Boardwalk Empire: A Plush Weekend Getaway at Atlantic City’s Borgata

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There’s always been a lot of drama in Atlantic City. After all, it was once, as Steve Buscemi so diabolically demonstrated on Boardwalk Empire, a hub of nefarious activity. As we learned from that show, just building the roads in and out was a life or death enterprise. And while there have been more goings than comings (at least of the real estate variety) of late – the last of which, with the closing of the Taj Mahal casino in the summer of 2016, bore the name of our current Commander-in-Tweet – we never pass up a chance to hit one of our fave weekend getaways: the Borgata Hotel Casino & Spa.

On a recent long weekend, we alighted in the plush lobby of the Water Club just in time for Friday cocktail hour (okay, it’s always sort of cocktail hour in AC.) The WC is the Borgata’s boutique-hotel-within-a-hotel, where we would be laying our heads. And for the next few days we just got lost in in the opulence of the city’s plushest resort – while reacquainting ourselves with the charms of downtown and its well-trod boardwalk.

Here were the highs, and, thanks to our lack of finesse at the craps table, one minor low.

 

 

The View

With a combined 2800 guest rooms the hotel complex is pretty much an empire unto itself. The fact that’s it’s not on the boardwalk, but a couple of miles inland, distances it from some of the less, you know, glamorous establishments. Our sleek room on the 27th floor of the Water Club afforded us a spectacular view of the harbor and Atlantic Ocean – a great start.

Going Japanese

Walkways lined with shops lead from both hotels and converge on the casino floor and some world class dining establishments. On our first night, we opted for sumptuous Japanese at chef Michael Schulson’s buzzy Izakaya. Edamame dumplings exploded with a broth of sake and truffles (food of the Gods, veritably) and were small enough that we didn’t feel guilty that we ordered two. An entree of salt & pepper flounder with red chili relish, nori, and shishito was equally delish. After a slightly fuzzy, sake-soaked post-dinner walk around the tables we headed back to the room, with plans for a busy day to follow.

 

 

A Bloody Sunny Start

Our fave spot for breakfast was the Water Club’s lobby level Sunroom, a lush oasis of cascading waterfalls and plentiful plant life. So, perfect for lingering rapturously over a lobster & bacon omelette and a Water Club Classic bloody mary.

Swimming, Beer

We spent the morning having a swim or three, starting at the top, literally, with the Water Club’s Immersion Spa – 32 floors above the casino. Floating in the 80-foot long infinity pool with 360-degree views of the Atlantic shore had us feeling worlds away from the New York City anxiety and stress. Back at lobby level we lounged at both the indoor pool with dual jacuzzis, and the Borgata’s outdoor pool, which is conveniently located next to its super fun Beer Garden.

 

 

Over the Boardwalk

Atlantic City itself has a windswept charm that recalls a simpler time. The fact that some of the boardwalk casinos are shuttered lends the place a distinct air of mystery, but also a curious calm. The Hamptons it is definitely not. A leisurely walk on the boardwalk, requisite sun, seagulls and funky pizza joints in place, made for a genuinely enjoyably mellow afternoon.

Meatballs and Chris Rock

That evening’s dinner was at the newly opened Angeline by Michael Symon, the James Beard and Iron Chef award winner’s ode to classic Italian food. The menu had few surprises, just perfect takes on chicken parm, Caesar salad, and our fave, “Mom’s Meatballs.” On to the main event, as we packed into the on-site, 1000 seat Music Box Theater for a set from the still provocative Chris Rock, who was touring his Total Blackout show. (N.B. The theater also hosts a weekly burlesque show.)

 

Angeline by Michael Symon

Losing With Dignity

As the word casino features prominently in the Borgata’s name, there was no chance of ever losing sight of the hotel’s hundreds of slot machines and gaming tables. We limited ourselves to a modest bankroll, with which we managed to hang on to for close to an hour, before surrendering it at a blackjack table. The loss was well worth it for the great people watching, and a couple of gratis cocktails.

