Those who say nightlife is dead invariably point to the lack of artistic types running joints. For example, we interviewed Rudolf Piper last week from his nightlife empire hideout in Brazil, and remembered his joint, Danceteria. It was a joint where creativity trumped the chase of money. Danceteria was arguably one of the best joints ever, but it owes a great deal to two spots that preceded it. The Mudd Club and Club 57 were places run and inhabited by the creative types who have mostly abandoned today’s club culture. Born out of the punk chaos of the late 70’s and early 80’s, they were hosts to what I refer to as the “lost generation” of clubs. AIDS devastated this scene, taking the best and scaring the rest. For me, they was my Wonder Bread years, the years when I was just starting to go out in earnest. I was a moth addicted to the light they were casting, and I gleaned life lessons from wunderkinds Joey Arias and the late Klaus Nomi, who took the time to corrupt me to happiness. On Thursday, October 28th, a reunion will be held at The Delancey. Everyone will be there. While “special guests” are still to be announced, the confirmed performers are a who’s who of the era: Ann Magnuson, Richard Lloyd, Tina Peel, Sic F*cks, Marilyn, Bush Tetras, Walter Steding, Comateens, and Phoebe Legere. The list of MCs and DJs is lengthy as well.
Mc’s and DJ’s include L Anita Sarko (DJ), Dave Street (MC), Ivan Ivan (DJ), Mark Kamins (DJ), Tessie Chua (MC), and Dany Johnson (DJ). John Kelly will perform. There will be photos and video from Allan Tannenbaum (photography), Harvey Wang (photography), Marcia Resnick (photography), Merrill Aldighieri (video), Nightclubbing (video), Robert Carrithers (film, photography), Marty Abrams (video), Linda Dawn Hammond (photography), Frank Holliday (video), and Francine Hunter McGivern (video, photography). There will be tributes to Patti Astor, Lisa Lost, and Deb O’Nair. The Mudd Club, Club 57, and Danceteria were the the counterbalance to the 800 pound gorilla of clubs like Studio 54, which dominated the scene and dominated that time. I wouldn’t have been caught dead at 54, but I did anything to get into these joints. The reunion is a must.
I am also fascinated by the Art Guitar Auction being held this Thursday at BB King. My friend Erik Foss of the Fuse Gallery, which is that fabulous art fortress at the back of my favorite haunt, Lit, is telling me all about the event. His DRAW co-curator, Curse Mackey, has produced this charity auction, which features Fender Stratocaster art guitars that have been painted by celebs, rock stars, and Fuse Gallery favorites. “The auction includes guitars painted or drawn on by Kenny Scharf, Travis Louie, Rich Jacobs, Slash, Stephen Colbert, the legendary Stan Lee, Lou Reed, Karen O of the Yeah Yeah Yeahs, David Stoupakis, DRAW guest curator and artist Miguel Calderon, Stanley Mouse, Gene Simmons of KISS, actress Juliette Lewis, James Hetfield of Metallica and more.”
You can attend or buy online. The proceeds go to Little Kid Rock, an organization that transforms the lives of children by restoring and revitalizing music education in underfunded public schools. It’s free lessons and instruments for underprivileged children in US public schools with over 1,000,000 students served to date in over 1,200 schools in 24 cities nationwide. Little Kids Rock honorary board members include Bonnie Raitt, Slash, Paul Simon, B.B. King, Ziggy Marley, and other famous friends in the music industry.
Also on my radar is P.J.S. (a gallery on 14th and 8th), which is hosting the Paper Spaceship and CMJ Music Marathon & Film Festival. It’s an exhibit of 30 years of CMJ photography. I try to avoid most CMJ stuff, but now I can see everything I’ve missed over the decades in one place. I guess CMJ is about listening, but I’ve never been too good at that. Running October 19th through the 31st, CMJ 30 will kick off with a huge opening reception on Thursday, Oct. 21st from 7:00pm to 10:00pm, with complimentary beer from Porkslap. The gallery will be filled with black and white prints—wheat-pasted on the walls—from over 20 different photographers. “We’re incredibly thrilled to work with Paper Spaceship and CMJ Music Marathon for this upcoming exhibit,” says Patrick Sullivan, owner of P.J.S. “Band photography has always played such an integral role in sharing the live music experience.”
Oh, and another usually reliable source confirms the rumor I heard about The Box opening up in London, and tells me it’s headed for Vegas too. I’m digging deeper and will let you know.