Last night, the charming and unfathomably talented Xavier Dolan took to the stage at MoMA in conjunction with their Modern Mondays and Canadian Front 2013—which not only premiered his debut feature I Killed My Mother in the US, but screened his sophomore effort Heartbeats, as well as his incredible upcoming epic love story Laurence Anyways. The 23-year-old actor/director/writer sat down last night for a conversation with MoMA’s Raj Ray and Indiewire’s Peter Knegt for two hours, covering everything from his voiceover work as Taylor Lautner’s character in the French-dubbed Twilight films, the importance of childhood on his cinematic mind, and his next feature, his first American film.
And for someone so insanely gifted and young who makes these films that are not only aesthetically and atmospherically engaging and dynamic, but extremely intelligent with great emotional weight and complexity, you might assume when asked to give his influences he would throw around some movies from Truffaut to Malle to van Sant. But no, the clips he chose to show from some of his favorite works that echoed the absurd and playful yet genuine and honest sensibility that’s alive in all of his films. The videos he showed were from films that he fell in love with either in childhood or recent years, projects that fulfilled their mission to excite, engage, and entertain and have stuck with him. Jumanji, Batman Returns, and Titanic were three of those, with Magnolia and the beloved television series Friday Night Lights there too, of course.
Dolan spoke about appreciating the Michelle Pfieffer’s performance in Batman as completely free and totally going for her character. He also went on to say he admired Paul Thomas Anderson’s Magnolia for its sense of freedom as well, fully commiting to its absurd and wild nature—especially the scene of Julianne Moore in the drug store telling off Pat Healy because of how emotionally unfettered it is and how PTA allowed a character to be so raw and honest—a scene which Dolan says he stole in I Killed my Mother and Laurence Anyways (in a monologue which Suzanne Clement defends herself and Laurence, screaming at a older diner waitress, a moment so wonderful and powerful that when she finished speaking the entire audience erupted in applause when it screened this past Sunday).
Friday Night Lights Dolan says he watched with Clement recently over a holiday break "all at once, while eating a lot." He admired how authentic and real the emotion and acting was, as if it wasn’t something to impress but to show you exactly what life is life.
He also spoke about his follow-up to Laurence Anyways, Tom à la ferme, a "psychological thriller that is worrying and scary–I hope." Although we had assumed it would be, it turns out the film will not premiere at Cannes this year and is currently in the sound-mixing, color-timing stages. However, his follow-up to that, his fifith film and first American feature, he says is to be titled The Death and Life of John F. Donovan and tells the story of a "Dean or Brando"-esque moviestar whom "America has been waiting for," who becomes penpals with an 11-year-old boy. Dolan went on to say that the film follows what happens when the correspondence with the boy is exposed. He will be acting in he film as well but not as the titular character.
But for now, Laurence Anyways will be crawling into theaters this June and if you’ve loved his work in the past this is sure to knock you over. And if you’re unfamiliar with the young auteur’s ouevre, get ready to fall in love.