Diesel Teams Up With Berlin’s Most Famous Kebab Kiosk On A New Capsule Collection

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The fashion world is no stranger to collaborations. In the last year alone, Calvin Klein has teamed up with Andy Warhol, Raf Simons with Robert Mapplethorpe and Coach with our favorite Disney characters. Now, Diesel has partnered with famous Berlin kebab kiosk Mustafa Gemüse Kebap, on a streetwear-inspired capsule collection designed by the owner. The line, which features sweatshirts, t-shirts and hats, shows a reimagined version of their logo alongside colorful patches on each piece.

“I just tried to add some special ingredients,” Gemüse told DAZED, “and make sure everybody involved was happy and not hungry, holding a fresh kebab in their hand.”

Along with the collection, the brand made a teaser video that showcases just how popular Mustafa Gemüse Kebap really is. In one of the world’s coolest cities, skaters, punks, tourists and fashion girls alike all line up for blocks to taste one of Gemüse’s exalted delectables. (Now we’re hungry, and can’t wait to get back to Berlin.)

Watch the Diesel x Mustafa Gemüse Kebap teaser video, below, and be sure to cop the collection online and in select stores, starting September 3.

 


 

Photo/video courtesy of Diesel

 

Olivier Rousteing Cast a Group of CGI Models in his Latest Balmain Campaign

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CGI’s not a completely new tool in the fashion industry – after all, cyber It-Girl Lil Miquela has collaborated with brands like Prada and NYC-based AREA. But Olivier Rousteing took the trend to a whole new level when he decided to cast three CGI models for his latest Balmain campaign. That’s right – as if women didn’t have enough to stress over in looking at real life models, we now have to compare ourselves to digital perfection.

 

For the brand’s Pre-Fall 2018 campaign, Rousteing reached out to digital artist Cameron-James Wilson to “construct a new, alternative and virtual Balmain Army.” Wilson became popular earlier this year with his virtual model Shudu, who has almost 150K Instagram followers, and has graced the pages of The Cut and The New Yorker.

 

For the Balmain campaign, however, Wilson created two more models, Margot and Zhi, so the trio could model digital versions of the brand’s Pre-Fall collection created by CLO, a company that creates “true to life 3D garment simulation” to help designers throughout their development process.

 

The campaign definitely looks cool, but also, kind of like a Sims version of a fashion ad. Yet is Balmain just the first brand to reject IRL models to dive head first into CGI? We’ll have to wait and see. In the meantime, I guess we should all follow Shudu on Instagram. I mean, she’s already stealing our jobs. So, best to keep an eye on our man’s DMs.

 

Yayoi Kusama Is Bringing Her Famous Dots To Skateboarding

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Yayoi Kusama’s notorious dots are instantly recognizable. And now, you’ll be able to spot them on the streets instead of just inside museums, as the exalted artist is doing her own polka-dotted skateboards. MoMA has tapped her to create a series of 500 limited edition boards featuring renditions of her famous work, “DOTS OBSESSSION (2018),” exclusively available through their online design store.

 

 

Courtesy of MoMA Design Store

 

Born in Japan in 1929, Kusama made a name for herself in the early 1950s for her abstract paintings of those polka dots. After moving to the United States in 1957, she began creating her now infamous “Infinity Rooms” (currently on exhibit at The Cleveland Museum of Art) and staging offbeat happenings around New York City. Since 1977, she’s lived in the Seiwa Hospital for the Mentally Ill just outside of Tokyo, where she continues to paint regularly.

 

‘Phalli’s Field’ Infinity Room; photo by Eikoh Hosoe, courtesy of Ota Fine Arts, Tokyo/Singapore; Victoria Miro, London; David Zwirner, New York  

 

In recent years, other artists have also lent their works to the skateboarding community, including Barbara Kruger, who teamed up with iconic skate shop and streetwear brand Supreme to create a series of “Don’t Be A Jerk” skateboards and skate ramps in 2017. But Kusama’s project will be her first (and potentially only) skateboard related ever – and they are all actually hand-painted by her. Originally, the boards were made from samples based on digital renderings of Kusama’s art work. But when they were shipped to the artist for final approval, she decided to paint over each one of them meticulously.

The skateboards will come in four different styles: two white boards with red dots (one large, one small), and two yellow boards with black dots (also in small and large sizes). Though the MoMA Design Store has not yet listed an official date for the drop, once they are available, we know they’ll sell out quickly. After all, if there are two types of people who like exclusives, it is definitely art collectors and skaters.

