On Sunday morning at NYFW, Victoria Beckham finally stopped sucking in her waist, and if you couldn’t exactly hear the collective release of breath, you could certainly sense it in the more relaxed lines of her creations. Despite borrowing a little tailoring from the boys, Beckham has held on to her well-earned reputation for femininity. The dresses were still present, the waist, for the most part, still accentuated. But it looked like you might be able to eat in them.
Voluminous was one word to describe Delpozo, whose nipped in waists still flattered. Ethereal colors accentuated the confectionary nature of the clothes.
Layers, layers, layers were the thing at Theyskens’ Theory. Short skirts over long, even basketball shorts over biker. The Theyskens’ girl would be ready for any venue or change in weather once leaving the house in these looks.
Derek Lam used highly textured fabrics colored by hand dying to create elegant and simple pieces that played on proportion and elevated classic American sportswear. Basket weaves and bonded mesh made even the simplest of cuts extremely interesting while keeping everything easy to wear – the ideal clothes to throw on effortlessly and still look amazing in.
3.1 Phillip Lim played with rocks for spring, littering his runway with crunchy Himalayan sea salt, creating a new terrain for the Phillip Lim girl to wander. She navigated the topography in matching style, sporting references to geodes in embroidered sweaters and patterned skirts.
One of the dreamier shows took place at Ashley and Mary-Kate Olson’s The Row, the woman of which was a traveler – she must have been someplace hot and crawling with bugs, for the sun protective sleeves and skirt lengths and veils hanging from wide brimmed and visor-ed hats. With delicate snakeskin, superfine leathers and flowing crinkled silk georgette, who wouldn’t want to be on vacation with The Row?
We’re five days in with three more to go. Keep checking back and don’t forget to visit http://motoxfashion.com/ for fashion week news.