Annie Baker, one of the most refreshing, smart, and unique new voices in writing has won the 2014 Pulitzer Prize for The Flick. Premiering last year at Playwrights Horizons, Baker’s intimate movie theater-set character study and investigation into everyday human interaction showed the mark of a young writer whose fearlessness and dedication to her own sense of narrative and theatrical style was certainly something to get excited about.
And last year, we went more in-depth with Baker to discuss The Flick, as well as her previous work, noting:
Not only did Baker return to her first love for inspiration, she may have dug up some of those unhappy emotions from her adolescence when developing her characters. Avery, Sam, and Rose all exhibit an active disappointment with the menial day-to-day aspects of their lives. Avery complains that everyone seems to act like a stereotype of what they think they are supposed to be. Rose, who is aggressive in both her personality and her looks (she dyes her hair green and exclusively wears loose-hanging black shirts and t-shirts), admits, “I’m afraid that something is wrong with me and I’ll never know what it is.” Sam, a portly, awkward thirty-something, is slow to reveal details about his personal life—a mentally handicapped brother who is able to find a partner while Sam harbors an unrequited crush on Rose—and struggles to achieve his goal to move up in his position to work the projector at the theater. Baker’s characters, in The Flick as well as her earlier plays, Body Awareness and Circle Mirror Transformation, express a specific discomfort with themselves and their surroundings. One would expect Baker to be awkward and quiet herself.
That’s not the case. With a thin frame and long, blonde hair and bangs framing her round face, Baker gives off the illusion that she is much taller than she is. Her presence as an artist is immediate, even from photographs—she has the tendency to give just the hint of a smile, seemingly effortlessly, so much so that it resembles at first glance a frown. But after sitting down and talking with her, it’s clear that the hyper-intellectual façade isn’t accurate; she is soft-spoken, friendly, inquisitive, and talkative. She seems almost the opposite of her characters—she is self-assured and confident. But she is willing to admit, despite the critical acclaim she has achieved in her very brief career, that she is “a lazy writer,” someone who cannot successfully knock out several plays in a year. (She spent three years writing The Flick.)
To read the article in full, head HERE. But in the meantime, let’s all just be elated for the talented playwright and author, who we can only hope to see more and more of.
Main photo by Joan Marcus