The Nightcap

A final nightcap was proffered in the form of good old bottle service at the hotel’s glammy mega club Premier – an over the top DJ emporium, which is promising a rebirth of nightlife in AC. Judging by the shenanigans we witnessed, we’d say they’re on to something.

 

 

Cartagena Cool Part II: The Lowdown on Latin America’s Most Alluring City

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Continuing our exploration of the seductive Colombian city of Cartagena de Indias (see Part I of the story), we ventured out of the walled city to see how the locals live.

A 10-minute walk directly south of the Old City, and past the Parque del Centenario, brought us to Getsemani, the town’s once very sketchy but now colorful bohemian hub. Strolling its quiet (during the day at least), narrow, tree-lined streets we came across all manor of intriguing urban life: old men playing dominoes in dusty front rooms – front doors and windows are often wide open, presumably to encourage a little circulation – which double as industrious, home-based businesses (i.e. beauty parlors), and stray cats and dogs lounging in the sun. In the evenings the bars fill up, and enthusiastic party people take over.

 

 

It was in Getsemani, and more specifically at Demente, a hip but romantic restaurant with a soaring atrium and amazing pizza, that we first met Julian Baker of Travel Colombia Direct – our insider for all things Cartagena. While Baker still sounds like the British prep schooler that he is, nine years in Colombia have infused him with a very South American cosmopolitanism, along with an excellent grasp of Spanish. His lovely Cartagenan wife Juliana, a jewelry designer, is also an advisor to the travel company.

“It’s a unique beautiful city,” Julian enthused, “with some of the most charming people I have ever had the pleasure of knowing. This place has something for everyone: typical and international gastronomy, pumping nightlife, first class hotels, fantastic shopping, history, art and culture. All wrapped up in year-round sunny days, local beaches and nearby islands – a magical place, that will take your breath away if you give her the chance to.”

Dinner and drinks at Demente gave way to a midnight stroll through the hot streets; kids were still up playing football in front of the old church and portable refreshment carts supplied unnecessary yet delicious, sugary nightcaps. We stumbled back to our hotel, the bewitching Casa Pizarro, while the street scenes played out until dawn.

 

 

For the record, another great hotel choice in the neighborhood is Monterrey, on Getsemani’s northern perimeter. It has a rooftop pool and bar with a magnificent 360-degree view of the city…for just $80 a night.

While the best shopping in Cartagena is in the Old City, we discovered the marvelous Artesanias de Colombia around the corner from our hotel, which retails beautiful, handmade local housewares and clothing. Moving farther afield we headed west to Bocagrande, Cartagena’s downtown and beach area, where new chain hotels and shopping malls are bringing modern gentrification to the area. We saved our water sports for more exotic locales, but found the charmingly ramshackle beachfront restaurant Kiosco El Bony, where we dug into a lunch of fried fish and coconut rice, all washed down with a couple of bottles of Aguila beer.

 

Artesanias de Colombia

 

Cartagena is surrounded by water and we were eager to get out on it. The best way to hit the waves is to charter a small private boat and head to the Rosario Islands (a cluster of about 30), about an hour off shore, with plenty of options for swimming, beaching, eating and drinking; a few even have hotels. Travel Colombia Direct organizes day trips and more, including yoga retreats, like this one in October. For something a little less elaborate, grab a taxi and head 30 minutes northeast of the city to the dusty town of Manzanillo Del Mar, where the beach is beautiful and quiet and you can grab lunch at one of the cheap and cheerful local restaurants.

On our last night we had a wonderful tapas dinner at the cool, international Spanish/Colombian restaurant Caffé Lunatico, on one of Getsemani’s quiet side streets. Afterwards we headed back to the Old City, joined the locals at Café del Mar, an always buzzing bar/restaurant on top of the 17th Century city wall, where we watched the sun set into the ocean.

Just as we found ourselves doing, you’ll likely spend the final hours of your trip to Cartagena planning your return.

