH

Photo Alexander Wagner
Photo Assistant Ken Morton

The New Wild Card: SCOOT MCNAIRY

To call Scoot McNairy an overnight success would be selling the multifaceted actor short. For the past decade, the 32-year-old Texas native has been steadily building momentum—working everywhere from independent film, to the stage, to behind the camera, producing such features as the award-winning In Search of a Midnight Kiss (in which he also starred). But lately, McNairy has been busy working with some of Hollywood’s most acclaimed directors and garnering attention from critics and audiences alike. With roles in Ben Affleck’s political thriller, Argo, and Andrew Dominik’s Killing Them Softly, McNairy holds his own in two of the year’s most lauded films, showing off his well-honed acting chops and ability to disappear into his characters. “It’s hard to tackle two roles at once,” admits McNairy. “I invest so much in the character. I consume myself 100 percent in their daily thoughts.” After moving to Los Angeles from Austin, Texas, to become a cinematographer, McNairy began taking acting classes for fun. He admits he was never particular about which aspect of the film world he wanted to be in. “I just knew that I wanted to work on movies,” he says. McNairy will continue his streak of challenging films with Steve McQueen’s Twelve Years a Slave and Gus Van Sant’s Promised Land, both of which are slated to open in the new year. “It’s been a great experience working with these directors; the creativity that they allow you to bring as an individual is something I wasn’t expecting,” says McNairy, who not only plans to continue taking on interesting roles, but looks to pursue directional ambitions of his own in the future. —HW

Photo Dan Monick
Styling Christopher Campbell

Makeup Sandra Ganzer @ Jed Root
Hair Candice Birns for candicebirns.com using Orbie Haircare
Location Siren Studios, Los Angeles