Cosmopolis, David Cronenberg’s adaptation of the Don DeLillo novel, opens today following weeks of a post-cheating scandal media blitz that has blown up in its leading actor (and BlackBook cover boy) Robert Pattinson’s face. He’s hurting! He’s confused! People are forcing him to eat on camera! And everyone forgot about poor David Cronenberg, the beloved director behind cult hits like Scanners, Dead Ringers, Videodrome (and also the unfortunate A Dangerous Method, but we’ll let that one slide). What’s a critically acclaimed director to do in order to get people to pay attention to him? Well, bash Christopher Nolan’s Batman franchise, of course.
In an interview with Next Movie, Cronenberg is pretty frank when it comes to his feelings about the artistic merit of superhero movies, in which he finds absolutely nothing to gush over:
David, you’ve done drama and horror. Some fairly formidable directors have branched out into superhero movies pretty beautifully —is that something you would consider doing?
DC: I don’t think they are making them an elevated art form. I think it’s still Batman running around in a stupid cape. I just don’t think it’s elevated. Christopher Nolan’s best movie is Memento, and that is an interesting movie. I don’t think his Batman movies are half as interesting though they’re 20 million times the expense. What he is doing is some very interesting technical stuff, which, you know, he’s shooting IMAX and in 3-D. That’s really tricky and difficult to do. I read about it in American Cinematography Magazine, and technically, that’s all very interesting. The movie, to me, they’re mostly boring.
Do you think the subject matter prohibits the elevated art form?
DC: Absolutely. Anybody who works in the studio system has got 20 studio people sitting on his head at every moment, and they have no respect, and there’s no…it doesn’t matter how successful you’ve been. And obviously Nolan has been very successful. He’s got a lot of power, relatively speaking. But he doesn’t really have power.
So that’s a no.
DC: I would say that’s a no, you know. And the problem is you gotta… as I say, you can do some interesting, maybe unexpected things. And certainly, I’ve made the horror films and people say, "Can you make a horror film also an art film?" And I would say, "Yeah, I think you can."
But a superhero movie, by definition, you know, it’s comic book. It’s for kids. It’s adolescent in its core. That has always been its appeal, and I think people who are saying, you know, Dark Knight Rises is, you know, supreme cinema art, I don’t think they know what the fuck they’re talking about.
Well, now my dreams of watching The Riddler’s head explode in David Cronenberg’s Batman’s Back have been DASHED AGAINST THE ROCKS. Friday mornings, man. What a bummer.