 

Rosario Islands 

 

 

 

Cartagena Cool Part I: The Lowdown on Latin America’s Most Alluring City

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Cartagena de Indias, the exotic port city on Colombia’s northern Caribbean coast, has been something of an in-the-know spot for those with an adventurous streak. Indeed, Mick Jagger has been visiting since the ’90s, and Justin Bieber even bought a house here. And though the pace of new hotel, restaurant and retail openings might seem to indicate that the city has moved up the trendometer, it’s still under-the-radar enough to be…exotic.

Certainly there was a time when the words “vacation” and “Colombia” just didn’t sit well within the same sentence. In the ‘70s and ‘80s the country pretty much invented the cocaine industry, courtesy of noted narco-terrorist Pablo Escobar; and that, combined with the fifty-plus-years civil war with the Peoples Revolutionary Army (FARC), didn’t inspire visions of romantic Latin American getaways.

 

 

These days, however, it’s a much different story. In the early aughts the Colombian government launched a major get-rid-of-the-dealers initiative, resulting in a relocation of the Americas coke trade to Mexico. And effective efforts to end the civil war over the last several years has seen the remaining members of FARC assimilating into Colombian society. Colombia’s murder rate is at it lowest since the early ‘70s.

Cartagena was always the jewel of Colombia, the place where even Escobar would come to escape the, um, stress of his job. Fortress walls dating back to the 17th Century surround the central Old City – a UNESCO World Heritage site – and the main tourist area, within which you’ll find hotels and restaurants to rival those in Paris or New York. Beyond the walls are the scruffier but equally interesting enclaves of Getsemani, Bocagrande, Manga, and the quaintly residential Castilogrande. We fell in love with Cartagena and other spots along the Colombian Riviera on our first visit, and have been going back regularly since. Our eminent guides have been Travel Colombia Direct (more on them in Part II), who have helped us to feel at home in the city.

 

 

As long as you’re prepared for the heat – the year round prevailing temperature being hot – Cartagena is an easy and affordable getaway. JetBlue now flies direct from JFK in less time than it takes to get to San Francisco; and once there, typical hotel and restaurant bills are a good 25% less than you’d find in a comparable big American city.

Starting at the top is the classically sophisticated Sofitel Santa Clara, recently voted best luxury hotel in South America (a Conde Nast Readers Poll); Jagger stayed in the royal suite, as he would. Less opulent and pricy but no less charming is the lovely Casa Quero, housed in a historic colonial mansion. Fashion designer Silvia Tcherassi’s Tcherassi Hotel + Spa adds wellness and pampering, and has a chic poolside restaurant.

 

Sofitel Santa Clara

 

While Cartagena is technically a beach town, the actual beaches in town are not on par with their Caribbean neighbors (more on the amazing beaches just off shore in Part II), leaving travelers to occupy themselves as one would in any cosmopolitan city – and that obviously includes shopping. The spider web of streets in the Old City are a walker’s paradise of bustling local boutiques, street vendors, and upscale jewelers, with security at the door and NASA-worthy air-conditioning. With trays of dazzling emeralds and sapphires, Lucy stands out for its selection and service; for fashionable local styles we love the charming St Dom, but we’re also happy to explore the outdoor markets and vendors, including Las Bovedas, where we have tried on many a Panama hat. (Yes, they sell them in Colombia.)

Time to eat, and the options are seemingly endless. Of course fresh fish is a staple, as is plenty of steak, all accompanied by platacones, salsa, and beer or fruit shakes. One of our favorites is La Mulata, a casual Caribbean joint that’s always packed, and has some of the best grilled fish. Head to La Cevicheria early as, come dinnertime, the wait is endless; it’s got the best ceviche in Cartagena. For an over the top Argentinian carnivore experience, nothing beats the kitschy Patagonia Asados del Sur. And two new hotspots on our radar include the lively (it’s more a bar/club than resto) La Movida, and the pristine Moshi, which combines Asian and Caribbean cuisines; it was the first time we saw crispy pig’s head carnitas on a menu.

 

La Movida 

Coming up in Cartagena Part II we venture outside the walls to find the city’s equivalent of Brooklyn (or Oakland), plus an offshore paradise.

