Now that I’ve seen the capitalist critiques and murderous slo-mo ballets of Killing Them Softly, last on the cinematic agenda between now and Django Unchained would be Zero Dark Thirty, which chronicles the global manhunt for Osama bin Laden in what we all hope to be chilling detail. But don’t let that description confuse you: allegedly, the script has no agenda at all!
Okay, I see where director Kathryn Bigelow and writer Mark Boal are coming from when they say things like: “This is a pretty naturally dramatic and exciting story. You don’t really have to put too much topspin on the ball.” Because there’s nothing worse than an on-screen sermon. It’s funny, though, that a movie about enhanced interrogation and state-sanctioned assassinations finds the political climate at large something toxic enough to distance itself from.
I get it, really. You’re trying to present the facts of history as objectively and entertainingly as possible. It’s not intended as a polemic—and neither was Bigelow and Boal’s Hurt Locker—yet to say neither has a political vantage point, a moral compass, some guiding humanistic principles, is to ignore their subtle and remarkable effect on the final product. As Aaron Sorkin will never understand, this type of commentary can remain unspoken.
So come on, you two—quit playing coy. You make political movies. DEAL WITH IT. No one’s forcing you to attend $1000-a-plate party fundraisers. Or worse, start collecting bumper stickers.
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