 

‘In Infinity’ by Kim Hansen, courtesy of Louisiana Museum of Modern Art

 

Rihanna’s Savage x Fenty Will Make Its Runway Debut At NYFW

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Fashion Month is almost here!

And you know what that means? All of our favorite brands will be hitting the runway, with everything kicking off in New York in just a few short weeks. This season, Rihanna will be joining the NYFW lineup, with her new lingerie brand, Savage x Fenty making its runway debut.

 

 

Of course, Rih is no stranger to the fashion fanfare. Before launching Fenty x Puma, which she presented during NYFW and PFW ahead of the brand’s current hiatus, she sat front row at shows for everyone from Yeezy to Alexander Wang. But the inclusive lingerie label she announced last spring hit stores earlier this summer, following a series of viral Instagram ads featuring influencers of all sizes and colors. Hopefully Rihanna will maintain the brand’s focus on diversity and ethos of empowerment for their first runway show.

 

 

As of now, not much is known about the presentation, other than that it will take place on September 12 in New York City, and that it won’t be just like any other fashion show. Rih described the event as an “immersive experience.”

 

#UCUTE in that Lace Teddy! | Tap to shop that! ✨Cc: @mollyconstable

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There’s one thing we do know, though: Rihanna definitely doesn’t like to follow convention. When she released the Savage x Fenty line in May, she even included a set of handcuffs as part of the collection. So, whatever she does on the runway this Fall, we know it’ll be lit AF.

 

Image courtesy of Savage x Fenty

Runway Rundown: All The Best From Spring ’19 Ready-to-Wear, Resort and Fall ’18 Couture

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Valentino Fall ’18 Couture

 

A lot has happened on the runway over the last few weeks. There was Paris Couture Week; before that, some designers showed their Spring ’19 collections; and in between all of those, there was Resort (which we don’t usually care for, but this season had one great moment). So, we don’t blame you if you’ve missed some things. And because we love you, we’re going to be your fashion fairy godmothers, and round up everything you need to see if you haven’t already (and if you have, all of the amazing things you should look at again). Below, our favorite runway moments — or, as we like to call them, the only ones worth mentioning.

 

Spring ’19 Ready-to-Wear:

Spring can be really boring. I mean, florals, for Spring? Groundbreaking. No, but seriously, it can really hard to re-invent the wheel when that wheel is a limited range of flowing skirts, mini dresses and caftans. That’s why our favorite brands threw out seasonal rules altogether and did things like patent leather and hoodies.

 

Alyx

 

For Matthew Williamson’s first ever runway show for his four-year-old brand Alyx (or, as its named now, 1017 Alyx 9SM for Williamson’s birthday and the location of his first studio at 9 Saint Marks), the designer went all out. Instead of debuting a ton of cliche Spring pieces, like bathing suits and floral dresses, the collection looked almost as if it could’ve been for Fall. With a post-apocalyptic vibe perfect for our current political climate, Willliamson’s pieces looked like a uniform for, albeit incredibly fashionable, anti-fascist soldiers. Sign me up.

 

Vetements

 

VETEMENTS SPRING-SUMMER 2019

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VETEMENTS SPRING-SUMMER 2019 – WATCH THE OFFICIAL VIDEO – LINK IN THE PROFILE

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VETEMENTS SPRING-SUMMER 2019

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For fashion world darling Demna Gvasalia’s turn on the runway, the designer paid homage to his home country, Georgia. Gvasalia casted the show with all Georgian teenagers, and took the opportunity to teach fashion insiders about the current political turmoil happening in the region. In fact, each piece from the collection comes with a giant bar code, that once scanned with your iPhone, will open an app that features facts about the country. And as much as I want to hate Vetements, I wish I could afford to pay $1,000 for a sweatshirt.

 

Kenzo

 

Prints, prints, prints. #KENZOSS19

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Kenzo S/S ’19 was all about prints. Gingham, checks, polka-dots, snakeskin — you name it, Carol Lim and Humberto Leon designed it, and styled it together. The whole maximalist, should-be-clashing-but-instead-looks amazing thing has always been Kenzo’s vibe, but each season Lim and Leon seem to do it better and better. After last year’s Spring collection, I really thought the brand had reached their peak, but this season even makes me want to wear color.

 


 

Resort:

Honestly, I shouldn’t have even included Resort on this list, since it’s really not a list – it’s just Miu Miu.