Celebrating Dorothy Parker’s Legendary Wit at the New York Distilling Company

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Perhaps the most stinging ever critique of writing-as-a-career-choice, Dorothy Parker once trenchantly suggested, “If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.”

Yet there is much about the epigrammatic American author that gets lost amidst the razor-sharp one-liners and ribald tales of boozing and, err…manizing. As one of the first female writers to flourish in the world of nineteen-twenties magazine publishing – at Vanity Fair and then as one of the initial editors of the New Yorker – she commanded legions of followers, many of her poems and short stories going on to become best-sellers.

Parker’s mid-career move to Hollywood was equally successful, earning her Academy Award nominations and the paychecks that come with them. Later blacklisted as a Communist after years of courageously championing civil liberties and liberal causes, she battled alcohol abuse and depression while protesting fascism and government abuses. DP was one tough chick.

Having passed in 1967, in 1994 she was brilliantly, incisively portrayed by Jennifer Jason Leigh in the scintillating, visceral biopic Mrs. Parker and The Vicious Circle.

 

 

In 2011 Brooklyn’s New York Distilling Company, the borough’s premiere craft distilling operation, created a gin in honor of Ms. Parker, a renowned gin lover. And this week they are organizing a pair of events in their in house venue, The Shanty, to mark the fiftieth anniversary of her death.

Members of the Dorothy Parker Society, along with some of the exalted writer’s relatives, are to be in attendance, and will be sharing stories of her life. Most importantly, as The Shanty is literally part of the distillery, there will be little chance of running out of gin.

Just take care to heed the words of Parker herself, “I like to have a martini, two at the very most. After three I’m under the table, after four I’m under my host.”

 

Memories of Aunt Dot

Friday, June 2nd, 6:30pm
Dorothy Parker’s grand-nieces Susan Cotton, Nancy Arcaro and Joan Grossman will be joined at The Shanty by the director of the Dorothy Parker Society, Kevin Fitzpatrick. Throughout the evening, The New York Distilling Company’s Dorothy Parker Gin cocktails will flow, while these intimately-knowledgeable hosts share stories and scrapbook memories of ‘Aunt Dot’.

Party Like it’s 1967

Wednesday, June 7th, 7pm
The Dorothy Parker Society will party like it’s 1967 to mark the 50th Anniversary of Dorothy Parker’s passing. This boozy literary evening will comprise live readings of Dorothy Parker poems, as well as music and a selection of Dorothy Parker Gin specialty cocktails.

 

The Shanty at New York Distilling Co.

Philippines Art Pop-Up Comes to Donna Karan’s Urban Zen

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Above: Ryan Villareal

No one would deny that most of the news coming out on the Philippines these days is far from uplifting. The island nation is in the middle of a seriously bloody police crackdown on supposed drug dealers and users, which has resulted in an average of a thousand killings a month over the last year. To make things worse, Trump has invited Philippine President Rodrigo Duterte, instigator of said crackdown, over to the White House recently for some chummy chat (and maybe a bucket of KFC).

Life had often been a little, err, dramatic in the crowded Asian country; up until the mid-’80s it was under martial law and run by dictator Ferdinand Marcos. Yet the last couple of decades are actually considered to have been reasonably stable. And this post-Marcos freedom and calm has lead to the blossoming of an arts scene in and around the capitol of Manilla, resulting in new museums, galleries, dealers (not that kind) and patrons.

 

  • Alfredo Esquilo
  • Dex Fernandez
  • Ian Quirante
  • Kawayan de Guya
  • Rodel Tapaya
  • Tony Leano

 

Flying in the face of all the bad press, a one-day celebration of Filipino arts is being presented in New York by the Philippine Pinto museum, in conjunction with the Asian Cultural Council. Pinto Manhattan Manilla, a wide-ranging exhibition of contemporary artists from the Philippines, will be open for a continuous 24-hour stretch starting at 8pm on Monday, May 22, at Donna Karan’s West Village ideological-philosophical lifestyle shop Urban Zen.

