As the English master of violent sexual obsession and radical nonlinear storytelling, director Nicolas Roeg has been the man behind some of my absolute favorite films. His early features are a mix of feverish aesthetics and editing with psychologically potent narratives that spin on their own axis of pleasure and pain. Although best known for his sci-fi mind-bender The Man Who Fell to Earth, it was Performance—which he shot as well as co-directed—that has become one of those films that feels like a part of heart, I could be totally content having it play on loop forever across my bedroom wall. And then there’s his erotic psychodrama Bad Timing, which plays into just about every one of my cinematic fetishes and really made me fall head over heels for Roeg’s unqiue style.
But in the last few decades his films have been far and few between, disappearing and reemrging with lackluster work. However, Screen Daily reports that Roeg has apparently gotten himself back into the directorial seat, developing a romantic WWI drama, At Sunset. The film looks to be a, "tale of a torrid affair between a woman in her late 40s, early 50s and a young lad from Yorkshire. She is a wealthy landowner, he is a former labourer on a big estate… the madness of the First World War brings them together." Psychosexual anguish? Violence and emotional upheaval? Count me in!
At Sunset is apparently still in the casting process with "France’s top female actress" in the running. Okay then, might I suggest Isabelle Huppert and Michael Fassbinder for the roles? Both too old? Okay, Juliette Binoche and Benedict Cumberbatch? Whatever, I’m on board.