 

Miu Miu

 

If Miu Miu’s Resort ’19 collection was bad, it truly wouldn’t have even mattered. With a casting like the one they had at The Regina Hotel in Paris last week, including Rowan Blanchard, Kaia Gerber, Uma Thurman, Chloe Sevigny and Naomi Campbell, no one would have even noticed the clothes. But we did, because the collection was perfect. Kind of preppy, but with a race car driver-meets-Valley of the Dolls-meets-Maui sort of look, the Miu Miu collection was what Miuccia Prada still does best, even after all these years: it was fun, it was free, and somehow, between all the clashing prints and furry heels, it was still subtle.

 


 

Fall ’18 Couture:

Couture is all about fantasy; it’s about staring at beautiful clothes you desperately want but have absolutely nowhere to wear them to. When it came to this year’s Couture Week, our favorite designers didn’t let us down, delivering some of the dreamiest collections we’ve ever seen grace the runway. I mean, Kaia Gerber at Valentino. Enough said. But don’t worry, we’ll say more anyway.

 

Chanel

 

For his Fall ’18 Chanel couture show, Karl Lagerfeld paid homage to Paris. Honestly, everything the guy does is good, and the fact that he’s still able to send tweed two-pieces down the runway, and make them look good — well, that alone, proves he’s a genius. In addition to his love of Paris, the designer built this collection around what he calls the “high profile” — long skirts that unzip to show thigh-bearing minis underneath. “You can wear it zipped down when you visit your banker, no?” he told Vogue. “And zipped up when you see your lover after!”

 

Valentino

 

At this point, there’s no way you haven’t seen at least one photo from the Valentino couture show. Images of Kaia Gerber in her amazing beehive have literally been flooding the internet. But for once, the talk is true and all the hype is worth it. The Valentino collection was the MVP of Couture Week — and maybe all of 2018. Obviously, Pat McGrath and Guido Palau killed it with the beauty; but the collection itself was completely breathtaking. I mean, the models looked like actual angels floating down the runway in their billowy gowns and floral headdresses.

 

Fendi

 

 

Fendi always knows what they’re doing. For their couture collection, the brand took a step back from the logomania that’s taken over their last few seasons, and created a ’60s-inspired ode to fur. While a lot of the industry has vowed to go fur free, Lagerfeld has doubled down with Fendi. Though the collection included bits of actual fur, it was more about the ways in which he treated other fabrics that created a sort of gaudy (but in a good way), glam feel that I totally could’ve imaged Liz Taylor or Anne Welles in.

 

Margiela

 

Discover highlights from our Autumn-Winter 2018 ‘Artisanal’ Collection designed by @jgalliano: The nomadic idea of taking life on the road is conveyed in abundant layering where garments interweave and mutate. #maisonmargiela #artisanal #artisanalartistry – Music: “Unchained Melody” Written By: Alex North & Hy Zaret Courtesy Unchained Melody Publishing LLC – Black Saturn, Nicholas Hill, Luciano Ugo Rossi, Glenn Herweijer; Ben Sumner. KPM Music When The Clock Stops, Nikky French. KPM Music Breakacuda,Benjamin Medcalf. Anger Music Circus Caravan MYMA. Justement Music Flight Remembered, Nicholas Hill, Glen Herweijer, Ben Sumner. KPM Music The Arrival, David James Caton, Harry Valentine. Anger Music Etude in e major, Frederic Chopin, Tolga Kashif, KPM Music Warhammer, Darren Mudge. Anger Music Arrangement : Jeremy Healy

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Galliano went all Fifth Element for his latest Margiela Artisanal collection (he’s too cool for couture, natch). Using VR headsets and iPhones as accessories, the designer sent a retro-futuristic, technology-obsessed collection down the runway. And hey, since people are already attached to their phones, physically adhering them to our outfits seems like a natural next step. That, or we’re going to war with aliens and Galliano is designing the outfits.

 

Viktor and Rolf

 

To celebrate their 25 years together, Viktor & Rolf decided to take 25 of the brand’s most iconic looks, and update them for their Fall ’18 couture collection. That update meant turning everything white and covering them in Swarovski crystals. Though I’ve always been a fan of Viktor & Rolf, there’s literally nothing more perfect than the bed dresses they originally created for their Fall ’05 collection — or, at least, I thought, until I saw this season’s iteration, complete with white bedazzled pillows and a down evening dress. Sigh. This is what dreams are made of.

 

Photos & Video: Instagram

Must See Art: Tom Wesselmann at Gagosian Beverly Hills

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‘Still Life #29,’ 1963, Oil and printed paper collaged on canvas, 9′ x 12′, ©Estate of Tom Wesselmann/Licensed by VAGA, New York, NY

 

This Thursday, Gagosian Beverly Hills will be launching a solo exhibition of rare works by Pop Art notable Tom Wesselmann. Wesselmann: 1963-1983 will feature seven pieces created by the artist, none of which have ever been shown on the West Coast. On view until August, the exhibition will showcase the commercial billboards Wesselmann began painting in 1962.