The goal of the exhibit is to shine a light on the vibrancy of Philippine art, specifically the 30 artists who will be featured. Skype stations will be set up at the space so that patrons can talk directly to the artists, and Dr Joven Cuanang, one of the nation’s top collector/patrons, will be on hand to discuss the emerging evolution of Philippine art in the States.

For our part, we’re curious to see how the turmoil of life back home has influenced this new generation of artists.

Mexico’s Glorious Mayakoba Resort Turns Ten

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Spring break had come and gone, but the group of young women waiting to board our short AeroMexico flight to Cancun early one morning recently certainly looked like there was an abundance of overly sweet drinks and cloying DJs in their future. It turned out they were part of a bachelorette party, which wasn’t a surprise at all.

As an entry point to numerous destinations on the Mayan Riviera, Cancun airport sees an interesting mix of travelers: the high-fiving bros and the women who put up with them head to the high-rise hotels on the closest beach; well-heeled nouveau hippies drive an hour and a half south to Tulum, where they can dip a toe into eco-tourism while still eating at restaurants imported from Tribeca; and stressed-out urbanites desperately in need of luxe pampering head for the geographical middle – the opulent multi-resort enclave of Mayakoba.

It’s been a decade since it first appeared – and Mayakoba still thrives by offering remarkably polished yet relaxed service at all of its enclosed resorts, at which the newest, Andaz, we recently dropped our bags. Andaz shares the Mayakoban encampment with three other resort hotels and their accompanying residences, each of which appeal to a slightly different demographic; we came for a long weekend and this is what we found at Andaz Mayakoba.

We’re very big on first impressions, and Andaz nailed it with their circular open-air reception area, The Sanctuary, which is built around a pool designed to resemble the fabled jungle cenotes.

 

Image by Tadeu Brunelli

 

Our airy open plan room looked out on to the hotel’s lagoon, home to hundreds of species of chattering birds – all of which are included in the rate. As was one fat, happy looking iguana – who may have discovered Mayakoba’s array of excellent dining options.

Indeed, with three poolside restaurants-slash-bars at the hotel, and no particular business to be done, cocktails en la piscina was a perpetual option. We couldn’t imagine saying no to an expertly made pina colada…and didn’t.

Guests of each resort have the privilege of touring the other three, expanding dining options exponentially – not that we wasted any time doing the math. Andaz by itself flaunts four superb restaurants, ranging from hipster casual at OllaTaco (Yucatan street food), to elegant fine dining at Casa Amate.

Technically there’s nothing outside of the Mayakoban encampment that you can’t live without; but we were in the middle of a Mayan jungle, so we got out and explored. Tours of the amazing cenotes (underground rivers, pools, and caves) are a must – our new friends at 4Worlds Expeditions escorted us through one of them, as well as taking us to a sacred Mayan cacao ceremony. It wasn’t quite “altered states,” but it was the middle of the afternoon, after all.

 

 

Image by Tadeu Brunelli

 

A series of canals and waterways connecting all four resorts flows throughout Mayakoba; Andaz offers an eco cruise that ferries you through mangrove covered banks while you try to catch a glimpse of a baby croc (we did). Oh and you can have them bring champagne and snacks (we did).

The beach. Do we really need to say? It’s stunning.

But Andaz’ de rigueur spa Naum was where we passed most of our leisure time – with such wellness wonders as a hydrotherapy room featuring a shaved ice face bath and a customized fragrance roll-on, made from ingredients you choose, as a parting gift. The hot stone massage was…hot stuff.

Perhaps we were most charmed however by El Pueblito, at the entrance to Mayakoba. Created to look like a town center of yore, with cafes, shops and even a church and a quaint stone gazebo. It’s a Mexican-inspired recreation of Mexico, in…err, Mexico. How meta.

 

 

 

Images 1,2,4,5,6,7,8 by Jeffrey Leder

A Weird Chat With Yoko Ono’s Fave New Band Moonlandingz

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Image by Chris Saunders

Making time out of their crazy schedule for an exclusive stop at Rough Trade in Brooklyn last Thursday, Sheffield’s one and only indie supergroup The Moonlandingz gave us a firsthand view of their freaky new video, and chatted about life in these rather  confusing and ominous times.

