As a manager and partner at 4AM DJs, I’m always arranging performances, events, and photo shoots around the world. Every day, the reports I get back from my DJs sound like the kinds of wild adventures that I rarely get to be a part of as a desk jockey. The people who flock to these stellar international events get to experience the end result of months of prep, but do they really know what a day in the life of a DJ is like? In this monthly column, you’ll hear first-hand accounts of DJ war stories, with photos and videos from the world’s best to show for it. In this Tour Diary, you’ll read about Mick Boogie as he makes his way to San Diego’s Comic-Con for a celebrity-packed party, and then to LA for one of that town’s legendary daytime jams. Yours truly, Adam Alpert.
Thursday July 21: I landed in San Diego to deejay a party at Comic Con. The party was sponsored by Complex Magazine, and featured celebs like Cowboys and Aliens Jon Favreau—who spun a guest DJ set—and Olivia Munn. When I’m not manning the decks, I’m a huge comic book and graphic novel fan, so checking out the convention was something I’ve always wanted to do. It did not disappoint. Pure. Mayhem.
Friday July 22: I traveled via train from San Diego to LA. If you haven’t taken that train ride, I highly recommend it. 2.5 hours of scenic coastal views made the trip one of the first times I’ve ever travelled and wished it had lasted longer. I arrived in LA at around 3pm, and met my wife (who flew into LAX from NYC that afternoon) to begin our LA experience.
Saturday July 23: I was the featured DJ at one of my favorite clubs in the world, Playhouse. It’s a DJ’s dream: amazing sound, huge stage, insane lightshow, and the energy is intense. Thousands of people are going crazy to the latest house bangers. A big shout out to Igor from Playhouse, who has always supported the Mick Boogie movement.
Sunday July 24: After a night of drunken Euro-rific house madness, my Sunday gig was the complete opposite, and quite possibly the most fun I’ve had DJing in years, at the legendary LA daytime party, the Do-Over. Any deejay who declines an invite here, or says they didn’t have fun, is not a real DJ. This is a music lover’s dream, where you can play anything under the sun, as long as it isn’t the contrived nonsense we have to play 85% of the time everywhere else. A big thanks to Azul and Dominique. Selections from my Do-Over set included about 10 songs produced by J. Dilla, a set of samples from the Tribe Called Quest discography, a Brazilian funk set, some dancehall, and a 70s slowjam grand finale. I would deejay the Do-Over every week if I could. After that, it was back to NYC and the regular grind, but this weekend showed me why Southern California is such an amazing place, and I can’t wait to go back!