 

‘Still Life #61,’ 1976, Oil on shaped canvas in 4 parts, 8’8.5″ x 32’7″ x 6’7″, ©Estate of Tom Wesselmann/Licensed by VAGA, New York, NY

 

Born in Cincinnati in 1931, Wesselmann was an influential figure in the Pop Art world, with his massive paintings that recontextualized images from popular culture, like the Volkswagen Beetle seen in ‘Still Life #29.’

“I used what was around me, so my culture was what I used,” he once said about his work.

Part of ‘The Standing Still Lifes’ series, the seven works in Wesselmann: 1963-1983 were a highlight in the artist’s long career. Comprised of multiple canvases shaped like the objects they depict and mounted on both the wall and the ground, the pieces are three-dimensional scenescapes that pull you into their world. Known primarily for his work that showcases the female figure, these paintings incorporate everyday objects in exaggerated sizes, exploring sexuality and surrealism in an emotional and experimental way.

 

‘Still Life with Blue Jar and Smoking Cigarette,’ 1981, Oil on shaped canvas in 4 parts, 9′ x 18’5″ x 5’6″, ©Estate of Tom Wesselmann/Licensed by VAGA, New York, NY

 

“Wesselmann is an artist well known for his forthright and original standpoint on sexuality,” explains Jason Ysenburg, Director at Gagosian, “but that is only a part of his story. In the ‘Still Lifes,’ ‘Standing Still Lifes’ and ‘Bedroom Paintings,’ we are offered a glimpse into an enchanted world where scale, content and the juxtaposition of materials and images is surprising and innovative,” he continues. “What transpires are a group of paintings where sexuality is often implied rather than overtly expressed.”

Since his death in 2004, Wesselmann’s work has become only more sought after, and has been included in multiple exhibitions at The Whitney and MoMA. This latest exhibition follows another recent showcase, Tom Wesselmann: Standing Still Lifes at Gagosian in New York.

 

Wesselmann: 1963-1983 is on view from July 12 to August 24 at Gagosian Beverly Hills.

 

Photos: ‘Still Life #29’ by Jeffrey Sturges; ‘Still Life #61’ & ‘Still Life with Blue Jar and Smoking Cigarette’ by Rob McKeever; all courtesy the Estate of Tom Wesselmann and Gagosian

Must See: ‘AfriCOBRA: Now’ at Kravets Wehby Gallery in Chelsea

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‘Spirit Sister,’ Nelson Stevens

 

In 1968, The Black Power Movement was at the height of its influence. Fighting for equality with a militant belief in self-sufficiency and acceptance, the movement encouraged radical thought and action for the Black community across the world. That same year, five members of the group came together to start their own movement: AfriCOBRA, or the African Commune of Bad Relevant Artists, with the goal of using art to, well, change the world.

A new exhibition, AfriCOBRA: Now, at Kravets Wehby Gallery in Manhattan, brings together art from the group to showcase the work from these subversive artists who, until now, have been relatively unsung. Featuring pieces by its founding members and many others, including Kevin Cole, Adger Owens, Wadsworth Jarrell and Renee Stout, the exhibit shines a light on art from an era — and a group – in which nothing was more powerful than self-love. Through painting and sculpture, these AfriCOBRA artists celebrated African culture and examined their experiences as Black artists in an ever-changing culture. With AfriCOBRA:Now, their voices are finally being heard.

Preview some of our favorite pieces from the exhibit, below.

 

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‘AfriCOBRA: Now’ is on view at Kravets Wehby Gallery, 521 West 21st Street, now until August 16.

 

Photos courtesy of Kravets Wehby Gallery, New York.

Ai Weiwei Teams Up with eBay and Public Art Fund on Exclusive Sale for World Refugee Day

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Radical Chinese artist Ai Weiwei has teamed up with New York non-profit Public Art Fund and eBay to launch an exclusive sale of his work in honor of World Refugee Day. From his recent Good Fences Make Good Neighbors exhibition in New York City, the artist has selected six remarkable portraits of global refugees that will be sold exclusively through eBay, starting today. With all profits going to charity, the limited edition prints are selling for $750 each, and will be available until June 27 (or until they sell out).

Originally launched in October 2017, Ai Weiwei’s Good Fences Make Good Neighbors was inspired by the current immigration crisis, made all the more pertinent by this week’s news showcasing the way minors have been separated from their parents, and kept in horrible conditions at different United States border crossings.