The musical collective was first put together by Steel City’s electronic wizards The Eccentronic Research Council (Adrian Flanagan and Dean Honer) and Fat White Family’s Lias Saoudi and Saul Adamczewski. Their new album Interplanetary Class Classics features guest appearances by Yoko Ono, Randy Jones (the, um, Cowboy from The Village People), and Human League’s Philip Oakey. It was co-produced by Sean Lennon.

The band recently teamed up with the same people that brought you the iconic video for Kylie Minogue’s ‘Can’t Get You Out Of My Head’, for their bonkers new video accompanying the single “The Strangle of Anna,” featuring the voice of Slow Club’s Rebecca Lucy Taylor.

We had a quick chat with Adrian about it all.

 

 

The band has been described as ‘fictional,’ and is a great invention. But it seems to be operating as if non-fictional – gigs and albums and such. Might this turn into a long term thing?

It’s all just an elaborate hologram on the eyelids – and a worm in the ear, aimed at those with no culture. The absolute hopeless.  They, like us, know it’s all about the present and that it’s pointless to talk too much about any future. We are not Nostradamus, we are just humble, inwardly articulate Northern plebes, with over-fertile imaginations. So yes, maybe!

How did the Lennon/Ono relationship come about, and is Yoko to be trusted when she says “The Moonlandingz are one of the most important new British bands today”?

It’s both private and well documented and…don’t be rude, Yoko is Truth!

Besides Sheffield what is the coolest city in the UK these days?

Any city that doesn’t have a pitchfork, village mentality.

What are your thoughts on Brexit, what influence might that have on the arts? Will there be a cutting of arts programs, will there be a UK resistance movement like in Trumpville?

It’s going to hit little groups on independent labels bad. Because of streaming, musicians can’t earn any real money by simply making music and people buying it. Now, the only way musicians can earn money is by touring till they are physically and mentally ill – but once Brexit becomes a ‘genuine thing,’ it’s going to be like doing shows in the U.S., where you pay a fortune for work visas, that take a fuck of amount of form filling, with detailed proof, visits to embassies, all kinds of vast security checks – all the things that are the antithesis of free thinking, free moving artists – to maybe if you’re lucky, put a couple hundred quid in your pocket.

And Europe?

We can’t wait to pay €1,500 [per musician] to play a gig in Bourge in France, and be taxed to high heaven on a low fee concert where the bar staff and security are getting paid more than us. That is and was what was good about Europe – you could get in a van and pretty much drive anywhere and play to people who wanted to hear you. I fear that’s going to all change very quickly now that the Earth seems to be willing to allow these racist, fascist, genocidal maniacs to run the world…we can only pray for some form of divine intervention!

BLACKBOOK PREMIERE: New THRILLERS Single ‘Drifting’

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With their high-energy debut Break Free set for release at the end of May (and hot off a successful spring tour) the buzz has been swirling around Los Angeles electro-pop siblings THRILLERS.

Tall, dark, handsome, and with je ne sais quoi to burn, the Pearson bros (Greg and Jeremy) forward an irresistible brand of dance-pop that combines elements of ‘80s new wave, contemporary R&B and fierce electro – with a little help from talented friends. The album was helmed by production duo Back Talk, and features collaborations with musical jack-of-all-trades Twin Shadow. They also belong to the LA creative collective Light & Music, responsible for the Dance Yourself Clean parties.

The second single off the album, “Drifting,” which BlackBook premieres here, is thrillingly of-the-moment and zeitgeisty – just groovy enough to make you dance while the Apocalypse looms.

 

EXCLUSIVE INTERVIEW: Jean-Michel Jarre on Resistance, Edward Snowden and the Future of Electronic Music

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Image by Marc Tso

Electronic music doesn’t have the best image these days. Enjoyed primarily as a soundtrack to dressing up in random headgear and getting wasted, and ‘performed’ by DJs who dance around a lot on stage and occasionally push a button, the EDM scene has about as much in common with serious music as with fishing. The roots run deep, however, with the first strains of solely electronically produced audio coming out of Germany (natch) in the 1950s, and with early electronic instruments dating back fifty years prior.