The exhibition featured 300 portraits taken by the artist at 40 different global refugee camps, and were hung as banners on lampposts throughout New York City. The six images selected by Ai WeiWei and the Public Art Fund for sale on eBay, include a portrait of feminist activist Emma Goldman and current refugees photographed at the Shariya Camp in Iraq.

 

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Ai Weiwei has long been an outspoken social activist who uses various mediums, including photography, installation, sculpture and film, to make subversive statements about politics and the current climate. Public Art Fund is a New York City non-profit “dedicated to providing free access to the most important art of our time” by “bringing dynamic contemporary art to the broadest possible audiences.” Through public art exhibitions, like Ai Weiwei’s Good Fences Make Good Neighbors, the organization examines the ways in which we interact and appreciate art.

 

In honor of World Refugee day, the two have partnered with eBay for Charity, a special program on the international e-commerce giant that allows sellers to donate all funds to charities of their choice. Following the company’s recent collaboration with Warren Buffet, which raised over $3M for disenfranchised communities in San Francisco, the Ai Weiwei sale will support the International Rescue Committee (IRC), which offers health, safety, education and economic aid to communities that have been destroyed by conflict, and USA for UNHCR, a Washington D.C. non-profit that protects and helps refugees who have been displaced by violence or persecution.

 

Every June 20 is World Refugee Day, a day to support, honor and raise awareness for the millions of refugees across this globe — and this year, it couldn’t have come at a better time. To celebrate (and get an amazing piece of art in the process), buy your limited edition Ai Weiwei portrait, here.

 

Photos courtesy Public Art Fund, NY

BLACKBOOK EXCLUSIVE: Chuck Palahniuk at the BLACKBARN x One Grand Books Summer Reading Series at the BlackBarn Restaurant in Chelsea

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Since the release of Fight Club in 1996, Chuck Palahniuk has been one of America’s most celebrated (and subversive) authors. Now back with his first book in four years, last night, Palahniuk sat down with BlackBook Editor-in-Chief and One Grand Books founder, Aaron Hicklin, inside the BLACKBARN Restaurant in Chelsea Market, to read from and answer questions about his latest, Adjustment Day, as part of One Grand’s Summer Reading series in partnership with BLACKBARN.

For Palahniuk, Adjustment Day is the exaggerated outcome of our already extreme current political climate — nations based on identity politics, and fueled by fake news, conspiracy theories, and heightened emotion. In the book, he quotes John Adams: “Remember, Democracy never lasts long. It soon wastes, exhausts, and murders itself” — that seems to be the Adjustment Day anthem. Inspired by Ira Levin (the author behind Rosemary’s Baby and The Stepford Wives, among others) Palahniuk wanted to illustrate our collective fears in the current environment. “Fascism, racism, separatism” — the author wanted to explore the violent conclusion of our social conscious. But he also sees the novel as just another “girl-meets-boy love story.”

 

 

Publishers didn’t agree. Palahniuk said he was almost ready to self-release the book after his longtime publisher said it was too dangerous to issue. That’s nothing new to the author who reminisced last night about the challenges of getting picked up at the beginning of his career. Then, he was shopping around an early draft of what would become his 1999 book, Invisible Monsters, and could not find a taker. Finally, he approached Jerry Howard, a publisher at W.W. Norton (the company that ended up releasing Adjustment Day), but only after Palahniuk forced a sit-down between the two by playing David Bowie’s “Young Americans” on heavy repeat on the jukebox, driving the others authors vying to speak with Howard out of the bar.

Palahniuk also read “The Facts of Life,” from his 2015 short story collection, Make Something Up: Stories You Can’t Unread. Although it is basically a porno with a lot of dark comedy (that includes a mid-sex spontaneous combustion), the story showcases what the author does best in novels like Adjustment Day and Fight Club. Palahniuk has an uncanny ability to not just document, but exploit human anxiety in a way that’s both completely unnerving, but also cathartic. He tackles sex (definitely in the case of “The Facts of Life”), love, compulsion and politics, all in a way that doesn’t just satirize our humanity, but holds up a mirror to it. With Adjustment Day, he examines the nature of equally extreme and opposing ideologies, warning of a disastrous future if things continue the way they have been. But like he writes in the book’s millennial “Declaration of Interdependence,” “A smile is your best bulletproof vest. The joy of fiction is that it only needs to smell true.”

 

View photos from our sit-down with the author below, and buy Adjustment Day here.

 

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Photos by Daniel Jonhson