The ‘70s was the real dawn of the synthesizer, with Kraftwerk, Can, Pink Floyd and Genesis all early adopters. And then there was France’s Jean-Michel Jarre, whose 1976 album Oxygene, recorded in a makeshift studio in his kitchen, would go on to sell 15 million copies. Throughout his 40-year career since, he’s sold more than 80 million records, securing his place among electronic music royalty. His is considered, in a sense, the father of electronic music.

And always as relevant as ever, last year he recorded a track with Edward Snowden for his critically lauded album Electronica 1.

His live events are legendary and have involved complicated light shows, pyrotechnics, and his signature ‘laser harp.” When 3.5 million Muscovites showed up to witness his 1997 performance of Oxygene they comprised the largest concert audience ever. And while Jarre has continuously released albums throughout the ensuing decades, and toured to support them, he has never done a full-fledged tour of the states. Until now. This May, Jarre will play nine shows in the US and Canada including stops at NYC’s Radio City Music Hall. BlackBook dialed in the maestro for a quick chat from Paris, where we was putting the finishing touches on rehearsals for the coming extravaganza.

 

 

Tell us about the show you’re going to be launching in North America.

I’ve devised something quite special which is like 3D without glasses using different layers of screens. I was quite scared that it wouldn’t work, but we’ve been blown away with the results at rehearsals. I have an extraordinary team of computer whiz kids, it’s the kind of show you must experience live.

The venues you’re playing aren’t typical electronic music rooms.

I’m so pleased to do Radio City. When I was 18, 19 years old and first came to New York I still wasn’t sure what I was doing with my life; but I said if I ever played in New York that I’d want to do Radio City.

Why has a US tour been so long in coming?

My relationship with my father was a little difficult and America was always the territory of my father. And for one thing or another tours were postponed; but now is the right time and I am really looking forward to it.

How do you see the current state of electronic music?

These days a lot of electronic gigs are based on the principle of having a usb key and pushing one button. My idea is about playing electronic music live on stage with great musicians. We have three people trying to deal with around 50 different instruments, and I want to keep a live feel, which makes this quite different.
The future of electronic music is live, people are feeling like something is wrong; you can’t just push one button and clap your hands for two hours, its not enough. When I see a lot of festivals these days it reminds me of what I was doing 20 years ago with visuals and lasers. This show could be what the future of electronic performance is.

 

 

Your Electronica album last year featured a track with political whistleblower Edward Snowden. Will the shows include any sort of political messaging, considering the rise of anti-intellectualism and borderline fascism around the world?

I have huge admiration for him, he’s a modern hero; in this concert he’s appearing on video and we’re even preparing for a live “intervention.” He’s still in Moscow, it’s a shame he’s still there. Having him as part of the concert might explain to people how they should not be brainwashed by propaganda.
This tour in my head and mind plays under the idea of making noise in a country I deeply love, America. We mustn’t forget that America was founded under an act of resistance to the king. My mum was a great figure in the resistance in the Second World War and I was told by her that if the people in power were doing things that were harmful to society that we must stand up to them and we must resist. All social progress has been made through resistance, the abolition of slavery and prohibition, human rights, rights of women. More than ever artists and musicians have a role to play, and it’s where we can be relevant.
I have a big trust in the American people, democracy is never stronger than when there’s a risk; and in a strange way democracy is at risk when things are hidden. When you see people doing things that are harmful its easier to resist.

Is your new release Oxygene 3 a sequel to your groundbreaking album from the ‘70s?

It’s a brand-new project, when I did the first one I did the songs like chapters in a book, like a soundtrack, and I thought it would be interesting to keep the same concept here in season three of Oxygene. After the massive project that Electronica has been, I wanted to use the same approach as the last one where I made it in six weeks with a lot of minimalist equipment. And I did it like back in the vinyl days, where I thought of side one, side two, one dark and one light and melodic. Of course, I will incorporate some of this in my current tour as totally new material, and I’m also going to play some brand new music to make it a truly special experience.